Some of you (Bob Flatpicker?) may find some of the details in this post disturbing - best read with care and sitting down with a cup of tea. The story begins in 1971, when I'd just got into doing session work. I was playing bass on this session and was sitting in the rec (recreation) room chatting to an older guy who was doing the acoustic guitar parts. He had a Martin which I noticed was strung with steel strings and a plain 3rd string, like an electric set, so I asked him why that was. He explained that years before, someone had suggested it to him as a way of making the guitar sound brighter and cleaner and that he'd liked the sound so much that he'd used an electric 11/48 set ever since. Rec rooms are a great source of information - most of what I know was learned in rec rooms. Anyway, I'd just bought a Fender acoustic - one of the first that Fender had had made in Japan at that time, so the next day I strung it with Rotosound 11/48 electric strings. It sounded fabulous. Nearly fifty years on, I'm still stringing it with electric strings. Over the intervening years, I've converted SO many people to this trick, though most were very suspicious at first, but hearing is believing. If you give it a try, be prepared to let the strings settle in for a few days before they sound their best - they can be a bit scratchy at first. And be prepared for the traditionalists to faint when they see what you've done.
Of course, maybe you've been doing this for years as well, in which case I'd be interested to hear your story.

Stay safe all,
ROG.

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