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What I hate the most is people with hearing aids at a dinner party sit closest to the PA system and keep waving your sound down. Then those at the back bring you a beer and complain they can't hear the 'background' music. The wife doesn't amp her flute and they say she plays too loud. Wow. It they weren't war vets I'd just not play there, but twice a year they call so I made cards and put them on the front tables, WARNING, IT MAY BE A BIT LOUD HERE! That seems to have worked a bit.
I'm thinking Bose is the way to go but the daughter needs some uncovered eye laser thing for conical eyes, to the tune of 5g's so there goes my walking around cash.
John Conley
Musica est vita
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Quote:
... so I made cards and put them on the front tables, WARNING, IT MAY BE A BIT LOUD HERE! That seems to have worked a bit.
Another possible sign: "WARNING: IF IT'S TOO LOUD, YOU'RE TOO OLD!".
;-)
Visit the Elegance Music page on MySpace for samples of my current work.
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Hey I resemble that remark....
John Conley
Musica est vita
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Quote:
Quote:
... so I made cards and put them on the front tables, WARNING, IT MAY BE A BIT LOUD HERE! That seems to have worked a bit.
Another possible sign: "WARNING: IF IT'S TOO LOUD, YOU'RE TOO OLD!".
;-)
Huuuuhhhh . . . I guess it's too loud for me also.  
Later,
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Joined: Oct 2006
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I simply don't accept solo gigs if I know the crowd is going to be rowdy.
Mike Laatz
Cape Town
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Mike,
I Know what you mean . . . For that an other reasons I do not play weddings.
Later,
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Joined: May 2000
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We book weddings.
But we also let it be known in advance that should a fight break out, the band is very likely to join in!
And win.
Another good use for the Japanese Fender Tele w/Rock Maple neck and Ash body if there ever was one, the martial arts options should be well studied and practiced, dojo style until the guitarist has mastered the Body Held Headstock Jab, the Neck Held Full Slam and the Neck Held Battleaxe Edge moves, at least. Save the Tuners Across the Eyeballs rake for the serious afficionados of the sport...
Always set the B3 up facing the crowd, so that if he's in front of you when he calls you out, you can just reach underneath the keyboards wih both hands and flip about 500 lbs of hardwood and steel organ right on top of him. It won't hurt the B. At least, it hasn't to date and I've had that thing a looong time...
--Mac
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Wooh! So you still have real John Wayne type bar room brawls across there in the States! Wooping and a fighting amid the mud and the sweat and the tears! Great!
Call me!
Follow That Dream Sam Karaoke King -------------------- Turning that corner again - I have to keep following that dream, no matter what
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Be careful, Sam, you might get what you wish for.
I was just joking.
So don't use it to stereotype. 'K?
thanks
--Mac
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Citaat:
We book weddings.
But we also let it be known in advance that should a fight break out, the band is very likely to join in!
And win.
Sure thing. Why should the all fun be only for the audience?
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Citaat:
Always set the B3 up facing the crowd, so that if he's in front of you when he calls you out, you can just reach underneath the keyboards wih both hands and flip about 500 lbs of hardwood and steel organ right on top of him. It won't hurt the B. At least, it hasn't to date and I've had that thing a looong time...
Don't forget to clean it with a damp cloth after the gig. You don't want to start the next gig with stains already on it 
Now I know where those "X"-es you carved on the side stand for
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Quote:
Wooh! So you still have real John Wayne type bar room brawls across there in the States! Wooping and a fighting amid the mud and the sweat and the tears! Great!
Call me!
Ahhhh Mud, Sweat and Tears, I used to love that group.
Later,
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Joined: Feb 2010
Posts: 211
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First, I'm not a Bose or a Yamaha representative but I've spent a bit of time recently looking into my first PA for solo and group giging and I've found a product that I think solves this exact problem you're having. I'm taking the advice of others here and at other forums and I'll be buying the Bose portable PA. I'm leaning more toward the model II with tonematch engine over the model 1, although it certainly isn't as cheap as other brands/models (or the model 1 for that matter), but it's a different animal -- it's not designed the same as other PA's (check it out at http://www.bose.com/controller?url=/shop...match_pkg.jsp).The model-1 system is cheaper but the model 2 has some features I couldn't (didn't want to) live without. The model-1 is actually on sale right now direct from Bose and you end up getting the first bass unit for free (up until 6/30/2010). Check it out at http://www.bose.com/controller?url=/shop...single_pkg.jsp.I mention this to you because I've tested it live and this I've found the Bose to be a totally unique PA in that it's actually designed to be placed behind you (not in front of you) and without feedback. You can, but you do not need to have any monitors since you're hearing the same thing your audience is hearing (you're hearing it before they do and hence, your crowd noise isn't a problem anymore). Also, anything you'd want to adjust (including a one-touch sound effects feature) can be done on the spot using the T1 (tonematch) panel and this can either be mounted directly on the speaker unit or alternatively on a mic stand. Aside from the fact it's portable and I'll be able to port it around myself, it's everything I need for a solo act or even a small ensemble (and again, it's positioned behind me, not out front). They also offer additional bass modules (both models come with one but you can add up to four and they recommend two or more for bass guitars, drums, etc.). I have seen documentation from Bose which shows a typical band usage where they use one L1 setup for each instrument / section (one for piano and bass, one for drums / percussion, one for bass guitar, one for lead guitar, etc.) and each unit is placed near (but behind) each musician. However, unless each musician in your group is willing to shell out his/her own cash for their own unit, this in my opinion would be cost prohibitive -- although for me, it doesn't matter what 'group' I'm gigging with, nevertheless I'll have my own system and I won't even need an engineer as I can instantly hear and process my own performance independent of the group (although it does provide the capability to patch if you do have a sound guy/gal on a separate board). You can get more details for the model-1 and see some more reviews here: http://pro-audio.musiciansfriend.com/product/Bose-L1-Model-II-System?sku=600095BTW based on my comparisons, I will be buying the Bose over another 'portable', the Yamaha STAGEPAS 500 Portable PA system. I did test the Yamaha and although it was impressive, it doesn't have near the clarity or features that the Bose does and the Bose can always be upgraded to suite your needs. There's seems to be lots of argument between Bose and Yamaha people about their choice of PA system, but one of the reasons I chose the Bose is the ability to play 'out front' which I feel could potentially eliminate the problem you're experiencing. There have been arguments that the Yamaha (designed the same as most others), does cover low frequency better than the Bose, but having tested both brands I can attest that this is not necessarily true, as the Bose does provide for expansion by simply adding more bass units.
Ike
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It's an expensive investment, but I bought a Bose L-1 with the T1 Tonematch mixer. This thing cuts through any volume level and makes BIAB sound fantastic; pluse its easy to haul around. It has a usb in/out so I can use my computer with great sound reproduction (sometimes I just use mp3's I've transfered to my iphone. There's hardly any feedback problems so you can put it right next you. Oh, and that acoustic bass realtrack is out of this world!
Mike
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Productor Musical
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Cita:
Mike,
I Know what you mean . . . For that an other reasons I do not play weddings.
Later,
I am with you and Mike. My favorite question to just married who is looking me for play the party is 'against who you married?' . At first they look puzzled, then laugh and say ' ha ha ..you are the man...hired!'
Gabriel Arellano,
Nucleox Music
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For what it is worth . . . . . The following information is from my website, please keep in mind that for the most part it is directed to Activity Directors in Retirement Communitles as they often have issues with one or more entertainer's music volume. However my experiences have taught me that no matter where the gig in most cases you can still breakdown your audiences into these three categories. To avoid any pit falls in executing a successful event make sure you and your entertainment are on the same page when it comes to just what is expected from your act at each particular event, and music volume is a very intricate part of this equation.
Over the years I have come to learn that most party-goers can be broken down into the three categories which are listed below. I have also included what experience has taught me is a pretty accurate description of what each categoery expects from the entertainment at a cocktail party or dance.
Social Visitors: They like to hear the music in the background, but still be able to hold their personal conversations at normal speaking volume over the music. They expect the music to enhance the mood of their visit and conversation, period. They are usually the first to let you know when the music is “too loud”.
Listeners: They like to listen to the music in its entirety at a comfortable listening volume. They are usually into the music and will hold their conversations in-between tunes on breaks. This group very seldom complains about music volume, that is unless it is ”really loud” although they have been known to complain about loud conversations around them. However most of the time they will just find a seat closer to the performer or band to better hear the music or see the act.
Dancers: They not only like to hear the music, they like to feel it as well. So while the volume for this group maybe acceptable for the “Listeners” as well it may be a bit too loud for the “Social Visitor”. This group will be the first to fill the tables closest to the band and dance floor. If this group complains about the music “being too loud”, it is too loud!
When booking entertainment, besides checking out references and past reviews, always let them know up-front what you expect in the way of genre selection and volume. But at “party time” try to keep in mind that with the exception of dinner and small venue cocktail parties, most parties will be made up of all three-category partygoers listed above. So your function, “on it’s own” may very well take on a different mood than what you intended. With this said any professional performer worth their salt will err on the side of lower volume at the start of the performance and will adjust volume accordingly based upon audience and the booking agent’s feedback and response. And by response I don’t necessarily mean a “stage visit” from anyone in particular, all though don’t rule that out as I have heard some acts that just blew my ear drums out. What I mean is that by monitoring the general reaction and response of the crowd as the party goes along, the professional entertainer should know how and when to adjust his/her volume.
So don’t be alarmed if you get one or two guest who complains about music volume while you have the majority of your guest listening and/or dancing. That is unless that complaining guest is paying the bills then you can throw these rules out of the window!
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Citaat:
Social Visitors: They like to hear the music in the background, but still be able to hold their personal conversations at normal speaking volume over the music. They expect the music to enhance the mood of their visit and conversation, period. They are usually the first to let you know when the music is “too loud”.
Listeners: They like to listen to the music in its entirety at a comfortable listening volume. They are usually into the music and will hold their conversations in-between tunes on breaks. This group very seldom complains about music volume, that is unless it is ”really loud” although they have been known to complain about loud conversations around them. However most of the time they will just find a seat closer to the performer or band to better hear the music or see the act.
Dancers: They not only like to hear the music, they like to feel it as well. So while the volume for this group maybe acceptable for the “Listeners” as well it may be a bit too loud for the “Social Visitor”. This group will be the first to fill the tables closest to the band and dance floor. If this group complains about the music “being too loud”, it is too loud!
It's the listeners and the dancers (and or sing-along folks) I do my thing for. If people don't want to participate, that's fine with me. If the volume bothers you you can always go a couple of meters to the back of the room where the volume is at conversation level.
The "social Visitors" (read: "Hey, I don't care if you're hired by the married couple to play music at their wedding. I just want to enjoy my free food and drinks and have a quite conversation. I don't give a duck that the married couple likes to see a filled dance-floor and people singing along and having a good time. I don't like that sort of thing. Period. And yes, I must sit right in front of your speakers. And now turn that thing down.")
I once had a very anti-social social visitor. He kept on complaining the volume was too loud (remaining his seat which he had put right in front of my speakers!) and requesting that I would take a break. I told him that I was actually getting paid to be there whereas he had to buy his way into that party. I asked him who would be missed more if one of us was to leave at that moment ....
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Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
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- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
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Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
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Band-in-a-Box 2026 for Mac Videos
With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
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