In a way, I guess it is cheating, as The Wrecking Crew, The Swampers, dubbing vocals for actors in movies, and so on. But in another way it's just another tool to be used to make something with.
When I started doing computer backgrounds with my Atari/ST computer, other musicians told me "You are going to put musicians out of work with that." I replied, "I am going to put a musician to work with that, me."
Later on. many of those same musicians who criticized my use of the computer are buying styles from me, buying karaoke tracks on-line or full sequences from somebody else.
I suppose the first "Sideman" drum machine was the first cheat. Or perhaps the capo? But things that are called cheating one day become normal the next.
I still play live with backing tracks that I make myself, many with the help of BiaB and a couple totally BiaB. I'm still in the same duo I started with that Atari in 1985, and we're still gigging with 17 one-nighters this month.
I do 100% MIDI backing tracks and Leilani and I sing and play either guitar, synth, wind synth, sax, or flute over the top.
I prefer MIDI over RTs for live performance, because the mix needs to be different live than it does for a recording. Hotter snare drums, exaggerated horn stabs, more dynamics on the bass and most other instruments. Plus the groove should often be exaggerated. It makes it sound more live to the audience.
Whatever, it's working.
If it's cheating, so be it.
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