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Joined: Jan 2002
Posts: 7,913
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Joined: Jan 2002
Posts: 7,913 |
Quote:
Less devices in the signal path = less noise and often a cleaner, clearer signal.
@eddie
This quote from rharv was my point - particularly for mic'ing. I go for minimal active electronics between my source signal and the computer - always. That's just the way I roll.
I guess the difference is that I don't do much multi-tracking of audio signals. The most I have ever recorded at my home 'studio' is 3 channels at once, vocals and stereo mic'ing of my acoustic guitar. I did that one time.
I also don't have room for a mixer in a convenient way, in the room that I record in. In fact, you can see me and my recording room (which doubles as the spare/guest bedroom/son's drum room/etc.) in a video I posted last night. http://youtu.be/NuEU2awyRU4
The wooden thing in the background is the most expensive piece of 'music' gear I have ever bought - a Murphy Bed. "A bed?" you say. Yes, because it folds up against the wall, I can use that room for other purposes (music) some of the time. But no room for a proper mixer/rack/etc. I do have a desk that has rack spaces in both sides and some up on the top (I think there are something like 24 spaces) but nothing racked because I just don't have it on hand. My only rack gear is my Behringer Bass V-Amp pro, but I gig with that a couple times a month, so I don't have it mounted.
The stereo acoustic guitar track for that video was recorded in my living room with a Samson Q2U mic (not in usb mode) and an EV PL80a mic. Neither were intended for instrument micing, but they have pretty tight patterns so they are very forgiving for background noise and what not. I won the EV mic, and I paid $39 for the Samson mic on a clearance shelf at Target, of all places. It is actually a USB mic that can be used purely analog - and it came with some pedestrian circumaural headphones. The pre-amps in my interface give lots of gain with very minimal background noise - it's the main reason I've stuck with that interface and not put it up for sale - because I will tell you the drivers for it stink. Tascam dropped the interface rather than try to do a better job with the drivers. I got it for $99 at Musician's Friend. GREAT preamps - subjectively evaluated against my PreSonus Firebox preamps and my standalone dbx mini pre.
My audio interface (Tascam US-800) has the main 1/2 inputs right on the front. So I'm not crawling around behind something plugging/unplugging - it sits right there on the desktop.
One thing I have considered is an entirely passive patch bay. That could be handy. Then again, that would be a couple hundred dollar investment in good quality cables and the bay. I can get a way cool guitar from rondo for $200. Guess which I would pick?
In my possession have 3 XLR cables, and 3 good quality 15' 1/4 instrument cables. That's it. Two of the 1/4" cables stay in the gig bag. The 'gig' that I have is at church, where I plug in to direct boxes or just plug in one of the church's XLR to the XLR out of the Bass V-Amp Pro.
So, to me, the rather small inconvenience of plugging/unplugging into the interface is worth the clean signals and the money savings. I guess it's because that's just how I grew up recording - starting with an SB Live Platinum card with front-panel inputs in the drive bay thing. I've never even considered putting a mixer into the mix.
It's just a different way that's all. I do think it offers a lower noise signal path in general.
-Scott
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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