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Joined: Aug 2010
Posts: 2,298
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Joined: Aug 2010
Posts: 2,298 |
Hear to Learn: If you should see this post, you remarked there is a lot going on in music, today. I'd like to hear your summary on that, and where you might think it is going. By the way, one factor that has not been mentioned much is the digital revolution. Hey Ed, sorry it took a bit to respond. It's not because my response is something profound and earth shattering. I've just been busy as heck. When business is good; my hobbies suffer. Anyway, I'm not even going to pretend I know where it's all going; or what's coming. I know I haven't officially been with a band in probably 10 years. It was a country band. When I left the band; they were talking about how "country is going a lot more old school. It's going to be a lot less rock." That couldn't have been more wrong. It grew in a huge way because of the demand for it. More pop, rock, rap, blues, AND even a little more traditional country has been added in. For me, country has always been a mixed bag. I grew up on all sorts of music; with more of a family focus on country. I love pop and rock; but listened to a lot of The Oak Ridge Boys, The Statler Brothers, Ronnie Milsap, then eventually Alabama just to name a few. I heard more complaining from my Grand Parents generation about how awful Alabama was. The drums were too loud and it was not country. It was that damn rock music with a fiddle. As everyone has pointed out; it's been going on for a while. I can't help but laugh when people point to a current artist who is making it and sounds more like "how country should sound." You can say that every single year. But, the bottom line is; country is really, really big right now. When something gets that big; there is usually people that push back eventually. So, we'll see. What gets made in mass is what the masses want to consume. Something I've observed; that I feel is has a lot to do with country being as big as it is is people that grew up in the 70's and 80's heard a fair amount of country music that seemed slow, "tear in my beer" kind of music. Simultaneously, they had a lot of rock bands, like Kiss, that had a lot of upbeat party music, and of course, track #4 was typically the power ballad. That lasted for a while; but also got a bit old as time when on. It had a pretty good run though. Parents didn't care for it; but the kids ate it up. Flash forward to the 90's country to now. We had a strange series of events happen. Rock started to become darker and a lot less fun. Country started to be a lot less "tear in my beer" and more more fun. Paraphrase Garth "I could sing like the rock bands; but I could sing country. So I wanted to bring a rock show like Kiss has to country music." To me, that all set up a unique opportunity. You had kids who are hearing upbeat music with more of a party feel and ballads that mean something to where they are in life. Simultaneously you had their parents hearing enough of what they loved in their youth BUT in a way that was different enough that it was "new." Talk about a recipe for A LOT of fans! It's pretty crazy when you think of how you have kids AND their parents loving the same music. Of course, Grandmas and Grandpas still didn't care much for it, which was fine with the fan base. It's not like when older people complain about the music kids like these days the kids think "oh! Ok! I'll stop liking it then. Since yours is so much better; that is what I will listen to instead." It just doesn't happen. So for where it's going. I think today's current country COULD be a bridge to what came before. It depends a lot on a generation that really couldn't give a #%^$ what kids like. To me there is nothing cooler than when you see someone full of knowledge and experience try to understand what kids like, RELATE TO THEM FIRST, then expose them to what came before. I've seen enough times and can't help but respect a person of that character. There are a number of members on this site that have brought me to some amazing music that I would not have known of but for their influence on me. I take that and have conversations with my kids and have them hear it as well. What a great connecting point if you take advantage of what's right there. Country is going to continue to evolve without a doubt. There are so many influences coming from so many angles that I can't wait to see where it goes. For me it's exciting. Old, new, modern, traditional...to me there's room for all AND the crossing over that happens. That was a really long answer that really didn't answer anything. lol. Thanks again for starting the thread. I'm seeing a bit of a change on the forums and I think it's pretty cool myself. I'm HearToLearn, and have been hearing a lot of great resources right from the forum.  (Didn't have time to spell check. Forgive me.)
Chad (Hope that makes it easier) TEMPO TANTRUM: What a lead singer has when they can't stay in time.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
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Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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