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Hi all.
A friend of mine has performed country songs for years, just singing and playing guitar. A while back he asked me to put drums and bass on some backing tracks and this seemed to work well. Recently, a few tracks have acquired slide guitar and piano. Now he's asking - "How many instruments can I put on before people will stop thinking of it as a live performance?"
Now, before we get back into the MIDI v Realtracks argument, let me say that all the instruments were recorded live, except the drums which were programmed.
I know that this really has to be a subjective view and that there isn't going to be just one simple answer, but I also know that there's a wealth of experience out there and I'd love to know what you all think.
ROG.
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I use BIAB for most of my live performances. I play piano and have a lead vocalist. We use BIAB for bass and drums. Often times, we bring in a live sax player which really adds a lot. That is all I use and feel it is pushing the limits of live performance to the point of almost karaoke. We do try to perform songs with just piano and vocals but still have many which require the backing tracks.
As much as I love adding Bossa guitar and soloists, I just don't think it is 'real'. If the audience closes their eyes, it would be great. I think the other instruments are perfect for making demos and CDs but there is something about using these live which makes me feel like I'm doing karaoke.
How would you like it watching a duo of piano and singer with a bunch of virtual instruments backing? It sounds great but still something is wrong with the picture. I've sat through a duo using backing tracks and it just is not the same.
I do have a music degree which probably alters my opinion of such a setup. Even though the performers may be great, hearing instruments that are not really there lowers my opinion of the performance.
Now if only I could find venues that are willing to pay for a quartet...
R
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I have been out to a dozen places in the past year, and all of them had either one man shows, or Duos. The crowd seemed happy and engaged. I think the biggest deal is was the performer good, and did he entertain the crowd. If he sang well, played the guitar well, and the backing instruments sounded good, the crowd stayed and listened and responded, then i would say that is live entertainment.
After that it is all just opinions really. er .. ah . just like mine is here i guess!
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
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I strongly agree with Rachael. Less is more. As soon as you add a full band behind one or two people is's Karaoke. I play keyboards so it's bass and drums for 90% of the tunes and maybe some rhythm guitar but never strings or horns because I'll have those set up as layers. If there's strings or a synth pad coming in people can see me doing it. I like to use my Kurzweil to it's full capabilities and play all kinds of things, not just piano or organ. It drives me crazy when I see a good player doing nothing but piano when he's got a killer synth to play with. For guitarists who do single or duo work I'm a big proponent of using a guitar synth. There's a couple of guys I know who can do all the keyboard stuff I can do using a Roland synth and their guitar. One is a good friend and when we get together he will do a B3 organ solo just to mock me. In a friendly way of course...I still have the advantage on keys but he does a good job with it and people look at him thinking "how did he do that?". Very impressive to the audience.
If you can't tell, when I do duo work I'm into the one man band wow factor with the less prerecorded backing the better. It's fun and it goes over big.
Bob
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I gotta go with Rachael on this one: Quote:
Even though the performers may be great, hearing instruments that are not really there lowers my opinion of the performance.
A performer or duo using backing tracks just doesn’t have the energy you get from a “live” band, but it beats the heck out of a DJ. But since employers aren’t willing to pay enough to support a full band, they kind of force the issue.
For the record, if I started performing again it would most likely be me & my guitar plus backing tracks but it’s hard to escape the “karaoke” comparison.
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So using bass and drum samples is acceptable, but if you add one more sample, it becomes Karaoke? And, it's OK to use samples if you are playing them "live" on a keyboard?
I remember the same sort of purist argument when Dylan plugged in his electric guitar. the Folkies were horrified!
If you are playing a major concert in support of a CD project, I would avoid backing tracks. If you are playing at The Sleeze Bucket bar, I say use whatever it takes to get the job done. The fact is, most punters don't know the difference. They are there to get drunk and...well, the other thing.
Music is "art", and I have to agree with Marshall McLuhan, who once said:
“Art is anything you can get away with.”
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In my opinion, musicians should use backing tracks only if they REALLY need to. It's true that every day it's more difficult to find venues that are willing to pay for a band, and that it's sad; but I've seen entire "orchestras" "playing" their unplugged instruments over backing tracks just because they thought it sounded better (and because it was "easier", of course), and that's still worse. This is, in fact, very sad.
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Hey ROG,
Tell him to so as I do ... bill himself as "insert his name here" and the Almost Live Band.
Now to answer Rachael’s question . . . yes if I were playing for other musicians as almost by nature we always are trying to find out the details behind the sound. But a big NO when it comes to general audiences as most could care less how many backing tracks you are using as long as they are entertained. As long as you present yourself and your arrangements before hand so everyone knows what to expect.
Most audiences are there for the performance, with this said if you are not on top of your game you can have a full live orchestra behind you and still not sell the performance. And the last thing they care about is whether you have a music degree or not, they just want you to be able to "play and sang".
Later,
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Quote:
Music is "art", and I have to agree with Marshall McLuhan, who once said:
“Art is anything you can get away with.”
And Andy Warhol got away with it.
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Quote:
Quote:
Music is "art", and I have to agree with Marshall McLuhan, who once said:
“Art is anything you can get away with.”
And Andy Warhol got away with it.
And so did Van Halen, AC/DC, The Eurythmics, and a number of other "artists". 
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Quote:
And so did Van Halen
You mean you didn't like Eddie "How many notes can I fit into this 32 bars if I turn my amp up to 27 and play with my right hand on the neck?" Van Halen? The guy who later changed his name to Eddie "Screw you Mike Anthony and all you meant to this band for decades. My talentless kid who is going to spend his whole life riding the coat tails of my name is going to play bass or I will not tour." Van Halen?
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People go a restaurant where music is played to be entertained. They love to hear old songs from their youth, and memories of great times, old flames, and experiences of the past. Some prefer to hear a guitarist/vocalist strum and pick out some great version of old tunes. Others like to hear the full sound of the old recording complete with signature licks and riffs. Still others like to hear jazzy non vocal versions of old hits. The point is that there are many different ways to entertain a crowd.
To label entertainers as karaoke because they have more backing tracks than bass and drums, is just wrong in many ways. Fist off it demeans the great drummers and bassist through the decades, as if their contribution to all those great recordings was/is unimportant. Look at our beloved Silvertones here, we all praised him for gigging again after a long hiatus. So are all of you saying he is nothing but a karaoke singer cause he plays the lowly bass, and records/programs/creates the other instruments. Really? I remember quite a few of you offering support to him, and best wishes. Were they sincere?
You are saying as long as you play the keys, guitars, and or sax you are a true artist, and others are karaoke singers. What of the singer that plays a little guitar, since he can't find venues that will pay a full band he should retire to a life of karaoke bars, and leave the real gigs to you elitist horn/keyboard players?
Come on people, don't label fellow musicians, show some support. If you don't personally dig it fine don't go there for entertainment. If it ain't your cup of tea fine, you get to chose what you personally like. I have a friend who plays a couple nights a week in a Jimmy Buffet tribute band, and on other nights he does a couple rest, where he plays similar flavored tunes with full backing tracks. The guy is very good, and sounds great. He is doing what he loves, and people come from far around to hear him play.
Just remember that we are all trying to refine our art form, and some chose to go a different path than yours. Be careful when you speak down about others path, as there are always some that might not dig your path either, but they just chose not to talk down about it.
If I sound grumpy, i apologize for that, but elitist comments have always bummed me out. Also remember where you are at. the land or auto accompaniment.
Last edited by Robh; 03/13/12 05:20 PM.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
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I'm not proud so I use all the features BIAB has to offer to enhance my keyboard playing during live performance.
Sometimes, if the piano piece is too hard for me I will add a BIAB piano solo through my sound module and play the melody with one finger on the keyboard. It can sound great and I have had compliments on my playing! I have asked if anyone knew there were two pianos playing and so far no-one has noticed. Also I often showcase BIAB by adding different solos with different instruments.
For me, Karoake is not a swear word.
Tony
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Quote:
Quote:
And so did Van Halen
You mean you didn't like Eddie "How many notes can I fit into this 32 bars if I turn my amp up to 27 and play with my right hand on the neck?" Van Halen? The guy who later changed his name to Eddie "Screw you Mike Anthony and all you meant to this band for decades. My talentless kid who is going to spend his whole life riding the coat tails of my name is going to play bass or I will not tour." Van Halen?
Yup, that's the guy, and your vitriol doesn't detract from his accomplishments one iota. 
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Stealing Django Reinhart's technique, claiming it was his own, and playing too loud is a list of accomplishments? Anthony was really the musical soul of that group. Note, THAT group. I do not take away from Van Halen's overall musicianship. Exquisite classical pianist. Extremely talented overall musician. But put a shirt on, have enough brains to stop smoking non stop until they remove 1/3 of your tongue, stop using alcohol and drugs to excess, don't cheat on your wife, go ahead and EAT the red M&Ms, and use your God given talent in a matter HE would be proud of.
But that's just me..... Vice free me..... (Equally as wide SMILEY FACE!)
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The original question was “What constitutes a live performance?”
I think I have to say that once you add any backing tracks, it ceases to be a live performance in the truest sense. But it’s still not karaoke by any stretch of the imagination. Especially for those who create their own backing tracks using BIAB or other means vs buying them. It’s an art form incorporating “live” instruments and/ or singing and computer skills to create the finished product.
But it ain’t “live”. JMHO.
P.S. Eddie. I'm not a Van Halen fan either. Too many (useless) notes in too little time.
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Quote:
Stealing Django Reinhart's technique, claiming it was his own, and playing too loud is a list of accomplishments? Anthony was really the musical soul of that group. Note, THAT group. I do not take away from Van Halen's overall musicianship. Exquisite classical pianist. Extremely talented overall musician. But put a shirt on, have enough brains to stop smoking non stop until they remove 1/3 of your tongue, stop using alcohol and drugs to excess, don't cheat on your wife, go ahead and EAT the red M&Ms, and use your God given talent in a matter HE would be proud of.
But that's just me..... Vice free me..... (Equally as wide SMILEY FACE!)
Dude - you've obviously got issues which might be better addressed professionally. I would like to compare your “accomplishments” to that of this drug-crazed, cheating, shirtless chain-smoker, member of the R&R Hall of Fame (the 'Other' Eddie), but I feel that you would come up short somehow.
I must take exception with your interjection of God, though, and your particular interpretation of the proper use of His given talent, your vice-free pure lifestyle notwithstanding. He only had one Son, and you ain't Him.
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Okay, off the anti Van Halen rant.... and back to topic.
Karaoke meaning "empty orchestra", I would say that by literal definition that any live performing constitutes "live". How many shows have you seen lately where there wasn't sweetening tracks mixed in from the board, or a keyboard player under the stage? It also is usually for wannabe types to sing over background music when they get drunk enough to be goaded into getting on stage. I don't consider a viable performer using backing tracks to be karaoke.
At the local level, the iPod band member came out of necessity due to club owners being increasingly and incredibly cheap. Makes me sad to think back 20 years and see the difference here where you'd expect music would always be a major presence. The bands that DO play are all either tribute, motown or classic rock. I go to see a classic rock act on rare occasion, mainly to visit with my friends who play in them, but I rarely stay beyond one set. The motown acts typically get the country club/wedding kind of gigs, and that isn't my scene. Plus I was in an amazing motown band in the early 90s and it's rough to hear pretenders play what we did better. Tribute bands - I wouldn't cross the street to pee on a tribute band if they were on fire. Also factor in that there are no more "music clubs" here. Bands play at restaurants now, and setup is at 7:30 for a 9pm start time, ohm and keep it down because people are still eating.
So we have a lot of solo acts with backing tracks. Most of them make their own tracks. Some cheat and buy them. That second group is usually singers who do not play and are not able to make tracks, so they get a free pass. (Remember how many people think using Real Band is cheating.)
Want to know the saddest part of all the truths I described above? (Pay attention 90db.)
"Here"...... is Cleveland Ohio. Home of that Hall of Fame you spoke of.
The scene here is now reduced to rubble in comparison to the 80s and 90s. There is the art house goon clique who play at coffee shops for 3 people who would prefer it was quiet. There is also the songwriting clique who have their songwriting shows. (Those are enjoyable because normally the music has to be original.) However, it's the same handful of people who perform and attend, and if you aren't in the clique, you can't get a slot. The metalheads have some clubs but that music is boring if you don't ride a Harley and wear a headband. (We don't have to wear helmets here.) Neighborhood joints have duo and trio acts because they don't pay enough to draw bigger bands, and they can't fit enough people to sell enough beer to pay 5 or 6 pieces.
I miss the days when money wasn't the way to keep score.....
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Bob (90db), Eddie behave yourselves now, we are all pretty!
If adding any backing tracks makes it not "live" then i guess the singer, and guitarist then considered not live by association?
So making tracks vs buying makes it better? Oh wait, then we have to make up our own chords as well, since the other one have been used up already!
Does that mean by extension we now have to make all our own instruments as well? Better get that ol' rosewood tree chopped up soon!
Darn! can't use a electronic keyboard, cause heaven forbid them devils gots them sampled sounds in them, that ain't no reel pienanner, or geetar in thar!
What is one buys simple basic midi tracks and then takes time to rework them and adds some hand picked samples to play them, adding a RT or two to enhance the palate, ah wait a minute! I forgot Them thar traks is kareokee! I better go listen to some foggy mountain breakdown, and have a revival! (pictures a blind boy playing the banjo in mind) hears "you gotta purdy mouth!"
Just Joshin' ya there flatpicker! Don't go all west vurginnie mountain man on me!
Anyway ROG did ask a real question, and we all answered it from what i see that answer lies in the question, it is up to the people listening to decide what is too much, appropriate, whatever. If the customer wants a full band sound give it to him, if he wants you and the guitar, give him that, if he wants you the guitar, and the Olsen twins on banjo, and mandolin, well you get the picture.
Look folks these here ideers are just opinions, some are worth talking about, many are just downright putting someones craft down.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
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- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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