Remember Computer Shopper? It was basically a book of ads plus a few articles. It was as thick as a metropolitan phone book. In the 90s it was "the" way to find out what was happening in the new world of computers, peripherals and software.
Recently I was cleaning out an old file cabinet, and there was a folder labeled "future purchases"
One of the ads I had saved for future reference was from Computer shopper's April 1992 edition. As it turns out, I bought two of the items shown on this page: Cakewalk 4.0 and Band in a Box (not sure which version of BIAB I bought first. I'm pretty sure I bought Cakewalk first, then decided it wasn't easy to use. Later a friend at work introduced me to BIAB, and I remember thinking "THIS is how music creation should work!"
I remember Computer Shopper. I love seeing those old ads.
And that version of BIAB is three behind where I started (I started in version 8). I bought the ProPak and just as today, and then quickly realized that what I needed was the MegaPak (which at the time was the one with mostly everything - UltraPaks, UltraPlusPaks, and EverythingPaks came later), so when BIAB v9 came out, I upgraded to the MegaPak. Never looked back and have used BIAB for something on almost a daily basis since.
John
Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA
I also remember when other software first started incorporating audio loops. It was fascinating, but I thought that method of applying loops lacked the musical quality that BIAB achieved with its method of splicing snippets together into a cohesive song that followed the chords, and wasn't the same loop over and over.
At the time, people were getting frustrated by trying to play MIDI thru stock PC sound cards, and they couldn't get realistic sound. Even then the thought occurred to me that if PGMusic could ever figure out how to use audio loops the same way they were using MIDI snippets, they would have a game-changing product.
In 2008, they did!
To this day, nobody else has anything like it.
Hats off to Dr. Gannon and to everybody who has ever worked at PGMusic. Ideas are a dime a dozen. Making the idea work is much harder. And marketing the working idea into a product with a global user base is quite an accomplishment. Everybody reading this has benefited from your accomplishment. We thank you for making our lives a lot more fun than they would be without BIAB.
Check this out Pat, speaking of loops.... My first Sound Sampler for the Amiga, circa 1990.... I was also using Dr. T.'s KCS MIDI Sequencer and in years shortly after discovered Cool Edit Pro (now Adobe Audition). I was a late bloomer to BIAB but had my first experience with it in the mid '90s with a Music Theory class in college.
Check this out Pat, speaking of loops.... My first Sound Sampler for the Amiga, circa 1990.... I was also using Dr. T.'s KCS MIDI Sequencer and in years shortly after discovered Cool Edit Pro (now Adobe Audition). I was a late bloomer to BIAB but had my first experience with it in the mid '90s with a Music Theory class in college.
I remember in the early days of computing, the Amiga was a superior product that never got the foothold in the USA that it had in Europe. It was an interesting time when different platforms fought for market share. Microsoft's alignment with IBM pushed it over the top, when people like me decided it made more sense to learn the operating system we'd probably end up using at work... and PCs surged ahead of Amiga and Apple in sales, even though both of those were superior products.
And your post about the Perfect Sound Board reminded me of the first product I bought in my search for better MIDI output. It was a Roland Sound Canvas daughter board, which attached to some of the early Sound Blaster cards that were mainly for games, not music production. The daughter board had great sounds, and I used it until the Sound Blaster croaked. After which, I bought a Roland XV-3080 rack unit, which I still have... along with a bunch of expansion boards
My first BIAB was version 4, and I had Cakewalk Pro also. Fun post, Pat.
Not long after, I noticed Notes Norton's ads in Recording Magazine or some such for a "better band in your box".
I find it interesting that so many early adopters of BIAB are still active users! How many products from the early days of computing still exist at all, let alone still have faithful users who have been on board from the beginning?
as a tie-in to another thread about market share: PGMusic's ability to stay relevant in a changing market probably has a lot to do with their longevity (and therefore cumulative global user base). They outlived a lot of their original competitors, and they've parlayed their unique approach to making music so that the survivors haven't made them irrelevant.
The ability to export tracks directly to other DAWS was a brilliant idea, because it eliminated the idea that you only need one piece of music making software. By positioning itself as one part of a multi-faceted system of music creation, I think PGMusic pretty much carved out a niche that has become unassailable.
It was an interesting time when different platforms fought for market share. Microsoft's alignment with IBM pushed it over the top, when people like me decided it made more sense to learn the operating system we'd probably end up using at work... and PCs surged ahead of Amiga and Apple in sales, even though both of those were superior products.
Spot on Pat. I worked at a "Software ETC" computer store in 1989. That year most PC software sales was business/productivity software and they were getting a foothold on gaming software. We did sell lots of Sound Blaster 1.0 and Adlib sound cards. Amiga had the edge on games, art (Deluxe Paint), music followed by Apple. The original Macintoshes' were popular and Amiga had adopted their windows desktop look before M$ had got there. Of course M$/IBM would steal share from the others as you mentioned.
I also find it interesting that in 1992, Cakewalk Pro cost $175 while BIAB cost $59 (what would that be today, adjusted for inflation?)
Yet, today, Cakewalk is free while a first-time purchase of BIAB can run as much as $669!
Prices adjusted for what the market will bear? You can't charge more for a product that nobody wants to buy!
And given a marketplace that is so glutted with similar products that a popular product like Sonar is abandoned, then resurrected for free... PGMusic's ability to continue charging relatively high prices for its flagship product tells us all we need to know about the demand for BIAB. People tend to vote with their wallets. They won't spend money for products they don't want.
Of course M$/IBM would steal share from the others as you mentioned.
yeah, and they also stole a lot of ideas from their more creative counterparts.. like the GUI
Also one of the Mac's early advantages was that they had a standardized SDK, so all of their software looked the same, making it easy to learn any program that was available. PC software, on the other hand, was all over the place, with everybody trying to create their own interface.
Visual Basic changed that. With a standard set of menus and dialog boxes etc, it wasn't long before a bunch of top-notch shareware emerged for the PC... all of which looked and worked the same way.
Sorry for saying stuff everybody already knows, but I'm on a roll down memory lane and I can't find the brakes. ;-)
Pat, I don’t recall if I’ve told you this but I worked for Tandy in the 1970s. People know Tandy as Radio Shack. I used to take a computer in 1977, strap it into the passenger seat, and head to shows, schools, corporations and even TV appearances. I would often compete with the Apple dealer.
Working near the enormous IBM in Poughkeepsie NY, I sold tons of personal computers TO IBM and to IBMers years before they came out with their own personal computer in 1981.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
Check this out Pat, speaking of loops.... My first Sound Sampler for the Amiga, circa 1990.... I was also using Dr. T.'s KCS MIDI Sequencer and in years shortly after discovered Cool Edit Pro (now Adobe Audition). I was a late bloomer to BIAB but had my first experience with it in the mid '90s with a Music Theory class in college.
Small world isn't it as I started with an Atari and Dr. T,s KCS! Dr T's software was way ahead of its time back then. I also used Cool Edit Pro. I then got a PC and later go Cakewalk's Pro Audio 9.
I tried BiaB back in my Atari days and I didn't like it. That is probably due to the fact I was using lousy sound sources and I didn't have the MIDI knowledge that I do today. I went back to using my external Korg DS-8 and doing everything myself.
I tried BiaB around 2000-2001 and I liked the improvements that they did. I've been using and updating every since.
It is extremely impressive that a software company has been in business for such a long time. Especially a small market software business, meaning the percentage of computer owners recording music. I understand that it is the lowest percent tile of all the specialized computer applications.
Life is short so make sure you spend as much time as possible on the Internet arguing with strangers.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Mario, in a real way I'm STILL using Cool Edit Pro. I use Adobe Audition 1.5. Version 1 simply was Cool Edit Pro renamed, and version 1.5 fixed a few things. I also have version 3 which requires ASIO but rarely fire it up since 1.5 is so stable.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
In the US, Radio Shack was the poor man's way to open the gateway to computer land. The one close by my house sold the Model 1 and model 3 but also sold the Commodore and Atari product lines. Later on they sold IBM and GoldStar (Korean IBM clone).
There really isn't anything quite like Radio Shack today (sigh).
Jim, your local Radio Shack was a franchise store as opposed to a company one. They were typically much older established stores that added the part of the Radio Shack line they wanted to carry.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
Pat, I don’t recall if I’ve told you this but I worked for Tandy in the 1970s. People know Tandy as Radio Shack. I used to take a computer in 1977, strap it into the passenger seat, and head to shows, schools, corporations and even TV appearances. I would often compete with the Apple dealer.
Working near the enormous IBM in Poughkeepsie NY, I sold tons of personal computers TO IBM and to IBMers years before they came out with their own personal computer in 1981.
My first computer was a Tandy 1000 SX... it had:
one 5.25" floppy drive. (I upgraded to 2 so I could copy stuff)
8088 CPU running at 7.16 MHz.
640 Kb (not megs, not gigs, not Tb) of ram
no hard drive. I bought a 500 gig HD card for $500...
Monitor was monochrome green.
GWBasic! I loved that!
In the days before the internet there was PCLink, and you paid by the minute to be online. I once ran up a $200 bill because I didn't realize I was being charged. Glad those days are long gone!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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