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Originally Posted By: berntd
And I also fi d that I can hear a very faint hint of very high pitch hiss on the new on the new one.


Did you not read my comment about that? Run it on the battery, that faint hiss should go away. It has something to do with the ground plug when it's plugged into the mains.

And, Matt yes I understand that headphone plug is weak but it's not a problem if you're careful with it. I did that for about 18 months when I had a duo and used Biab tracks. I got this from Mac, he was the one who explained he's been using the headphone out on his gig going to a PA. We're not talking about a recording session, we're talking about not having even more cables and devices to have to mess with. Much simpler and cleaner to just use the headphone jack.

Berndt, if you're willing to use an interface then that's your answer but if you really want to use the headphone jack, here's a vid I found that may help:



Bob


Last edited by jazzmammal; 07/04/20 08:17 AM.

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Hello and thank you for the help.

I have tried it on batteries but the sound remains the same.

Interestingly, as per that video, this computer does not have any of those settings for the speakers.

It only has enable disable set as default. Nothing else. I find that strange but it is true.


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Originally Posted By: berntd
Hello and thank you for the help.


Interestingly, as per that video, this computer does not have any of those settings for the speakers.

It only has enable disable set as default. Nothing else. I find that strange but it is true.


Not that unusual the last 2 all in one PCs that I have bought a HP and a Medion are both very sparse on the sound chip functions.
It seems the days of proper sound cards with like on my old dell tower are gone, that had line in & out, and headphones and even 5.1 surround sound, with the right speakers connected.
Like you I now have mic, speakers (stereo only), and headphone skt.
Sound seems to be the poor man of the modern pc especially on laptops and all in ones.
Hence the need to buy an external Audio interface.

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Last edited by Mike Head; 07/05/20 12:28 AM.

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FYI - I had some high pitched hiss as well as other sounds when JonD was at his keyboard and had his cell phone on! If he moved closer to the keyboard all kinds of weird sounds happened. But when he backed away all we heard was a high pitched hiss. Note that his cell phone was in his pocket. He had to place his cell phone away from the keyboard.

I don't know if this is your problem or not but I thought that I should share this.

Good luck.

PS - also weird sounds will happen if your computer is close to your router. Been there - heard that also.


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Oh, yes, there's RFI from phones and modems and even microwave ovens, plus EMI from cables overlaying others, refrigerators, and fans on the circuit. This equals a bunch of potential noisemakers that can affect the signal (unless you are using lightpipe or S/PDIF digital signals).

Then there is transistor hiss, at a low level in all systems.

And don't forget gain staging. The basic principle is to put the gain as high as you can at each stage and only vary the final stage volume.

The problem a headphone jack presents is that the headphone output does not follow this principle; it's very easy to overdrive and create distortion by turning up the headphone output beyond the voltage from a line-out. And there's more problems that I cited above.


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Originally Posted By: Matt Finley


All this is to say that the better solution is to buy an audio interface that connects by USB to the laptop.


Regarding the Audio Interface solution:
My brand new Behringer UMC202HD interface makes a hell of a racket on the output while the USB is connected but not yet enumerated or during a computer restart or when it is not controlled by the software.
Awful.
It appears they forgot to mute it when there is not data coming.

Their initial support reckons that this is ok and I just need to unplug it's output during boot / restarts etc.
Seems crazy to me.

Cheers
Bernt

Last edited by berntd; 07/07/20 04:30 PM.

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That sounds wrong to me, too.


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Originally Posted By: berntd
....................

Their initial support reckons that this is ok and I just need to unplug it's output during boot / restarts etc.
Seems crazy to me.

Cheers
Bernt


That's not right. Send it back while it is still under warranty.


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.....or check connections. Maybe you have an IN jack cord in an OUT jack, or vice versa.




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Or a bad headphone jack. But hey, that would never happen, right?


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No, after poking them, their support has just come back stating that he can reproduce the problem on his units.
They will now escalate and investigate a root cause with a possible fix in a future firmware release.

He still insists that one can just unplug the unit or turn off the amplifier while restarting etc.

That does not help me now though.

Regards
Benrt


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There are two thing I see here one is if you mix music using a bass enhancement setting then the music will sound thin to anyone else playing it on their systems. This is because you are mixing with a “color” music palette that will not exist elsewhere.

Secondly the heart and soul of any music studio is the device that interfaces between the DAW software and the output equipment I.e. speakers or headphones. This piece of the puzzle is vital. I would never rely on a internal sound chip, nor be too cheap with the interface.

A good product will literally take all the fight out of the process. Focusrite, Presonus, etc. make sure that the sound card/interface does not color the sound no bass or treble boost. That way you get the bass, treble, EQ, anything at the proper levels in the actual music mix and not afterwards in the sound chain. This makes sure your mixed down song sounds good on a variety of systems cans not just yours


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Originally Posted By: Rob Helms
There are two thing I see here one is if you mix music using a bass enhancement setting then the music will sound thin to anyone else playing it on their systems. This is because you are mixing with a “color” music palette that will not exist elsewhere. Agree 100 percent

Secondly the heart and soul of any music studio is the device that interfaces between the DAW software and the output equipment I.e. speakers or headphones. Also agree 100 percentThis piece of the puzzle is vital. I would never rely on a internal sound chip, nor be too cheap with the interface. Strongly disagree.

A good product will literally take all the fight out of the process. Focusrite, Presonus, etc. If true then why does the forum get so many posts about no audio or trouble with drivers? make sure that the sound card/interface does not color the sound no bass or treble boost. Yes, they offer driver settings that duplicate settings available through the Windows Control Panel default audio settings That way you get the bass, treble, EQ, anything at the proper levels in the actual music mix and not afterwards in the sound chain. This makes sure your mixed down song sounds good on a variety of systems cans not just yours I agree it is better to mix with flat EQ settings.


Most present day computer audio systems can accommodate HD or surround sound audio. Many headphones and some powered speakers interface with the computer through a USB port so audio remains digital until it hits the output transducers.

In my opinion an audio interface might make sense if a user is recording tracks or if five pin midi ports are needed. But I'm not convinced an audio interface offers any enhanced capability for audio playback.


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Originally Posted By: Jim Fogle
.......................
In my opinion an audio interface might make sense if a user is recording tracks or if five pin midi ports are needed. But I'm not convinced an audio interface offers any enhanced capability for audio playback.[/color]


I agree that if one is going to record be it a guitar, vocal, mic, etc, then an audio interface is needed.

You don't need an audio interface for five pin MIDI ports as five pin MIDI to USB adapters are very inexpensive.

I also agree that for just audio playback there is no difference between an internal audio chip or an audio interface as far as tonal quality goes. But if the music gets choppy, or crackles, etc then you will need an audio interface with native ASIO drivers so you can increase your audio buffers to stop those playback problems.


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Wow. I happen to agree with Rob on the interface.

Quote:
Many headphones and some powered speakers interface with the computer through a USB port so audio remains digital until it hits the output transducers ... [edit] ... But I'm not convinced an audio interface offers any enhanced capability for audio playback.


It can't remain digital forever, somewhere it is getting converted to audio in order for us to 'hear' it. The headphones/speakers need a Digital to Audio conversion somewhere in the chain. If it happens in the speakers, it is bypassing the internal audio D/A convertors, so totally sidesteps whether the internal one is any good.

To me, your post includes using a different USB device as a solution (an interface, if you will) that is separate from the internal audio chip for audio.
Yet you're 'not convinced' using a separate device makes any difference.
It is the Digital to Audio conversion (D/A convertors) that make much of the difference. If it avoids the internal D/A conversion it is not a fair comparison.


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Quote:


I also agree that for just audio playback there is no difference between an internal audio chip or an audio interface as far as tonal quality goes


Now I have to strongly disagree. Did you not read my post?
My old HP laptop produces a better audio quality than my new Behringer interface and my new Dell Inspiron laptop far worse.

Regards
Bernt


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Originally Posted By: berntd
Quote:


I also agree that for just audio playback there is no difference between an internal audio chip or an audio interface as far as tonal quality goes


Now I have to strongly disagree. Did you not read my post?
My old HP laptop produces a better audio quality than my new Behringer interface and my new Dell Inspiron laptop far worse.

Regards
Bernt


There's some confusion in terminology regarding the audio output quality. In the statement above you disagree with, it references PLAYBACK in your particular circumstance with your old HP Laptop, that laptop used a software program to enhance and boost the bass frequencies and over time, playback sounded good to your ears. In fact, you found it preferable to the playback you experience from both your internal soundcard and your new Behringer interface. That's on your personal system and is relevant only to your system. Your HP produced an artificial frequency response that was not good for playback on other sound systems.

The confusion in terminology is how your audio should be mixed rather than how it sounds during playback only on your system. Of the three audio output devices, the HP with exaggerated and enhanced bass boost, is the worst device of the three for mixing your song for others to hear on their devices. The mix will always be out of balance because of that bass boost and everybody that listens to your song will experience the thin, tinniness lack of bass sound.

A good mix should be balanced to sound good at all frequencies on all the different types of playback devices. It should sound balanced on a boom box, MP3 player, Your phone, home stereo, car and on a PA system.

The statement you disagreed with referenced playback and that's a personal preference whereas the Behringer interface is clearly the most capable of producing the best mix of the three choices discussed in this thread.

If you have a good mix on the Behringer that's not tainted by artificial EQ band boosts and cuts, your song will sound good on a variety of sound systems.


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rharv,

You're correct that both the USB headphones and powered speakers I use in my examples have embedded D/A convertors so the computer audio circuit is completely bypassed. So what? The computer's audio circuit also gets completely bypassed when a user attaches an audio interface. Bypassing the computer audio playback circuit doesn't automatically make whatever is used instead better. Truthfully the requirement to playback audio is not that high. The weak link in a computer audio connection is the headphone jack. Connecting any audio playback device through a USB port and the weak link is bypassed. A way to minimize the headphone jack is to keep a cable always plugged into the jack so wear and tear happens to the cable and not the jack.

The gaming and podcasting markets have broadened the audience for getting sound in or out of a computer. Devices intended for those markets likely are made from the same components as audio interfaces. If you're comparing devices that are comparably priced the D/A convertors likely are comparable. Audio interfaces use to be the only avenue to consistently get high quality sound in or out of a computer but that's not true anymore.

Most USB devices marketed for podcasting or gaming are Windows compliant and use built-in Window drivers. That means they are plug and play and are automatically recognized by the operating system when connected. No set up is needed, they just work. Even USB mixers by mainline audio companies like Mackie are starting to drop ASIO drivers and use built in Windows drivers for their USB mixers.

Compare that to downloading, installing, setting up and maintaining the ASIO device drivers most audio interfaces require. Ever have an ASIO driver quit working after a Windows update?

Now give me some convincing reasons an audio interface is better for audio playback than what comes built-into the computer.


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Originally Posted By: Charlie Fogle

There's some confusion in terminology regarding the audio output quality. In the statement above you disagree with, it references PLAYBACK in your particular circumstance with your old HP Laptop, that laptop used a software program to enhance and boost the bass frequencies and over time, playback sounded good to your ears. In fact, you found it preferable to the playback you experience from both your internal soundcard and your new Behringer interface. That's on your personal system and is relevant only to your system. Your HP produced an artificial frequency response that was not good for playback on other sound systems.



Please do not assume that I am confused or do not know the terminology.
I stand by what I said.

I have tested this with several different people listening and the result is the same. The HP has a substantially better sound, agreed by everyone who hears it over here.
In fairness. by "better sound" I mean "perceived better sound".


I have since experimented with an equalizer on the new laptop output to see if I can get the sound to be similar to the HP. It is not possible.

The difference is in the fidelity of the sound not the frequency response.

It is like comparing the sound of a CD versus MP3 versus CD on a valve amplifier.
It is just not there on the new laptop.

The Behringer is better but still not quite.

In fact, nobody over here can tell the differenne between the Behringer and the headphone output of my Samsung TAB A tablet - which is also not bad.

It would be interesting to run all these through an AP and see what is going on.

It is also interesting that nobody publishes any audio specs for the Laptops not the Behringer. At least, I cannot find any.

Regards
Bernt

Last edited by berntd; 07/11/20 01:01 PM.

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Originally Posted By: berntd
Originally Posted By: Charlie Fogle

There's some confusion in terminology regarding the audio output quality. In the statement above you disagree with, it references PLAYBACK in your particular circumstance with your old HP Laptop, that laptop used a software program to enhance and boost the bass frequencies and over time, playback sounded good to your ears. In fact, you found it preferable to the playback you experience from both your internal soundcard and your new Behringer interface. That's on your personal system and is relevant only to your system. Your HP produced an artificial frequency response that was not good for playback on other sound systems.



Please do not assume that I am confused or do not know the terminology.
I stand by what I said.

I have tested this with several different people listening and the result is the same. The HP has a substantially better sound, agreed by everyone who hears it over here.
In fairness. by "better sound" I mean "perceived better sound".


I have since experimented with an equalizer on the new laptop output to see if I can get the sound to be similar to the HP. It is not possible.

The difference is in the fidelity of the sound not the frequency response.

It is like comparing the sound of a CD versus MP3 versus CD on a valve amplifier.
It is just not there on the new laptop.

The Behringer is better but still not quite.

In fact, nobody over here can tell the differenne between the Behringer and the headphone output of my Samsung TAB A tablet - which is also not bad.

It would be interesting to run all these through an AP and see what is going on.

It is also interesting that nobody publishes any audio specs for the Laptops not the Behringer. At least, I cannot find any.

Regards
Bernt


I haven't assumed anything about you other than responding to what you've written. Your statement, "In fairness. by "better sound" I mean "perceived better sound"."is exactly the point I made that you've re-posted in your reply. You tell us you like the sound of the playback of the HP computer best over the other three. That's also what I said in my post you re-posted.

However, your statement, "The difference is in the fidelity of the sound not the frequency response." is incorrect. Frequency response is an element of fidelity by every definition that is an accepted industry standard definition. Your HP computer artificially altered the playback sound by boosting and enhancing the bass frequencies. Your new computer and the Behringer do not have the fidelity of their playback altered and have a more balanced and flat frequency response by design.

There are many technical specs and reasons why the Behringer is the best technical choice of the three devices you posted questions about but none of those specs or reasons may have anything to do with you preferring the sound produced by the HP over the other devices.

If your HP computer still operates, use it solely as the playback amplifier for your new laptop and you will still have the sound you like best.


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We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles

Check out all the 202 New RealTracks (in sets 456-467)

And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.

You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.

Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!

The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!

Bonus PAKs for Band-in-a-Box 2025 for Mac!

With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!

These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!

This Free Bonus PAK includes:

  • The 2025 RealCombos Booster PAK: -For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles. -For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles. -For UltraPAK customers, this includes 20 new RealStyles.
  • Look Ma! More MIDI 13: Country & Americana
  • Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
  • MIDI SuperTracks Set 44: Jazz Piano
  • Artist Performance Set 17: Songs with Vocals 7
  • Playable RealTracks Set 4
  • RealDrums Stems Set 7: Jazz with Mike Clark
  • SynthMaster Sounds and Styles (with audio demos)
  • 128 GM MIDI Patch Audio Demos.

Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:

  • 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
  • FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
  • Look Ma! More MIDI 14: SynthMaster,
  • Instrumental Studies Set 23: More '80s Hard Rock Soloing,
  • MIDI SuperTracks Set 45: More SynthMaster
  • Artist Performance Set 18: Songs with Vocals 8
  • RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe

Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!

New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!

Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!

In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!

All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!

Learn more and listen to demos of the Xtra Styles PAK 20.

Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!

We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!

We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!

If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!

Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!

Learn more and listen to demos of XPro Styles PAKs.

Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!

XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!

Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!

We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!

In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!

All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!

Learn more and listen to demos of the Xtra Styles PAK 20.

Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

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