Thanks Scott - will add them to my library.

Somehow for me - playing around with motor coordination and fingerings is fun, but reading is very fatiguing...especially the contrapuntal lines and scales (Mac's very good book suggestions) where the left and right hands are doing very different / Independent things very frequently and at the very same time - like switching positions at different times, playing notes simultaneously.

I know I will have to very work on these things at some point. And I think the goal is to see the staff as a single composite object - not 2 different hands. But my guess is that composite comes after many arduous hours with the more difficult reading studies. I know all this - I just don't enjoy the process (hence - I'm not a working musician : )