Many of you it seems also have BIAB as your practice partner. Sometimes I like to throw up a progression and choose various "soloists", just to compare the styles. I like some more than others, but it has to be said, from someone who in the 80's at university spent months as part of a team of researcher students using early AI to teach a computer to "emulate" Handel's "Water Music", it's freakin' incredible!

So to my questions, who codes these? How? Why are there several variations on a soloist, eg there are quite a few Parkers? How and why are these different from each other? If you run 2-5-1 through the circle of 5ths for 40 full repetitions, how many phrases get reused? If I run 2-5-1 in just one key, will the same number of phrases eventually be spat out (albeit in the same key)? Do the soloist algorithms try to resolve smoothly across bars? Do some more than others?

Which are your favorites?

Some of mine so far (I don't have them all) are - jazz piano 16ths, -longer phrases- yardbird, -blues piano (even for changes)- and Herbie Hancock's pop as well as blue's. The Trane one's I've heard are disappointing as are many others though.

Are these soloists worthy of analysis do you think?