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Lenovo YOGA 900 Window s 10 Home 64bit M4 pro Mac mini 1tb HD 24GB mem casio wk7500 presonus audiobox i2 usb interface
casio wk-7500
biab & realband 2025 everything pk both with Current builds
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No matter how much you got, you can't buy good health, and a random moment comes along...
Steve realized that you can't make much money from open source, so...it not does not matter to him. What next?
John Conley
Musica est vita
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Too bad but I can't get all that broke up about it.
- Bud
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Steve Jobs changed everything that we on this forum, and everyone who uses a personal computer do/does. Apple didn't invent the mouse or the GUI, but they introduced it to computing. Their Apple II series along with the Commodore 64 and Tandy Color Computer did more to bring computing to the masses than IBM or Microsoft. The Apple IIe in particular was a workhorse for early electronic musicians.
My stepfather was at the local computer meeting where Jobs and Woz introduced the first Apple computer. (I have seen that machine at a Fry's store in Santa Clara, California. It is literally built on a wooden plank.) This was in the days of Altair and other homebrew computers that used switches and lights for the interface, had a whopping 2 Kb of RAM and no storage. Everybody thought it was nice but couldn't see any potential.
The difference between a Gates, a Jobs, or any of the other giants in the cyberworld and the rest of us is vision. Many of us have their technical chops, but can't begin to see the potential of our own ideas. I don't think that "genius" is defined by intelligence. I think it is smarts combined with productivity that makes it. They have it; I don't.
I don't think I could have worked for the man, but I have to respect him. It is more than a bit humbling to realize that he was two years younger than I when he died.
"My primary musical instrument is the personal computer."
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10 PRINT "THANKS STEVE"
20 GOTO 10
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No objection to any amount of praise that can be given to Steve Jobs, but a couple of minor clarifications to points made here:
The Radio Shack Color Computer came out in 1980, three years after their TRS-80 Model 1, one year after the business-oriented Model II, and about the same time as the much more popular Model III. The Color Computer, with LOGO, never really caught on. I was selling and demonstrating Radio Shack computers at the time, and opened the first retail computer store in Albany NY. 1977 was particularly fun, when I would put a Model One in the passenger seat of my car and drive to trade shows and TV studios to demonstrate it as a contrast to the original Apple Computer.
The BASIC language snippet is perhaps not as appropriate to remember Steve Jobs as some Pascal code would be, since the development of the Lisa featured Pascal and many of us learned that language as a consequence. Despite many years teaching BASIC in those early times of microcomputers, Pascal is still one of my favorites.
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Quote:
Apple didn't invent the mouse or the GUI, but they introduced it to computing.
Yes you are correct, Xerox invented it. I was a tech for Xerox and they let us know all the stuff they have invented over the years at their labs. I was told they even invented the first computer virus, which was used to update all the computers on their network was the intention.
Brian
BIAB 2026 Ultrapack- Fender Studio Pro 8, Windows 11, Mac Mini M4 with Logic Pro 11, Melodyne Studio, Luna Pro
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Quote:
The BASIC language snippet is perhaps not as appropriate to remember Steve Jobs as some Pascal code would be, since the development of the Lisa featured Pascal and many of us learned that language as a consequence. Despite many years teaching BASIC in those early times of microcomputers, Pascal is still one of my favorites.
Well, the BASIC language code is my tribute because it was on the Apple II that I tried my hand at computer programming for the first time. That preceded the Lisa by some years, and was an immensely more popular machine than Lisa, if I could guess at sales numbers.
I was a 7th or 8th grade kid at the time, and the only computers that were in schools at that time were Commodore PET or Apple II. Since the Apple II had a color monitor, of course I was drawn to that. My dad was a 6th grade teacher and could bring home the schools one Apple II sometimes on weekends. I would stay up late programming or playing Oregon Trail. That was the time frame when the floating point BASIC was just becoming available for the Apple II. Up to that point in time, they only had integer BASIC.
A few years later, I did some programming in Pascal on the first IBM PC models, the one with the Charlie Chaplin advertisements. Same time frame I had a couple of friends who had the Atari 400 and we programmed in whatever version of BASIC that thing had available - I think the BASIC was on a cartridge IIRC.
Then later Turbo Pascal on PC. After that Fortran 77 on DEC mainframes, then HP Basic on HP 300 series, then Matlab on PC, and finally VBA inside of Excel.
My brain works in structured top-down design as it pertains to programming. The most difficult one to learn was the VBA, because of this. To have so much flexibility on subroutines that weren't really even 'sub', was hard to wrap my brain around. It's what the kids do by 2nd nature now, but I still have a hard time thinking of a GUI as the heart of a program.
So, for me, the 'illegal' endless loop was first discovered in BASIC, on an Apple II that bragged about the 64 (kB?) of RAM that it had on a sticker that was slapped onto the space bar. Late into the wee morning hours. That's my first impression of the Steves. While we were encouraged to fill the screen with "Hello" with a loop like that, later on we would get smacked down hard for illegal loops like that, even though the language and run-time compiler allowed for it. So, in defiance of my 'official' programming teachers, I gave the endless loop in Jobs' spirit as a tribute.
-Scott
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Sounds great, Scott. It's fun to think back on those times, isn't it? Turbo Pascal was indeed one of my favorite programs of all time. The only thing I might maliciously modify in your endless loop BASIC code would be to put LPRINT instead of PRINT. That will get you thrown out of the computer lab right quick, and maybe even start a fire! 
BIAB 2026 Win Audiophile. Software: Fender Studio One 8, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Fender Quantom HD8 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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I was one of the guys that thought 'computers suck' back then. Just text, with no real features. I remember mailing cassette tapes to people on a list so we could all get into a 'chat' (BBS) at a scheduled time and discuss the project of the week. Boy did I ever learn better.. and thanks to the original PT, I learned quick! I'm just now learning actual programming, having been focused on the recording side of things for years.  While you guys were programming stuff, I was threading tape from one machine to another and trying to run sync tracks to get multiple machines to line up. I remember my buddy Jeff showing me his new appleII and telling me it could do more than we were doing with all those tape machines. I suppose it could (I *think* it was Passport that was pretty much the only the music program back then), but it wasn't ready for audio yet. You guys make me feel old and obsolete. Get off my lawn
Last edited by rharv; 10/07/11 06:04 PM.
I do not work here, but the benefits are still awesome
Make your sound your own!
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Quote:
The Radio Shack Color Computer came out in 1980, three years after their TRS-80 Model 1, one year after the business-oriented Model II, and about the same time as the much more popular Model III. The Color Computer, with LOGO, never really caught on.
Depends on whom you ask. True, the CoCo never had the mass appeal of the C-64 or the Apple II. To the cognoscenti it was marketed as a programmer's machine. IIRC, LOGO was presented as an "easy to learn" programming language for children. What almost no one knows is that it supported OS-9, a Windows-like color environment years before either Apple or IBM advanced beyond monochrome graphics. Though it only supported 8-bit graphics, there was a fast switching mode between two color sets, so a devoted hacker could display high-resolution 16-bit color images.
I got started with them as a gift from my stepfather--the EEE who was at the meeting where the first Apple was introduced? He set our family up with two 64 CoCo's hotrodded with 128 Kb RAM each. I later picked up a CoCo 3 with 512 Kb and two fast 5-1/4" double-sided floppies. I wrote a book with that machine, and also learned several versions of BASIC. I even learned DEC VAX, to which OS-9 was amazingly similar, for a computer science course.
A large part of the machine's downfall was that it used cartridges for programs as well as for a hardware interface. If the cartridge became dislodged while the power was on it smoked the CPU. The Motorola MC-6809 chip could be easily and inexpensively replaced by a hobbyist, but this was hardly family friendly.
I think that this is in part relevant to this thread. Hobbyist magazines of the time would present programs in several versions of BASIC so that users could adapt a routine to whatever machine they happened to own. Being the insanely voracious reader that I was I would read and retain everything, so I could program, at least at a rudimentary level, in BASIC on whatever machine I happened to be sitting at. It was a lot of fun.
I always lusted after an Apple IIe and the music hardware and software that was available for it, but by the time I could afford it I was into PCs instead. (I traded a very nice Takamine 12-string for my first PC. Sometimes I wonder about that decision, but in the end it has been worth it.) That slowed me down as far as computers and music production for about a decade, but that path led me directly to where I am now as a BIAB user and forum member.
As always throughout this course of events I am grateful to be a part and intensely curious to see where it will all lead.
"My primary musical instrument is the personal computer."
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
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Learn more about the Free Bonus PAK and 49-PAK here.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
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-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
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-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
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XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
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What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
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Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
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Band-in-a-Box 2026 for Mac Videos
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Check out this forum post for "One Stop Shopping" of our Band-in-a-Box® 2026 Mac Videos!
Band-in-a-Box 2026 for Mac is Here!
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Special Offers
Upgrade to Band-in-a-Box® 2026 for Mac and save up to 50% on most upgrade packages during our special offer—available until May 15, 2026. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Mac packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49.
Holiday Weekend Hours
As we hop into the Easter weekend, here are our holiday hours:
April 3 (Good Friday): 8:00 AM – 4:00 PM PDT
April 4 (Saturday): Closed
April 5 (Easter Sunday): Closed
April 6 (Easter Monday): Open regular hours
Wishing you an egg-cellent weekend!
— Team PG
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