I process all the RT's and RD's that I use. And that includes our bluegrass productions. I generate nearly all biab realtracks mono, centered and dry. Sometimes I generate electric guitar tracks as direct input and use Logic's amp sims and/or pedals on them. On our recent post to the User Forum I used an overdrive amp sim on the harmonica. I sometimes use Ozone's imager to enhance on pianos (one instrument that I typically render in stereo). Everything is mixed in Logic Pro X.

FWIW I mix for a sound that feels live - or at least how a band would sound being recorded live in the studio. Toward this end I find that various combinations of eq, reverb, delay and compression help me achieve this feel. I use the EMT 140 Plate reverb sim on all tracks but I never use reverb on the final mix. For instrumental tracks I start with one of the presets from Alloy 2 for the respective instrument and then modify it for the particular mix. On occasion I'll use Waves multiband compressor on a track.

IMO and for my mixes this helps me allow the respective track to "sit" in its respective place on the soundstage without stepping on a neighbor but not seeming isolated either.

I put a low end shelf on about everything track to reduce mud (learned from floyd). My mastering of the final mix via Ozone 7 is primarily to add some compression and if needed clean up any vestiges of mud. I use minimalist settings on the mastering presets to achieve this.

My mixes always use a small number of tracks usually 4-6 as I'm not accomplished at making more dense mixes work and the above seems to work for me but I'm light years from being an expert.

And another big ole FWIW!

Bud

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