<<< I use the interface to plug my guitar into the laptop then use Guitar Rig or TH3 and blend it with the various tracks I have made using BIAB for live shows. The output of the audio interface plugs into my little PA (also other PAs when doing some shows)

I have also purchased a MIDI foot controller so I would like to add MIDI ports (albeit I have a UNO MIDI to USB device.) >>>


Well, first, I'm fairly knowledgeable with Presonus hardware and software. I've also owned a Focusrite 18i20 unit. Presonus hardware: Interfaces: 22vsl, 22, 44vsl, and currently have the Presonus 192 but also still have my original 22vsl in service. I've had an AR22 mixer, 16.4.2 Studiolive mixer. Other hardware: V-Tube Preamp, 2 Eureka Channel Strips and an original single channel Faderport as well as the Faderport 8 Control Surface. There may be more but that's the list off the top of my head. Software, I have Studio One 4 Professional and the 192 uses Universal Control for access and control of the internal 192 DSP chip.


Some thoughts about Presonus.


If you use Presonus software, their hardware may have some neat perks between that software and hardware combo. Integration between Studio One and the Presonus hardware devices is very intuitive as well as adds a lot of useful control and convenience.

I have experienced rock solid performance from Presonus hardware. I've had one issue with one unit that was a B-stock purchase 10 years or so ago.

If you buy any Presonus hardware unit, choose one with X-max preamps. They are above average, quality preamps. The 24-c unit you are considering has X-Max preamps. The X-max preamp on today's $149 unit is much better than the single preamp that their $900 Eureka channel strip had when it was originally manufactured.


However, at the top of my post, I pulled a quote from your post. Some other thoughts I had about your situation.

You may want to consider on improving not only your studio setup, but simplifying and improving your live gig setup as well. You can do that by upgrading to a digital mixer/interface rather than just an audio interface. That upgrade will provide potential benefits you may not have ever considered for your live performances like adding a click track to add additional 'live' recording sections to play in sync with your live playing. It will provide more channels and routing to add additional devices for playback, MC, midi control of devices, audio and video and also lights. You can record a stereo mix of your show or with some models record a multitrack of a show. But the real payoff and improvement can come from the built in operating system (OS) and effects included. Here's an example why. Behringer's lowest priced, lowest featured Stage Box Digital Mixer has the exact same OS and effects/features as their top of the line, $2,300 Behringer X32 40-Channel, 25-Bus Digital Mixing Console. It's limited only to account for the reduction in input/outputs between the two units. Performance wise, there would be no difference between you using a full sized X32 for your current gig setup and the Behringer XR12 four pound stage box. There are several different models offered to accommodate the specific needs of a band or studio regarding routing, otherwise they are all the same except for scale. Behringer (and other manufacturers) also sells a traditional mixer, Behringer Xenyx UFX1204 Mixer and USB Audio Interface with Effects, with similar routing but everything is hardware control rather than total software control.

BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.