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eddie1261
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eddie1261
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I appreciate the transparent look into what makes Joe V be Joe V. I'll play too.
When I was a kid, I was also in a very poor family. I had to wear the same shoes in 4th and 5th grade, despite my growing out of them. The soles were worn through, and my mother took cardboard and plastic wrap and made inserts to at the very least keep my socks dry. I had started music lessons at an age of 4 yrs 10 months. By age 10 I was becoming bored with it. I was playing accordion, like all little Slovenian boys did. That got old even in the last 2 years when I switched to piano. So I pulled out of those lessons. I still played on my own, but when I wanted to, not because I had to practice for my next lesson. (Monday nights at 6.) I ended up playing at block party type places with some of the polka music heavyweights in Cleveland. And remember we had Frankie Yankovich, the Polka King here. At one such gathering some old guy with an accordion walked up the driveway about 6pm. He started playing. They had me start playing with him. I was reading from music and he said "Move that stand closer so I can see the music too." Everybody laughed, but I didn't know why. That guy's name from Joe Trolli, and he wrote every song in those books. Shortly after an upright bass player showed up. Then a drummer. Then a banjo player. Things went non-stop until about 9pm at which time Yankovich himself showed up. He joined in and we played another hour or so. When we finished he came over and said "Hey kid, how old are you?" I said "I'm 10." His reply was "Whatever you do, wherever life takes you, never stop playing music. You have the gift of a very good ear and exceptional rhythm." I said "I do?" At which point he picked up his accordion, turned his back, played a note and said "What note is this?" I said "A flat." Then he started playing a song and said "What key is this in?" I said "F". He said "My god. You have perfect pitch." and then turned to my mother and said "You see to it that he stays with music." And then they talked privately for a bit. Soon after The Beatles became a thing and I wanted to play guitar. The following Christmas they bought me a cheap acoustic and I started learning on my own. They found me a local teacher, recommended by the old accordion teacher, and I started lessons in spring. After 12 weeks, at the end of the 12th lesson, he said "Would you call your father for me?" I did, and he said "I will drive him home because I want to talk to you." He drove me home and we all sat in the kitchen as he told my parents "I have nothing more I can teach him. He came to me with such a solid foundation that it now comes down to how much he wants to practice." So I stopped paid guitar lessons.
At this point though, I was turning 12, and all I wanted to do was play baseball. I didn't really care much about anything else, because baseball, even in 1963, was my way to fame and fortune. My father was supportive to the point where in winter he would shovel a spot on the long sidewalk of your yard where a pitching rubber and a home plate were painted, and pitch to me so I could work on my catching all year. We'd be out there in 25 degree weather in many sweatshirts, him pitching, me catching. Throwing curve balls, mixing in pitches that were wide to both sides, that bounced... I had to learn how to block bad pitches. At 12 I played on a traveling team of 15-16 year-olds because I was already better than their catchers. Played in high school. Star level. Home run hitting very good defensive catcher. Second team all state.
But there's a however. I didn't care about grades. I didn't study AT ALL because I was going to be a rich baseball player so who needs to know when the Battle of Hastings was fought? (1066) My IQ was measured at slightly over 160 and I got D and F grades for 4 years of high school. (More on that later.) Colleges wouldn't touch me, and I was not good enough to turn pro. I graduated 478th of 498, and I think they passed me through because they felt sorry for me. So I had a diploma but didn't know how to do anything. My friends were all off at college, learning to be accountants, lawyers, 2 are doctors.... So I went into the Army.
After 3 years of that, I came out with the GI Bill in my pocket and went to college. And here's where my parents both shook and scratched their heads. I finished a BA in Music in 14 quarters, and in every one of those 14 quarters I was on the Dean's List. I never got anything but an A in college. It was really just a story of the Army making a man out of me and making me understand that the world didn't play games. However, here I was with a BA in my hands, and what was I going to do with it? Teach? I didn't want to teach. So I kicked around a number of jobs while playing music on the side. The longest run at a straight job was the 8 years I spent as a mailman. In that 8th year, at age 35, I sat down by Lake Erie one day and stared out at the water and asked myself "Are you good enough of a musician to make a run at it full time or are you going to admit you are not?" I walked in and quit that post office to play full time. It took me 4 months to find a full time band, and I did music full time for about 10 years. I was then 45 and it was clear that I was NOT going to be the next John Lennon level songwriter, and I was NOT going to be the next Eric Clapton level guitar player, and I was NOT going to be the next Freddie Mercury level singer, so I went back to college and played part time while I got a degree in computer science. I had all my core classes from the music degree, so I really didn't need to take English again. So in a year I had a BA in Computer Science and I headed off into a career in IT. At that point, 1996, I stopped playing completely. I worked in IT until 2013, when I was able to retire at 62. In 2009 I had set the studio backup and started writing again, fueled largely by having returned to playing in 2005 when I did my old band's annual reunion show. That turned into a 2 show weekend, and there were compatibility issues with some of the players and I really didn't like most of the material, so I stopped doing those about 4 years ago. So while I had dreams, I fell short of all of them. Baseball, nope! Rock star, nope. Husband (3 times), father (2 times), nope. I was awful at those things too. I finally gave in to myself and spent some time with a psychiatrist and we came to some conclusions, the main one being that I struggle with PTSD in that I don't trust and I don't allow people to get close to me. (That will probably not come as a shock to anybody here who has seen my moodiness on display.) So I now live alone with my dog, have no interest in women at all because I know how that is going to end up 4-6 months down the road when I get bored with them, and pretty much don't leave my house because I am so uneasy in crowds and around strangers. I am an introvert to the highest degree.
Somewhere back in the songwriter forum, WAY back, I posted a song called "I Hope Somebody Cries". It really opened a window into what is going on in my head, and I got a lot of "Wow. You laid it all out there." type replies. That song was easy to write, because it's just a story of the loose wires in my head. It was hard to SING though because it's a story of the loose wires in my head. It was a baring of the soul moment and it was hard to sing.
So item by item, I have failed at every dream I ever had. In life though, I'm a survivor and I'll always land on my feet somehow. At 69 years of age, I am in a safer financial place than I have ever been, which lends itself to a sense of security, life is finally good and I am at a higher level of inner piece than I have ever been. Once I realized that MOST people who have dreams of being a rock star or an athlete do not achieve them, I was fine.
EDIT to add:
My father died in 1991, 5 months shy of his 74th birthday. I was 5 months shy of 40. He never understood the "soul of an artist" concept and in his depression era mind he didn't consider what I did to be work because it didn't involve a lunchbox and a timecard. His concept of musicians was the people saw playing as a hobby in the bands he saw when he went to weddings. He never once came to see me play. (My mother came out exactly twice.) He died disappointed in me, not only because I didn't have a "job", but that I was twice divorced (thrice now!) and in his frame of reference I was expected to stay married to a horrible, lazy, stupid woman JUST because there were kids involved. I asked him once "What is you think would be the benefits of those kids growing up in a house full of anger and hatred? It is BETTER for them that I am not there." And again, depression era mindset, where divorce was a dirty word, my life was totally unacceptable to him. I have been carrying that around for almost 30 years now, and it eats at me.
Every. Single. Day.
Last edited by eddie1261; 12/05/20 06:44 AM.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
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Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
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Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
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Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
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Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
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