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Band-in-a-Box for Windows
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Joined: Mar 2017
Posts: 194
Apprentice
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OP
Apprentice
Joined: Mar 2017
Posts: 194 |
It seems there are two different things at play here, at least from what I've been reading this morning over at CDBaby (I use CDBaby to release my music). For the digital music places like Spotify, iTunes, etc., it seems only necessary that you have the rights to use all the tracks used to build your song, and of course we do when using realtracks. It seems that Youtube monetization is different however. I found the following: Eligibility:
Songs that you control all of the master and publishing rights to.
Use only your own material for which you have exclusive rights. Use third-party material for which you have exclusive rights.
The following examples are Ineligible and cannot be used for YouTube or Facebook Monetization:
Content licensed non-exclusively from a third party (such as samples that are not exclusively licensed) I don't claim to understand legal stuff, but wouldn't the above sentence exclude realtracks because we don't have exclusive rights? Having said that, every song I have ever released through CDBaby is also opted in for YouTube Monetization and I have never received a warning from them about it. The article I quoted from is here: https://support.cdbaby.com/hc/en-us/arti...t-be-monetized- Very interesting to read what CDBaby say Dave, and it supports what LANDR told me back in July when I queried why all of my releases were monetized on Spotify, Amazon Play, Google Play, Deezer, etc, but had not been approved for YouTube/Facebook monetization. They explained that it is because the criteria is different and more strict for YouTube and Facebook. I did a bit of research on YouTube monetization and discovered that they changed the rules about two years ago with the aim of improving content. To qualify for YouTube monetization, your channel must now have at least 1000 Subscribers and 4000 Watch Hour time in last 365 days. The video content must also comply with the stricter copyright ownership requirements (as you stated). See https://youtube-creators.googleblog.com/2018/01/additional-changes-to-youtube-partner.htmlAs my YouTube channel falls a long way short of the required number of subscribers and watch hours, it's totally irrelevant whether the content of any of my videos complies with content requirements anyway, so you can understand why it really doesn't matter to me that my LANDR releases were not approved for YouTube monetization. However, at the time, I was curious as to the precise reason why LANDR had not approved them, and this was the reason why I queried it with them. Without referring directly to any of my releases, they simply answered by giving me a list of YouTube's criteria and offered the suggestion that their review system must have flagged something that didn't meet the required criteria. To their credit, they unexpectedly said that they were happy to approve all of my releases for YouTube monetization on their system but warned me that, in the event of the material being used in a YouTube video, it would ultimately be up to YouTube themselves to decide if it fulfilled their own requirements for monetization. As the only material I used on these releases was a combination of my own live performances and BIAB Realtracks, I would tend to agree with you that BIAB Realtracks are not exclusively licensed, therefore all that LANDR were doing when they didn't approve some of my releases for YouTube monetization, was letting me know in advance that I could run into problems if I was to use the music in a YouTube video. Of course, it would depend on the sophistication of YouTube's detection system in identifying BIAB Realtracks within the recording, and their interpretation of what constitutes 'insufficiently distinct'. So like you say JohnJohnJohn, a lot of BIAB songs use the same Realtracks, and every Realtrack uses the same 8 bars riffs. Therefore it's not beyond the realms of possibility that a sophisticated AI system could identify a commonly used riff when reviewing a release, and subsequently not approve it for YouTube/Facebook monetization.
Last edited by Andyman; 09/13/19 03:09 AM.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
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