There are a lot of anomolies like this in music and it makes things very tiresome sometimes. Being someone that plays instruments pitched in Bb Eb and C I hate all this transposition stuff its just so tiresome. I could rant on about the impracticality of notation and trheory for ages, its so needlessly obscure at times. We should remember that its a historical hotchpotch of this and that compromises for different musical settings and requirements. When music theory was originating there was no major scale just a bunch of unrelated modes (not the modern modes) and there was also no equal temprement scale this had to wait until Bach's day. I guess different orchestras, choirs, bands just tuned ot eachother

Of topic:
The whole idea of scratching little dots you can hardly see onto tiny tramlines and then littering the page with symbols with very silly latin names like 'Appogitura', or 'hemi-demi-semiquaver' is a major obstacle for many learners. I do hope some international convetion give this a rethink - we need an Esperanto for music.
BHy showing the absolute piutch names notation encourages people to read without thinking of the harmony (just the individual notes) and much essential information simply not apparent or horrendously dificult to notate.

End of rant.

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