I didn't read all the comments.... so with that in mind.
This is the very advice that Jeff Steele gave to the folks in attendance at a songwriter's seminar that I had attended several years ago in LA. Write a song every day..... monday thru friday. At the end of a year you have approx 250 songs. At the end of 10 years you have 2500 songs. Somewhere in the middle, you're starting to get pretty good at writing.
He defined what it meant to write a song a day. It means a complete song. Music and lyrics and record it in some fashion so you don't forget it next week. It does not have to be a "swing for the bleachers" type of song. You need to sift through a lot of rocks to find the gems. Just complete the song from start to finish and with lyrics and music. When you write like this, you will absolutely become better.
In dog training, we say that a dog has to repeat something successfully 800 to 1000 times for it to grasp and master that something. It can be a sit or a search for a given odor in 10 acres of woodland. The same thing applies to us. We have to successfully repeat things to become good at them. It takes 10,000 hrs of practicing correctly to master something. Do the math.... that means 4 to 5 years of doing.
As a side, Steele said that after having done this (writing hit songs) for his whole life, he still has a rate of 1 in 10 songs that he writes is decent enough to consider demoing. Out of those, again maybe 1 in 10 of the demos get cut, and a small number of them hit the top 10 in the charts. At the time of the seminar, Steele had had 24 hit songs that were in the top 10 including #1.
Not many folks, including myself have the time to set and write a complete song, or anything for that matter, everyday. But that doesn't mean we can't write as much as we can and learn more about the process and the skills needed to improve.
No matter what your circumstances, try to improve. You owe it to yourself and that epitomizes the reason we take up a hobby or a pursuit in the first place.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
A song a day – how to improve your songwriting skills You may not copy Jonathan Mann and his commitment to the plan, but everyone needs to slow down some time. The first principle of one song per day is to do my essay as a short story on your song’s topic in order to minimize the basic word cluster, focus your lyrics and That helps a lot.
On the one hand, it helps with motivation I guess, but on the other hand - I'm not sure if it's the best method for everyone. Some songwriters prefer long pauses in writing after each song (that's totally about me).
The result of one song per day 120 days in a row in one video: 120 Days of Music - One Hundred and Twenty - Samuel Orson:
To those who say they prefer to avoid quantity and focus on quality, you have made an error in thought process and that is that you think these two words are mutually exclusive. That is not the case. Ask any person involved in learning any instrument or sport. Practice, and lots of it, results in improvement. There are very few home run hitters who take just one pitch per day, hoping for a home run from that one pitch
Hi Scott.
I've been pondering your comments since I first read them a couple of days ago.
While there's some truth in what you say, I'm not sure that songwriting is as straightforward as you make it sound.
For example, if I define a "song" as melody + chords + arrangement, then I could comfortably write a song a day. However, if I define a "song" as melody + chords + arrangement + lyrics, I would be unable to consistently write songs on a daily basis.
Lyrics for me are my slow point.
I can create a first draft of complete lyrics usually within a hour. That draft, though, is just a starting place. I then use dictionaries, rhyming dictionaries and thesauruses to modify words and dress-up phrases so that I have: (a) the best prosody possible; (b) the best syllable strength alignment with a note's rhythmical stress; (c) the most sonorous linking of words through rhymes, inner rhymes, assonance and consonance; (d) the best possible metaphors, similes and connotations. This all takes time. And with every change that I make, I need to let the words rest for a day or two so that I can come back to them with fresh ears and hear how they fit together.
In this regard, lyrics are like mixing for me. Aural fatigue sets in after a couple of hours and it's difficult to appreciate how well or not the lyrics flow.
Right now, I've been working on a single line of lyrics for three days. While I've certainly had a few 'adequate' lines that more-or-less work in those days, they have not grabbed me. This morning, my brain finally put a phrase together that says everything I want to say and the words flow with elegance. For me, lyric writing is more like the fermenting of beer. There's no way to hurry the process. The best I can do is to mix everything together, give it a good stir and then wait for the magic to happen as my brain works through various permutations and possibilities.
Just my two cents worth!
Regards, Noel
Interesting thread. I am like you Noel, I struggle with lyrics and it takes me a long time to craft a reasonable set of lyrics.
However, my time on FAWM has exposed me to ordinary people who are able to produce literally hundreds of sets of beautiful lyrics in the short month of February. It is amazing.
In turn they are amazed that I can put the lyrics to music and record the song (with the help of BIAB) in a couple of hours.
I believe Bob Dylan wrote Blowing in the Wind in a few minutes while Leonard Cohen took ages to write a song.
Maybe possible but why?? I have 50+ songs of my own....and have times when the muse (and time) come on and write several IDEAS....(later SONGS or not)...and perhaps if something pay for it....maybe think abouth it. Quality over quantity.....its important to me.
I think you can write a song a day if you want to end up with 365 crappy songs LOL I understand this may work for some but for me it's just a no-go. I'd rather spend my time trying to write from the quality perspective than the "quantity" perspective. To write a "complete" song to include music, lyrics, arrangement, background vocals, bridge, breaks, etc... is just too hard for me to complete in a day. I've heard these songwriter challenges songs before and 90% of the songs sound the same. No variety. Just 300 boring songs written as a ballad. A single soloist accompanied by a simple arrangement. If that's the goal then it's cool but I think it's because the songwriter gets stuck in a comfortable pattern and continues down that path not really experimenting or doing anything new. I actually do a lot of songwriting away from any instrument singing the melody into my Samsung then going back and figuring out how the music should sound or how the hook resonates. I will admit that there's no "right" answer. This is just my opinion.
Lyrics are always a pain in the neck and even though I've been writing poems the last 40 years or so - putting meaningful lyrics into songwriting is a totally different ball game.
You need to take rhythm and flow, also what words sounds good and stay away from the ones that make your vocal sound like you just swallowed a hot potato....and similar issues.
I use rhymezone.com a lot since my english vocabulary has it's limitation. Also I find quite a lot of inspiration just by observing human behavior - it tends to get my lyrics going. I also learned, that I regularly will change or rewrite 30-50% during the process from composing to recording.
When it comes to composing - I have a rule of thumb. I set the song up in BIAB or ScalerAudio2 -and then I leave it without writing down lyrics or creating a "humming" track. This to see if I still remember the song after 7-14 days - if I forgot it, well it wasn't good enough anyhow.
MacMini M1 - BIAB2021 - Logic Pro X - iZotope Music Production Suite - Scaler 2 - far too many Waves plugins and Line 6 Guitars and boards + a fantastic Yamaha THR10ll mini Amp - Avid MBOX Studio
Peters' Garage is available on all major streaming services
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
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MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
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With the release of Band-in-a-Box® 2026 for Mac, we’re rolling out a collection of brand-new videos on our YouTube channel. We’ll keep this forum post updated so you can easily find all the latest videos in one convenient spot.
Whether you're exploring new features, checking out the latest RealTracks or Style PAKs, this is your go-to guide for Band-in-a-Box® 2026.
Band-in-a-Box® 2026 for Mac is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 100 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
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