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Ok, so this is starting to get funny. Some of you have been following the evolution of this song. And I do mean evolution. Here's the link, but read the song story first. https://soundcloud.com/david-snyder-gigs/bible-on-the-dresser_alt-rock-remixI spent an hour with a Nashville industry mentor who is a well known signed writer, producer and singer in Nashville. He went through this song with me line by line and even got out his guitar and started singing. He said that according to him I would be best served by blending the "John Mayer" feel I have to my pop songs with alt country, and it would sound better and both "create a niche" and "fall into a niche" at the same time. So I tried it. This is the result. Let me know what you think. The style is below. I added a user track I created myself to get that hard chunk-a-chunk palm mute thing that is ever so popular these days. That is the most predominant acoustic. I look forward to getting your thoughts.  David’s Alt Country John Mayer Pop Blend Style is _SPOPS16.STY (Swung 16ths Soul Pop) (User Defined) RealTracks in style: 784:Bass, Electric, PopCrossover Sw16 075 RealTracks in style: 625:Guitar, Acoustic, Strumming Rascal Sw 075 User Track: David Snyder Acoustic Chunk Style (Taylor) RealTracks in style: 2536:Guitar, Electric, Rhythm ModernPopSw16Zane Sw16 075 RealTracks in song: 1599:Guitar, Electric, Rhythm Pop16thsA-B Ev16 065 RealDrums in style: NashvilleSwing16^1-a:Snare, Hihat , b:Snare, Ride *******************
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You do have a nice blend of styles here. Well done and much enjoyed.
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Hi David,
I like this version best. The vocals sound quite good now.
Enjoyable listen.
Guenter
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David,
Of all the versions posted, I like this one best too... and I appreciate hearing all the story behind the song's evolution. Funny that it started out as a country song and ended up in a John Mayer style.
I think the musicality of the song works better in this style, but the bible theme makes more sense in Country or hard core Americana.
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Pat already said it all.
We also think this is the best version.
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David
I liked this one the best as well.
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I'm going to have to be on the outs I guess... I don't agree with the "this is the best version" assessments. You have fixed some stuff, no question. But you lost "the heart" that the original version had - it rang true from a gut level - I think you have "revised" all of that out. I hope you are okay with me voicing that opinion (after all, that's all it is).
But, let me reiterate... I dig your music and I totally enjoy your journey... you are overflowing with talent...
Why don't you read PMs?
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I think I understand FJ's point regarding the revision of your song. Your mentor seems to have tried to help you make the song more commercially appealing but ended up superseding you in the song. It seems to be a mixture of portions of a recipe from two or three different cookbooks combined.
This version is a lot different from the first version where so much potential was noted. To me, it seems to be more cliched and disconnected between the music and lyrics and the song has drifted toward a different direction than the original.
So, it will probably be a huge hit. I evaluate a song from within my musical knowledge, and I know nothing.
Good luck with the song.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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David,
I can't comment on the previous versions but I think this is good. It's a well written song.
SD
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I guess we are not good candidates to review from the commercial perspective as we just don't think about that -- and I'm sure our songs reflect that attitude So, we are down more with the heart and soul of the, I suppose, less commercial earlier versions. All with a HUGE FWIW! J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Hi everyone, including Floyd and Charlie. This feedback back is great.
I appreciate all of your feedback.
This whole thing is an ongoing experiment to use one song to purposely and methodically *test* the commercial market from many different angles to see if the “professionals” have anything useful to contribute or whether it is a waste of artistic time to listen to “commercial-music centered feedback.”
I have learned a lot and the process of experimentation and alternate takes is not over. I am actually doing more as part of the experiment. I listened to the country music mixing YouTubes Floyd recommended and also took Charlie’s great advice on the use of compression and normalization in Audacity on certain individual tracks before mixing begins. Great suggestions.
There is compression all over the place on this mix and I think it does make it jump out of the speakers. It “sounds” radio, whether it has any emotion left or not—and that is not necessarily a good thing, but it is part of the learning curve. So, I have learned something from the forum on better mastering.
In terms of “authenticity” as Floyd mentioned, I believe I was at my most authentic when I was 12 years recording with my Yamaha acoustic onto a Silvertone cassette player from Sears.
I think I am going to try and get back to that era in this era by focusing more on simplicity and who I am rather than trying to “write for the market.” However, production-wise I do want to know everything the market has to say about production in terms of feedback so I can take what is useful and use it, and throw the rest away. I didn’t want to throw it away though, until I give myself a chance to hear 100 different sides of the story. Pure experiment.
Your feedback has been invaluable. Again, I learn most of what improves me on this forum, NOT from so-called “industry professional” so thank you. The forum is real.
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Hi everyone, including Floyd and Charlie. This feedback back is great.
I appreciate all of your feedback.
This whole thing is an ongoing experiment to use one song to purposely and methodically *test* the commercial market from many different angles to see if the “professionals” have anything useful to contribute or whether it is a waste of artistic time to listen to “commercial-music centered feedback.”
I have learned a lot and the process of experimentation and alternate takes is not over. I am actually doing more as part of the experiment. I listened to the country music mixing YouTubes Floyd recommended and also took Charlie’s great advice on the use of compression and normalization in Audacity on certain individual tracks before mixing begins. Great suggestions.
There is compression all over the place on this mix and I think it does make it jump out of the speakers. It “sounds” radio, whether it has any emotion left or not—and that is not necessarily a good thing, but it is part of the learning curve. So, I have learned something from the forum on better mastering.
In terms of “authenticity” as Floyd mentioned, I believe I was at my most authentic when I was 12 years recording with my Yamaha acoustic onto a Silvertone cassette player from Sears.
I think I am going to try and get back to that era in this era by focusing more on simplicity and who I am rather than trying to “write for the market.” However, production-wise I do want to know everything the market has to say about production in terms of feedback so I can take what is useful and use it, and throw the rest away. I didn’t want to throw it away though, until I give myself a chance to hear 100 different sides of the story. Pure experiment.
Your feedback has been invaluable. Again, I learn most of what improves me on this forum, NOT from so-called “industry professional” so thank you. The forum is real.
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Hi everyone, including Floyd and Charlie. This feedback back is great.
I appreciate all of your feedback.
This whole thing is an ongoing experiment to use one song to purposely and methodically *test* the commercial market from many different angles to see if the “professionals” have anything useful to contribute or whether it is a waste of artistic time to listen to “commercial-music centered feedback.”
I have learned a lot and the process of experimentation and alternate takes is not over. I am actually doing more as part of the experiment. I listened to the country music mixing YouTubes Floyd recommended and also took Charlie’s great advice on the use of compression and normalization in Audacity on certain individual tracks before mixing begins. Great suggestions.
There is compression all over the place on this mix and I think it does make it jump out of the speakers. It “sounds” radio, whether it has any emotion left or not—and that is not necessarily a good thing, but it is part of the learning curve. So, I have learned something from the forum on better mastering.
In terms of “authenticity” as Floyd mentioned, I believe I was at my most authentic when I was 12 years recording with my Yamaha acoustic onto a Silvertone cassette player from Sears.
I think I am going to try and get back to that era in this era by focusing more on simplicity and who I am rather than trying to “write for the market.” However, production-wise I do want to know everything the market has to say about production in terms of feedback so I can take what is useful and use it, and throw the rest away. I didn’t want to throw it away though, until I give myself a chance to hear 100 different sides of the story. Pure experiment.
Your feedback has been invaluable. Again, I learn most of what improves me on this forum, NOT from so-called “industry professional” so thank you. The forum is real.
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Thanks guys.
This whole thing is an ongoing experiment to use one song to purposely and methodically *test* the commercial market from many different angles to see if the “professionals” have anything useful to contribute or whether it is a waste of artistic time to listen to “commercial-music centered feedback.”
I have learned a lot and the process of experimentation and alternate takes is not over. I am actually doing more as part of the experiment. I listened to the country music mixing YouTubes Floyd recommended and also took Charlie’s great advice on the use of compression and normalization in Audacity on certain individual tracks before mixing begins. Great suggestions.
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Hi everyone, including Floyd and Charlie. This feedback back is great.
I appreciate all of your feedback.
This whole thing is an ongoing experiment to use one song to purposely and methodically *test* the commercial market from many different angles to see if the “professionals” have anything useful to contribute or whether it is a waste of artistic time to listen to “commercial-music centered feedback.”
I have learned a lot and the process of experimentation and alternate takes is not over. I am actually doing more as part of the experiment. I listened to the country music mixing YouTubes Floyd recommended and also took Charlie’s great advice on the use of compression and normalization in Audacity on certain individual tracks before mixing begins. Great suggestions.
There is compression all over the place on this mix and I think it does make it jump out of the speakers. It “sounds” radio, whether it has any emotion left or not—and that is not necessarily a good thing, but it is part of the learning curve. So, I have learned something from the forum on better mastering.
In terms of “authenticity” as Floyd mentioned, I believe I was at my most authentic when I was 12 years recording with my Yamaha acoustic onto a Silvertone cassette player from Sears.
I think I am going to try and get back to that era in this era by focusing more on simplicity and who I am rather than trying to “write for the market.” However, production-wise I do want to know everything the market has to say about production in terms of feedback so I can take what is useful and use it, and throw the rest away. I didn’t want to throw it away though, until I give myself a chance to hear 100 different sides of the story. Pure experiment.
Your feedback has been invaluable. Again, I learn most of what improves me on this forum, NOT from so-called “industry professional” so thank you. The forum is real.
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In terms of “authenticity” as Floyd mentioned, I believe I was at my most authentic when I was 12 years recording with my Yamaha acoustic onto a Silvertone cassette player from Sears. I think I am going to try and get back to that era in this era by focusing more on simplicity and who I am rather than trying to “write for the market.” I like the goal of searching for and trying to recapture the musical authenticity of a whole-hearted kid with a guitar and cassette recorder. There are people here who wear all the hats well, and it's easy to fall into a trap of believing that we all need to be engineers. It is my opinion that we shouldn't all have the same goal... it is the nature of creativity that we all want something different and new. The music itself is the foundation. The 12 year old kid intuitively knew that. Speaking for myself, I'd far rather hear heartfelt music that is recorded simply than to hear a highly polished song with no soul. My biggest objection to this song is that I got the impression from the start that your choice of a topic was entirely based on commercial appeal toward a specific demographic. It didn't have the ring of a personal story that you needed to tell in order to find internal peace. Would the 12 year old kid have written this song? If not, I guess that's what you're trying to rediscover. You're an interesting guy, David. I hope we meet some day. I passed thru Raleigh a couple of times in the past week, and I thought of you each time.
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Well give me a holler next time, or hit me up on linked in at: https://www.linkedin.com/in/davidsnyderraleighall my vital stuff is there. We could sit under a tree in the backyard and do a co-write.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
Watch the video.
You can see all the 2026 videos on our forum!
Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Windows®
With your version 2026 for Windows Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
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- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
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Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
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- Instrumental Studies 25 - Soul Jazz Guitar Soloing
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- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAKs for Band-in-a-Box® 2026 for Windows®!
Video: New User Interface (GUI)
Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
Watch the video.
You can see all the 2026 videos on our forum!
Introducing XPro Styles PAK 10 – Now Available for Windows Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
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Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Windows Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
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All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
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Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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