With the new blood comes more questions though. When I was "that age" we all wanted to be The Beatles. Now every kid you meet is a "Rappa!! Layin' down the beats, yo!" So the depth of what the younger breed requires may neo be the same as the OGs. So many of the songs out there today are an 8 bar loop that never changes, with no bridge, no chorus... nothing. Just bad beat poetry over a bass heavy loop played in a minor key.

We are all at least familiar if not fans of Live From Daryl's House. I got to know Elliot Lewis because he does a lot of solo shows in the northeast Ohio area. We talked for almost a whole break about the show when Joe Walsh was on and he told me that the conversation that was cut to 6-7 minutes lasted over an hour and some of the stuff that was cut was pure gold, but not suitable for TV. One line in particular was after he discussed songwriting, and singled out a Beyonce song that had 5 writers and 4 producers. And what was cut was "For THAT piece of s**t? There was nothing to produce."

So I wonder how much the 20-30 somethings are actually beating this software up to the level that a lot of the OGs do? I mean I stretch and contract tempo, I transpose key, I insert blank bars, enter chords, and generate only those empty bars. And I get a TON of memory exception errors when the edit buffer gets full. Thus I have to save after every tine change, not knowing when it's going to crash on me and then I lose an hour of work. When that happens I just turn the computer off and go rant about it.

Also comes up is the BIAB/RB thing. Do BOTH have those same instabilities? The OG here has never tried RB because "BIAB works and it's what I started using 78 years ago when I bought it. And god forbid we try something new." I am the opposite. I never tried BIAB because I prefer the more DAW like feel of RB.

So it's just not the age demographic. It's the genres involved as well.