Thanks for the nice words! They say that an album is never really finished, you just run out of time and money. I tend to tinker with tracks forever, and I'd told myself that after commenting on other people's music forever that I really needed to step up to the plate. So I put this out before analysis paralysis sets in.

floyd, I agree the cello competes with the vocal. It's such a lovely sound, I keep hoping I can turn it up a bit. I'll try bringing the volume down where it's competing, but the real solution is probably to drop it out completely at those points.

(A big thanks to PG for including the cello in BIAB!)

It's a bit scary how often the solution to a mix problem is to just drop the part entirely. For example, the ending is just a mushy mess, so I'll drop everything but the vocals at "give my heart" and see how that goes. I had also struggled to get the cello to place nice with the oboe on the introduction. After fiddling with the balance forever, I finally dropped it entirely. Much better!

I'll try to fix the mix, and then punch in some vocal corrections.

-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?