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Which is better a no-frills USB interface with just a couple of inputs or a Mixer with an integrated USB interface.
Last edited by dga; 06/04/16 11:59 AM.
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What is your purpose for asking? Both will only have 2 channels for input for simultaneous recording
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There's good and bad examples of both.
It usually comes down to what you need and how much you're willing to pay.
ROG.
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As you know DGA, I use a power mixer pre-amp (a Eurorack) with phantom power going out to the left channel of a 2-channel Focusrite USB Audio interface. That Focusrite USB cable then goes to the computer. (Thus I keep the phantom power on the Focurite off and just use it as an in, two channel.) That is, the path is instrument to preamp, out to Focusrite, into computer.
I do that so I can get more "juice" without overloading the gain on the Focusrite, I also have control over the EQing using the mixer on the preamp before the sound hits the Focusrite, which gives you a LOT more control. The Behringer Eurorack is famous for being very inexpensive with almost no noise. I also use a booster on the mic before it even goes to the preamp and I still get no detectable noise in Real Band when I solo the vocal. Clean as a whistle. (I keep the gain the Focusrite channel around 9:30 and the level on the preamp at about 10:30, same for gain on the preamp. Those with softer voices will want higher settings.)
Also, if I want, I can have a vocal going in to channel 1 on the Focusrite coming out of the preamp, and the acoustic guitar going in to the right channel of the Focurite clean-- if I want an unadorned acoustic sound and I want to capture myself playing and singing at the same time on two separated channels.
You have to make sure to go into audio preferences in Real Band and set audio record L+R though. Most of the time, I just have it set to left.
It works really well for me and I hear it is a very common one man band home studio set up, though I thought I had "invented it."
It may not be for everyone, but doing this gives me exactly the sounds and "beef" I want out of tracks. (For electric guitar, I mic the amp, which is routed through the preamp.)
I also exclusively record audio into RealBand. It is my DAW of choice for recording audio, although I have Sonar, which I mix in.
Sonar is great for mixing, but I find it really glitchy with audio recording. Real Band never lets me down. It is my work horse.
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Which is better a no-frills USB interface with just a couple of inputs or a Mixer with an integrated USB interface.
How many inputs do you need? How many phantom power channels? Recording a full band, with the drums miked? Not enough information, OP. Regards, Bob
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Which is better a no-frills USB interface with just a couple of inputs or a Mixer with an integrated USB interface.
How many inputs do you need? How many phantom power channels? Recording a full band, with the drums miked? Not enough information, OP. Regards,Bob Ok I am looking at this unit http://www.sweetwater.com/store/detail/Ui12Just about the same price as a bunch of mid level USB interfaces that do not have the ability to record 12 inputs at a time. Or this unit for $100.00 more 16 inputs http://www.sweetwater.com/store/detail/Ui16I'm working with a worship group recording in the church. Right now I record a scratch track of the group then with the same interface Focusrite 2i4 and my laptop we record each part by itself. Drums first then Bass, Keys, Vocals. The question is do invest in a larger unit to record multiple instruments at the same time. There isn't much explanation about the USB out working with a DAW on these boards. So does anyone have these units or any experience with their functionality with a DAW.
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Discounting the issue concerning the number of inputs and the bells and whistles kind of things......
Which is better, a basic interface or an integrated mixer/interface?
I've seen some good combo units and I've seen some bad ones. Personally, I don't like the combo units. I prefer a good solid interface with built in preamps for the audio inputs and phantom power so you can use condenser mics. My biggest nit with many of those combo packages is that they are not as versatile as they should be and many of them use proprietary codecs rather than true ASIO drivers.
My studio rig is a simple Focusrite Saffire interface into the computer. Mics and guitar gets plugged straight in. No mixer board required. ASIO drivers.
SO, my vote is: Get a good solid interface. Spend a few more dollars if you have to, and remember, you will never regret buying a good interface.
Edit: many of the issues we would deal with quite often, in the Cakewalk Music Creator forum, trying to help people get started, was that many of them had bought one of the combo units and was having issues with getting the drivers and codecs working properly with MC. When they told us the kind of unit it was or who the manufacturer was, we thought... "Oh No.... not another one."
Last edited by Guitarhacker; 06/05/16 01:50 AM.
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>>> I'm working with a worship group recording in the church. Right now I record a scratch track of the group then with the same interface Focusrite 2i4 and my laptop we record each part by itself. Drums first then Bass, Keys, Vocals." <<<
I have found the most complete and versatile option for 'recording the band' scenarios is a stand alone multi track recorder such as the Tascam DP-24. It is a rock solid performer. Free of glitches. Portable. Will record up to 8 tracks simultaneously. Has punch in capability. Very, very easy to setup and operate.
It costs less than the other options you are looking at.
If your guitar is in tune, you can be recording a song before you can turn on a computer and open your recording program. It comes with onboard effects and dynamics. No drivers, Asio's or compatibility issues. Easily transfer files by SD card or USB.
If you can operate a cassette deck, you can operate a DP-24. Recording is really as simple as firing it up, arming tracks, setting levels and recording.
In your case, you could simply record your tracks and overdubs to the DP-24, move the SD card to your computer and import the tracks into your DAW. It's possible you would not need any of the advanced editing or effects features of the DP-24.
I prefer the DP-24 over the DP-32 because the features and differences between the two units do not add enough value to justify the cost difference. They are essentially the same other than mixer track count. Recording inputs, software and features are otherwise identical.
Last edited by Charlie Fogle; 06/05/16 02:23 AM.
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I have to go with Charlie on this (but it doesn't have to be the/a Tascam although, as he says, it is a solid unit)
Since you indicate your biggest use/concern is live performance (aka "gigging") a purpose built piece of HW recording solution is going to be infinitely more reliable, easy to use, service after service, night after night - JUST MY OPINION and HOW I WOULD do it.
And as cheap as some are you can get a BACKUP (a lower cost 2, 4, or 8 track) unit for those "just in case crap happens" scenario's: someday not only will your horse not win, place, or show but it WILL CRAP all over you!
(remember this motto: "one is none, two is one")
PS use GOOD MICS (and same motto applies)!
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Can't tell whether the Soundcraft records each channel separately or if it's like most cheaper usb mixers where it only lets you record a stereo mixdown of all of the input channels
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Can't tell whether the Soundcraft records each channel separately or if it's like most cheaper usb mixers where it only lets you record a stereo mixdown of all of the input channels Yes that is a question I have since it does not come with software DAW I suspect its a cheaper USB Interface.
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@ Charlie. I have a Tascam DP03SD which I use to record rehearsals so if someone is out they can listen to new music. It is also the unit that I use to create the scratch tracks. Limited to 2 inputs at a time. But infinite digital bouncing even if you fill up all 8 digital tracks you can bounce to 2 master tracks and free up all 8 of the tracks again. I don't know how they do it but it works. I never thought of getting the 24 track unit. I was told the CD burners were poor. So the earlier units that did not have a SD card were worthless. The CD repair would cost more than the machine.
So thanks for the tip I'll look into this.
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Yes always extra cables. Mic, guitar, and headphone extension cables.
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Can't tell whether the Soundcraft records each channel separately or if it's like most cheaper usb mixers where it only lets you record a stereo mixdown of all of the input channels Yes that is a question I have since it does not come with software DAW I suspect its a cheaper USB Interface. The PDF manual is available at the Sweetwater site at the bottom of the page. According to the manual, 2 channel USB. Playback only for the UI12 and recording is only available with the UI16.
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@ Charlie. I have a Tascam DP03SD which I use to record rehearsals so if someone is out they can listen to new music. It is also the unit that I use to create the scratch tracks. Limited to 2 inputs at a time. But infinite digital bouncing even if you fill up all 8 digital tracks you can bounce to 2 master tracks and free up all 8 of the tracks again. I don't know how they do it but it works. I never thought of getting the 24 track unit. I was told the CD burners were poor. So the earlier units that did not have a SD card were worthless. The CD repair would cost more than the machine.
So thanks for the tip I'll look into this. I have one of the earlier models of the DP-24 that had the CD and have not had any problems. The early units also included and recorded on SD cards. So, if you find an older unit with a bad CD player/recorder, it is not worthless. Just record to the SD card and burn your CD's on your computer. I also owned the predecessor 2488 NEO for several years and had no issues with its CD player/burner. I've owned the Zoom R16 and the Roland Boss 1200 and have been most satisfied with the DP-24. The DP-24 is not as menu driven as the DP03 and even though it is digital, it has a more analog feel navigating the controls. Most of the buttons and knobs function from the channel selection button and that in particular is very useful making each button the same across the entire mixer. I've used the DP-24 as a mixer for many small gigs as well. It works well as an 8 channel mixer with 2 aux outs and stereo mains out.
Last edited by Charlie Fogle; 06/05/16 05:22 PM.
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Can't tell whether the Soundcraft records each channel separately or if it's like most cheaper usb mixers where it only lets you record a stereo mixdown of all of the input channels Yes that is a question I have since it does not come with software DAW I suspect its a cheaper USB Interface. The PDF manual is available at the Sweetwater site at the bottom of the page. According to the manual, 2 channel USB. Playback only for the UI12 and recording is only available with the UI16. Charlie I emailed my rep asked him to check if there were any recent Updates to the firmware on these mixers. Checking to see if there were any changes to the 16 channel one. I suspect at these prices not, so it looks like 700.00 price point starts the mixers with individual digital channel outs. With DAW software included.
Last edited by dga; 06/05/16 05:32 PM.
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I used to use a 16 channel mixer to route instrument/mic inputs in/out from the PC.
I dumped the mixer when I got the Focusrite 18i20 interface.
Since it has good preamps, it eliminated the need for a mixer and saved me $$$.
Now if I want to record remotely, I just take a laptop and the Focusrite and connect all the instruments to that.
The software mixer still allows me to tweak levels between instruments that I would do on a hardware mixer.
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I suspect at these prices not, so it looks like 700.00 price point starts the mixers with individual digital channel outs. With DAW software included.
You may want to look at Roland's Octa-Capture: http://www.sweetwater.com/store/detail/OctaCapture?utm_source=MSN&utm_medium=PPC&utm_campaign=none&utm_term=Brandroland&creative=9338692676&device=cIt has ten inputs and outputs as well as input and output mixers, variable sample rates and an optional reverb built into it. It also has Win 10 plug n play drivers. It works perfectly in Sonar and BiaB; since it works in BiaB I will assume it also works in RB. I have had this unit for about 5 years now and it has worked perfectly. Note that you will need a computer to record, but it does come with a lite version of a DAW.
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I used to use a 16 channel mixer to route instrument/mic inputs in/out from the PC.
I dumped the mixer when I got the Focusrite 18i20 interface.
Since it has good preamps, it eliminated the need for a mixer and saved me $$$.
Now if I want to record remotely, I just take a laptop and the Focusrite and connect all the instruments to that.
The software mixer still allows me to tweak levels between instruments that I would do on a hardware mixer. I would think you saved money because you already had invested in a home studio and had a computer. In that scenario, the compromised live mixer performance of the 18i20 makes sense. Starting from scratch and including the cost of a laptop, for live gigs, a digital mixer would seem to be the better choice and would also double as a quality home studio DAW interface. You spend another $100 more than the 18i20 and purchase a Behringer X32 Core. It seems a much better solution for dual purpose field and studio use. For field recording, unless the track count needed is more than 8, I believe the best setup is done with hardware rather than involving a computer. Hardware will be more reliable, require less setup time, fewer components to deal with and cheaper. When I do field recording, I prefer the DP-24 because it looks like a mixer, functions like a mixer, everything is 'in the box' and no external components are necessary. The footprint is small so space is not an issue. I purchased a rolling metal mixer stand and that is all the space I need to occupy. No more room is needed than the space of a mic stand or music stand. A single power outlet, no power strip necessary. (I do use a power strip for filtering and spike protection.) Simply roll in, connect power, inputs and headphones and I'm recording. It can be done in less time than you can set up, fire up the computer and open the software program.
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Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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