That last post got long.

I usually EQ and compress tracks individually (track FX), along with any other track specific FX like an amp simulator.
I *try* to use the reverb in the AUX slot to save resources but sometimes a track gets it's own reverb or a second AUX is used.

Then in main outs an analyzer and some type of Limiter (simply for protection, not effect) is used during the mixdown.

After the initial mixdown I'll open the new wave file as it's own project, edit the begin/end points and set the mastering FX up in the main out FX slots. Usually Ozone first, an analyzer, then a good metering plugin that gives various readouts on signal strength. When I'm happy I merge it down.

Then I go back another day and listen to see what I need to fix. For this reason I get a lot of use out of the "Save Group' function in the FX slots area. This is handy for mastering, and for vocal tracks too (when mixing) That way when I get a vocalist sounding decent on one song on the CD, I can open those same effects on the next song as a starting point; helps with consistency on a signature vocal sound. I don't just 'accept' it, but it's often a handy starting point as opposed to setting up new effects all the time.

Last edited by rharv; 11/11/11 10:40 AM.
I do not work here, but the benefits are still awesome
Make your sound your own!