Hey Tommy. Thanks for the link to that. Beautiful playing.I was lucky to play with a guy who listened to Billy allot. That was back in the early 70's....learned allot from him. His name was Dick Miller and he was from Binghamton, NY and he was a great player. Lost touch with him but I'll never forget the tone he got out of that Shobud amp and the Emmons twin neck he played. I was inexperienced then and I remember one night asking him on a break what the names of some of the chords were that he was using. He said "####, I don't know....you're a musician...just listen and find 'em!" So that's what I did...and I found 'em!Learned a good lesson that night.

BTW, I'm working on a ballad with style "baladP with steel" and I'm seeing that the steel track likes to play outside too much for my ears...in fact it actually misses an e7 off the root chord of C heading for a 6m for a chorus. Also often stays on the 4 chord when the progression goes back to the 1. Irritating. Can't find a RT substitute and no matter how many times I generate it it never gets completely accurate. Maybe the player thinks the F on top sounds good against the root C chord but if I wanted a sus4 I'd chart it that way. Do you know of a fix or is this just what you get. It's unusable if you can actually hear. Must be an oversight.I see the new Paul Franklin tracks are all soloist...what I need is a sweet back track that plays the chords as I write them.This type of song requires pedal steel and I'm having to mute it or it just clashes with the acoustics.