Bob,

I have reviewed your comments as objectively as I can.

Frankly speaking, the better the demo's sound, the more impressed potential customers are likely to be. I think all product promotions use that technique, why shouldn't you do the same?

If a prospective customer didn't like the demo's because the instrument sounds let it down, they might just keep looking elsewhere for better sounds.

As long as your product - given the right equipment - can genuinely deliver what your demo's describe, then make your demo's the best sounding demo's possible. After all, you are only selling MIDI, not the instruments they connect to - that bit's up the the end user.

If your demos sounded anything like those Ketron SD2 demo's, I'd have the plastic out quicker than you could count in the next song.

My advice? Re-evaluate your approach. Make your demos the best possible.

My 2 cents

Regards

Trevor

PS: yes, I do have some disks of your very early styles, from the 90's (somewhere)

BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones