|
Log in to post
|
Print Thread |
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
I think I always thought production was mixing. It seems to be more then that. any tips on how to go about learning it?
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Aug 2010
Posts: 2,298
Veteran
|
|
Veteran
Joined: Aug 2010
Posts: 2,298 |
I think I always thought production was mixing. It seems to be more then that. any tips on how to go about learning it? It depends who you talk to to some extent and the type/style of music. Sometimes more is more, sometimes less is more. I feel production, to a large extent, is the practice of that concept. An example of what I mean is an artist like Tom Petty. Some songs have "a lot" going on, some...not as much. HOWEVER...both of the aforementioned are produced extremely well. I believe with his production, there is never anything that they didn't want to be in the song. If you hear it, it's on on purpose...I would even go so are as to say absolutely deliberate. I'm not looking to necessarily get into too much of discussion of it on the forum. I've had ideas run down here enough to not want to at this point. I've gone the route of PM's. That being said, PM me if you are really interested. I haven't been on here much lately. I check in and that's about it. I would be glad to help where I can! Others, I'm sure, will be glad to help as well. There are some VERY knowledgeable people here! I also think you would be hard pressed to find a more willing to help bunch. Do you have any examples of artists or genre of music or specific songs? I can give you a tip, that I feel, helps A LOT!
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jul 2000
Posts: 27,475
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 27,475 |
I have 45 years experience in the studio, but the major way I thoroughly learned production was to hire a producer and learn from what he did.
Among many other things he arranged the recording sessions, decided what musicians were needed and hired the musicians, hired the arranger, booked the studio, booked the food at the sessions(!), and directed the sessions. He worked with me before every step to get my approval of all artistic concepts, but once we had a plan, I did not want to do any production work, just concentrate on performing, and thus he made me feel at ease (probably the single most important step). He also assisted with post-production work on mixing, mastering and marketing.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2009
Posts: 10,735
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,735 |
To me, production means: Not only the mixing, that's certainly a part of it, but also the planning and arranging that goes into the project BEFORE the tracks are laid down. It involves deciding what instrument you're going to use to do fills in the first verse, the second verse, are you going to swap back and forth between 2 instruments or just use one instrument, and where and what instrument for the solo. Any FX used such as type of reverb or is it going to use an echo or chorus/flanger in there too? Will there be a building from a simple acoustic base to a full blown 7 piece band with backup singers, or will there be breaks and a return back to the acoustic beginning at the end?
Essentially, it's all the planning and details, All of the things that make the song interesting is what I call the production of the song. Similar to the arrangement but the arrangement is primarily focused on the structure of the song.... verse chorus, is there a bridge or not and the intro and outtro.... Production is the big picture.
I enjoy the production part of the job probably the best...well aside from the writing..... or the recording... or the playing..... and singing....know what I mean?
Last edited by Guitarhacker; 03/24/16 08:30 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jun 2012
Posts: 21,036
Veteran
|
|
Veteran
Joined: Jun 2012
Posts: 21,036 |
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
then there is live production I think to. I'm getting there is a lot to this. I could tell there were more guitars than what we play and know we need more than what we have if we want to sound fuller. we talk about doing a recording for a cd but think we need to figure some of this out first. don't want the cart before the horse. were 4 guys with day jobs not trying to make it just have fun and sound good. now its figuring what more to do with it. 45 years in the studio is a lot of time. we could start where you did and hire someone to teach us the ropes. we want to get a sound like some of the bro country acts. it's not bach but its fun for us and like chris cagle said the chicks dig it.
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2015
Posts: 671
Journeyman
|
|
Journeyman
Joined: Feb 2015
Posts: 671 |
I think I always thought production was mixing. It seems to be more then that. any tips on how to go about learning it? It can be more than mixing, however, parts of production are just so simple with BIAB. If you listen to a few of the styles you like. Just mess around with the levels of each channel. I don't put a lot of reverb on the tracks in BIAB. SO I would suggest lowering anything that is above 25. The drums are already recorded in stereo. Keep that track panned in the center position(0). Here is a simple way to mix. - Solo the Drums, set the level, lower the reverb until the snare sounds snappy. Don't worry if its just a touch of reverb, drums sound best in that environment.
Then add the bass (both tracks solo button) increase the bass level until it blends with the drums but does not overpower them. Don't use reverb on the bass in general it doesn't respond much to reverb effect, and the bass needs to be clear and well defined. Most people add compression to bass, but, compressor plugins can get you in a lot of trouble with peaks and clips. Even if you see a little check box that says no clipping. The wrong compressor/exciter settings are not going to help you mix the bass in properly. Wait until you have mastered mixing to tackle effects on instruments. *BIAB Real Tracks, and Real Drums pretty much sound great if you leave them alone. So concentrate on setting levels. - Next add a rhythm instruments Piano/guitar, set the level so you like what you hear. Is the mix pleasant to your ear. Or is the bass too loud, drums too soft. Experiment with the RAW sounds of several 3 piece bands.
Mix 3 piece Drums, Bass, Piano or Guitar arrangements until you can hear the difference between what your ear likes and what your ears do not like. Everybody's ears are good unless you have suffered some hearing loss. Really nobody has better ears for mixing, just more experience. You can get up to speed in a few months if you start simple and add more difficult mixes.
Now start fiddling around. Turn the bass up too loud then back it off until it sounds right. DO that with the Rhythm instrument. Turn the drums up then adjust the levels of the other 2 instruments. Turn the drums down adjust the other two. Master 3 piece arrangements. Because they will always be in there. "OK sometimes there are no drums but now even bluegrass is adding rhythm instruments" Don't start out mixing a style that does not have drums.
DO THIS WITH A GOOD SET OF HEADPHONES like AKG K240S
I will be happy to add more detail later. My point is if you don't start out right you are not going to be happy in the end. Sometimes LESS is MORE my experience has always been. Don't move that knob away from the center if you don't know what it does.
I apologize if this is way too basic for you DaClark I was hoping I could help some of the beginners with the basics.
"When you help somebody else you are really helping yourself"
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2008
Posts: 226
Apprentice
|
|
Apprentice
Joined: Dec 2008
Posts: 226 |
Production also includes pattern making. Mixing is a part of that process but a lot of it depends on patience for taste. Biab allows an entire song to be created quickly to practice learning a taste of a particular style. In fact I've been studying the midi patterns by writing out every number there are 78 midi folders and out of numbers I randomly pull one number out and that is the style group I listen to for a week. I also have Cakewalk TTS which sounds much better than Coyote (which I think is crap!! so I can enjoy the midi pieces more. Than I try to locate from Spotify bands that might be related looking at musical notation that I have written out or seen writing out. I should score out the styles, but I haven't done that yet . But I would say this is part of a musical process.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
glad to see there is hope for all of this. Its weird you can go your whole life playing music and not catch this stuff. anyone on this forum a master of how to do this I learn best by listening. Ill try the suggestions and see where it gets me. good stuff.
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2006
Posts: 1,590
Expert
|
|
Expert
Joined: Dec 2006
Posts: 1,590 |
Yet again some great advice. Thanks Dga, that was particularly useful as it assumed no real knowledge of mixing. The pros on here make for great reading too. Thanks all.
Windows 10 Home 20H2 Build 19042.487
BIAB 2021 (Build 818)
Intel(R) Core(TM), i3-4160, CPU @3.60 GHz RAM 16 GB, 64 Bit X64-based processor
Zoom UAC-2 (USB 3 interface-built in midi)
VoiceLive 3 Extreme, Sputnik Valve Condenser Mic
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Apr 2009
Posts: 10,735
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 10,735 |
then there is live production I think to. I'm getting there is a lot to this. I could tell there were more guitars than what we play and know we need more than what we have if we want to sound fuller. we talk about doing a recording for a cd but think we need to figure some of this out first. don't want the cart before the horse. were 4 guys with day jobs not trying to make it just have fun and sound good. now its figuring what more to do with it. 45 years in the studio is a lot of time. we could start where you did and hire someone to teach us the ropes. we want to get a sound like some of the bro country acts. it's not bach but its fun for us and like chris cagle said the chicks dig it. To do that.... don't hire someone to teach you unless you are hiring Luke Bryant and Chris Cagle, you know, the guys who are actually doing it successfully. Short of that.... yeah, you can't afford them..... get their music and STUDY it.... dig in and find out how they construct songs, what they sing about, the instruments used, the chord progressions they use, where they place their breaks, tempo, key, groove..... study their music, then start writing THAT kind of music. So yeah.... don't hire anyone who doesn't have a Billboard #1 chart topping song. If they can't make it to the top of the charts, then, simply put, they don't know what their doing when it comes to writing modern bro country songs.
Last edited by Guitarhacker; 03/25/16 01:23 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Feb 2015
Posts: 671
Journeyman
|
|
Journeyman
Joined: Feb 2015
Posts: 671 |
Yet again some great advice. Thanks Dga, that was particularly useful as it assumed no real knowledge of mixing. The pros on here make for great reading too. Thanks all. Lambada, thanks. I'm no pro so the best advice I can give is to someone who is just starting out. I see we have some of the same software and hardware. I have the TCH-Play Acoustic and their Voice Live3 Extreme. I write my background music in BIAB, Mix it, and create a wave file. Its that simple usually takes about a half hour at most. Then I load the mix into my extreme pedal and take MY BAND with me to the show. Mixing 3,and 4 piece backing bands with BIAB for both covers and original songs gives me space to play solo guitar, or the rhythm guitar part live. I've been amazed at how quick this process is, and the quality of the tracks. I'm enjoying the creative process more. Like a breath of fresh air. The Extreme latest firmware Update creates 1, 2, 3, or 4 part vocal harmonies when you stomp a switch. Reading the Key and Chord changes from the Backing Track, its a great sound for a 1 man band.
"When you help somebody else you are really helping yourself"
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Aug 2010
Posts: 2,298
Veteran
|
|
Veteran
Joined: Aug 2010
Posts: 2,298 |
then there is live production I think to. I'm getting there is a lot to this. I could tell there were more guitars than what we play and know we need more than what we have if we want to sound fuller. we talk about doing a recording for a cd but think we need to figure some of this out first. don't want the cart before the horse. were 4 guys with day jobs not trying to make it just have fun and sound good. now its figuring what more to do with it. 45 years in the studio is a lot of time. we could start where you did and hire someone to teach us the ropes. we want to get a sound like some of the bro country acts. it's not bach but its fun for us and like chris cagle said the chicks dig it. To do that.... don't hire someone to teach you unless you are hiring Luke Bryant and Chris Cagle, you know, the guys who are actually doing it successfully. Short of that.... yeah, you can't afford them..... get their music and STUDY it.... dig in and find out how they construct songs, what they sing about, the instruments used, the chord progressions they use, where they place their breaks, tempo, key, groove..... study their music, then start writing THAT kind of music. So yeah.... don't hire anyone who doesn't have a Billboard #1 chart topping song. If they can't make it to the top of the charts, then, simply put, they don't know what their doing when it comes to writing modern bro country songs. Right on! I think this is the route to really understanding what is going on in a song. MANY times there is more going on than we would we maybe guess. Also, don't hesitate to ask here. You may get the occasional/UN-original "you know what country and rap is? Crap!" type of response...HOWEVER, you will also get some of the best advice and encouragement you will get! Take note, there are some REALLY willing people here! Let me know if there is anything I can do. I've stayed at arms length for a bit, but if there is interest in the subject, I'm all in!
Chad (Hope that makes it easier)
TEMPO TANTRUM: What a lead singer has when they can't stay in time.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2000
Posts: 22,483
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,483 |
methodman,
There is a pretty big difference between Coyote Wavetable and Coyote Forte. Which do you have?
Wavetable is free and Forte is $40. Sometimes the two get confused when referencing.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
I read this again and got a bit confused by where this is. I dont get some answers.
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jul 2000
Posts: 27,475
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 27,475 |
You've received some excellent answers. If there is something unclear, perhaps it's because we don't know what level of understanding you have. Could you tell us more about your skill level and what you are trying to accomplish?
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Presonus 192 & Faderport 8, Royer 121, Slate VSX, Adam Sub8 & Neumann 120 monitors.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
thanks matt. I think where I went off the rails was coyote. is that a sound or what. the other stuff im gettin but not good at yet. so right that there is great stuff suggested. thanks for helpin all. just a newb here.
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2006
Posts: 1,590
Expert
|
|
Expert
Joined: Dec 2006
Posts: 1,590 |
Hi DGA. Just saw your post. I've been away on holiday for a couple of weeks. I was very tempted to get the VL 3 Extreme but I felt I had never used my V 2 properly, so I'm learning to use that at the moment. Also I had the Nova Guitar effects already and an unused Boss looper. I'll wait and see what comes out next at TCH. TCH never give any warning or hints, and I know if I bought the 3 Extreme, the next week they'd bring out a new product! It certainly would have been a lot easier to just plug everything into the VL3, but it has forced me to dig into BIAB a bit more.
Windows 10 Home 20H2 Build 19042.487
BIAB 2021 (Build 818)
Intel(R) Core(TM), i3-4160, CPU @3.60 GHz RAM 16 GB, 64 Bit X64-based processor
Zoom UAC-2 (USB 3 interface-built in midi)
VoiceLive 3 Extreme, Sputnik Valve Condenser Mic
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Mar 2016
Posts: 29
Enthusiast
|
|
OP
Enthusiast
Joined: Mar 2016
Posts: 29 |
like that. I dont get it. is it another conversation or am i missing what you are saying?
Who's up for brats and beer?
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
Ignore the side conversation on Coyote - has really nothing to do with your question. Guitarhacker said to go study different producers' work - there's really nothing better you can do. Someone else early in the thread stated that this role and activity has different meanings for different styles and I would say for different budgets. Here's some homework: 1. Go to your CD or LP or mp3 file collection and pick out 25 of your favorite songs from those recordings. 2. Find out who the producer is on those songs. Also find out if there are mixing credits and engineer credits and arranging credits. 3. Make a table of all 25 songs and who the arranger, engineer, mixer and producer is for each. 4. Very likely, you are going to find some names repeated across columns; maybe not on the same recording, but you will find some common names very likely. 5. Go obtain as many recordings with that name listed as financially feasible. 6. Find magazine and on-line articles about what they say they do to 'produce'. 7. Try one thing that they do from a recording/mixing/arranging standpoint. 8. When you think you've learned that thing, move on to another. You don't have to get expert at it, just get the concept and then move on to something else. 9. Repeat. 10. This is supposed to be fun, if it's not - maybe do something else. For me, it started in the 80s, falling in love with U2's The Unforgettable Fire which introduced me to Brian Eno. Eno has been musician, engineer, producer, collaborator, arranger, etc. on a variety of very diverse recordings but all usually involving reverb-y sound, which I love. Also, go subscribe to TapeOp - it's free and chock full of great articles and interviews with engineers, producers, etc. http://tapeop.com/subscriptions/-Scott
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Happy New Year!
Thank you for being part of the Band-in-a-Box® community.
Wishing you and yours a very happy 2026—Happy New Year from all of us at PG Music!
Season's Greetings!
Wishing everyone a happy, healthy holiday season—thanks for being part of our community!
The office will be closed for Christmas Day, but we will be back on Boxing Day (Dec 26th) at 6:00am PST.
Team PG
Band-in-a-Box 2026 Video: The Newly Designed Piano Roll Window
In this video, we explore the updated Piano Roll, complete with a modernized look and exciting new features. You’ll see new filtering options that make it easy to focus on specific note groups, smoother and more intuitive note entry and editing, and enhanced options for zooming, looping, and more.
Watch the video.
You can see all the 2026 videos on our forum!
Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- Android Band-in-a-Box® App (included)
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics85,821
Posts796,638
Members39,968
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean