Yes, in the studio I listen carefully to any opinion the engineer offers. He or she normally doesn't say much if the producer if good, so when they do say something, it's the product of a lot of experience talking. Good for you, Bob.
And yes, I would quickly go crazy working with anyone who wasn't sharp on theory.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
Charlie! I spent 5 minutes replying to you only to see a message that the post I was replying to got deleted!
Arrgh.
Matt, the more time I spend with them the more I get the group dynamics and intent of their project, so each week I get more comfortable suggesting things. The fact that they are objective and consider my input also encourages this. Some bands don't want to hear it, so I just sit there and push buttons and sliders .. and I'm OK with that too. <grin>
I do not work here, but the benefits are still awesome Make your sound your own!
So Thursday I had to point out the elephant in the room.
Funny you mention that. Musicians all over Cleveland don't like me much because I have never seen an elephant in the room that I did not quickly point out....
Sometimes even a 400 pound gorilla. (If it's the bass player.)
I find this puzzling I ask myself would a person with absolutely no musical understanding be interested in creating music. If so would they not at least attempt to get some basic understanding.
I once played guitar for an old time dance band back in the early 70's. The band leader insisted we could read and her best reader was her trumpet player. She would tell us what tunes we were playing and hand out the sheets. However, she would hand out the sheet say in the key of C the proceed to play in Bb. The next night play the same sheet and play in F or maybe A. I asked the trumpet player how he coped. His reply was " Don't tell her I can't really read. I just work out where she is and follow the dots up and down, I know how long the notes are, but I don't know what's what". My opinion was this guy knew music and did in fact sort of read and transpose on the fly better than most.
Over the years I have spent a lot of time helping people by backing folk in country music clubs. At these country music clubs members come along to sing a song. If you were lucky enough to get a chord sheet of any meaning you often had to listen to what the artist was doing and work things out on the fly. In these cases experience outweighs the ability to read. To be able to play solos based on what the artist was singing and or help them out when they faltered was a priority.
These days I can't read a note but I do understand what should go where. At 69 I can still play guitar blindfolded or behind my head. I just can't play it as well as I did 40 years ago but I still enjoy it and it is great to go around nursing homes (and other places) having people singing along with me and enjoying a good time.
My thoughts
Tony
HP i7-4770 16GB 1TB SSD, Win 10 Home, Focusrite 2i2 3rd Gen, Launchkey 61, Maton CW80, Telecaster, Ovation Elite TX, Yamaha Pacifica 612 BB 2022(912) RB 2022(2), CakeWalk, Reaper 6, Audacity, Melodyne 5 Editor, Izotope Music Production Suite 4.1
...These days I can't read a note but I do understand what should go where. At 69 I can still play guitar blindfolded or behind my head. I just can't play it as well as I did 40 years ago but I still enjoy it and it is great to go around nursing homes (and other places) having people singing along with me and enjoying a good time.
To be honest, I can't think of any single thing that could possibly be wrong with that. Not a single thing. Keep at it.
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Reading, while it is a helpful tool, is not always necessary. You'd just not really get calls for session work where it is a sight reading gig, and there is not a lot of that around much anymore. It is quite easy to get by playing copy dates because you can learn "songs" without learning "music" (they ARE 2 different things). But the statement can never be made that a player who read sis somehow "better" than a player who does not.
The thing about someone with a background comes into play where you go to a rehearsal and the guy leading the song will say "This is in C." You can then immediately envision C-F-G with a Dm, and Am, possibly an Em tossed in somewhere for flavor. THOSE guys are easier to lead around the maze of a brand new song than the ones who have to hear a song 150 times before they know the chord changes. The readers and more heavily steeped in theory players are likely listening to the song for the first time and writing a chord chart, where a guy who doesn't have the chord recognition tool in his bag wouldn't know what to write, only to remember that "at this place change to this chord".
One great example I can give you was a spot in a song in C where there is a breakout section that went Dm, Bdim, F. Gsus, G.... to say that to someone who doesn't know what notes make up that Bdim, you may as well be speaking French to a Cuban. But to tell that guy "B, D F, G# or Ab (however he chooses to think of that note - I would say Ab)" then he can play it. And he has probably played it before without knowing he was playing a Bdim.
It's a personal choice that I don't like to learn by ear, which comes from not liking to play other people's songs like they played them. But back to what I said earlier, and closer to topic, that doesn't mean I think I am better than someone else because they never learned theory. I just have that "tool" in my bag.
I have zero formal musical training but I have managed to become reasonably proficient (D level) at 3 chord rock and blues on guitar and bass. I know one scale (pentatonic, ok so maybe that's 2 scales Pentatonic minor and Pentatonic major!). But I have learned enough that I can play and write songs. If you want to make music, especially with others, it is useful to understand the basics of musical language, like chords, keys, what I-IV-V means, etc. But the concepts are not that hard.
I expect any musical training techniques could be put into biab as an option. So the numbering system could easily work alongside chords, and be voiced as well, whilst you are learning the song. Such auto familiarisation would lead to acquiring a worthwhile skill.
Using: Dell 3268 i3, 8 GB ram, windows 10. Biab version 2017 standard package, no extras.
Funny and interesting tread. I have not played any instrument for a very long time. But when I was younger, I used to play Trumpet, guitar, bass, and simple piano. After starting with BiaB i have not played anything, except making/arranging songs in BiaB. I really love BiaB. When I was young and listen to music, I always dreamed about making something similar. And now I can. By using BiaB... I actually stil have a trumpet, a keyboard and a USB Wind instrument. It is just that I am to lazy to start playing again I guess. Or, it is just to much more easy for me to work on stuff in BiaB.
Forever Grateful, BUT, sometimes pissed of. Trygve "Leo" Larsen BiaB 2020, Windows 8.1, Intel Core i5 CPU, 270GHz, 32 Gb RAM My OLD tracks on Soundcloud; https://soundcloud.com/trygve-larsen My NEW is unpublished The Universe = Uni-verse ie one song.
I am a Solid D with decades of live playing under me belt....and I can not see anyone without at LEAST a grasp of chord progressions / styles using BiaB to good effect....IMHO....
i5 3.20GHz, 32gb RAM, 1tb SSD OS, 12tb HDD, 4gb gForce vid card, 32" monitor, Audient id44, Win10 x64, BiaB/RB 2023, Reaper 6,IK Multimedia Total Studio 3.5 MAX, Waves 10
This software provides a great opportunity for people to write songs even if they don't play, so I wonder 2 things. Which group do you fit in?
A. I have had zero music education in my life. B. I do not play an instrument. All my songs are 100% software created. C. I play an instrument but not all that well. D. I play at a fairly proficient level. E. I am a monster player.
And the second question is for only people who are in group A.
If you have had zero music training, how do you know what to enter into the chord sheet page to create your songs?
When I said zero music training, I meant zero. Like if you don't know that there are 12 keys, how do you know what to put in on bar 1?
This question grew from someone asking me about the software. She said "Oh that's cheating. If that's all that takes ANYBODY can write songs."
So I invited her over. Sat her at the computer. Started Real band. Got her to the chord entry page, and said "Go. Write a song if it's that easy."
She: "What do I do here?" Me; "Enter your chord progression." She: "What's a chord?" Me: "What do you mean what's a chord? You said anybody could do this. Even with no music skills."
And that ended the discussion. (And I likely will never see her again. LOL!)
It is hard for people who play or have played, and/or had training either in school or on stage, to understand that we speak in terms that contain implied knowledge. To tell someone "A major chord is 1-3-5." evokes the question "What's a 1? What's a 3? What's a 5?" WE know that it means the steps of a scale, which would then evoke the question "What's a scale?"
So, again, I am just curious. The people I know here who have been around a while, I know your level of experience and education, but some of the newer names or just people with whom I have never interacted, I am curious to know your music education and experience level, if you read, etc....
I was just about to post a question similar to this. In the steel pan world, most of the players are taught using the rote system. For anyone here who does not know what that means, the rote system is a system where the player is tough strictly by observation, aural communication, and hand guidance (the band leader will come up to the player and move the hands to show which note to play). These people have no musical training, music theory, sight reading skills, or composition skills. This is not just the players but the band leaders and arrangers. Yes, most of the arrangers or band leaders do not have any musical knowledge and somehow they are able to create some very complicated pieces whether an original or just a steel band arrangement. I would say that the players and band leaders/ arrangers are A when it comes to musical education, but E when it comes to playing, but there are steel bands and player, mainly in the states who can read sheet music and understand music theory. As for me, I would say that I'm a C-D with the steel pan, but I don't know much complex theory and I did go to school for music under music production.
I am going to post some videos of famous Panorama tunes for you all to showcase what A level musical knowledge but E playing looks like. Panorama is the biggest carnival musical event in Trinada and Tobago where the steel pan was founded. Each band made up of hundreds of people in the large band category, play a new piece arranged for that band each year for a chance to win $10,000.
Computer: Macbook Pro, 16 inch 2021 DAWs: Pro Tools, Logic, and Maschine plays drums, percussion, bass, steel pan, keyboard, music producer/engineer
There are too many examples to count of musicians who play by rote. There are still certain things one has to have some musical knowledge to do. Like Eddie said, how can you enter a chord if you don't know what a chord is? What is a quarter note, what is a quarter note rest, etc...........? You can't play with a band that uses charts to play without knowing how to read. Count Basie's band didn't have music on their stands but they had all the charts memorized. So many instances where one has to have some musical knowledge.
Asus Q500A i7 Win 10 64 bit 8GB ram 750 HD 15.5" touch screen, BIAB 2017, Casio PX 5s, Xw P1, Center Point Stereo SS V3 and EWI 4000s.
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
Look Ma! More MIDI 13: Country & Americana
Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
MIDI SuperTracks Set 44: Jazz Piano
Artist Performance Set 17: Songs with Vocals 7
Playable RealTracks Set 4
RealDrums Stems Set 7: Jazz with Mike Clark
SynthMaster Sounds and Styles (with audio demos)
128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
Look Ma! More MIDI 14: SynthMaster,
Instrumental Studies Set 23: More '80s Hard Rock Soloing,
MIDI SuperTracks Set 45: More SynthMaster
Artist Performance Set 18: Songs with Vocals 8
RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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