Yes, Peter, that is my point. That is exactly what I dislike about backing tracks and have always liked about BIAB.

So if BIAB's new modern styles can capture the contemporary, production-ready feel of those backing tracks (essential if a songwriter wants to get their pop song demos listened to in the industry) with the addition of all BIAB's features - not just chords but tempo, key, bar settings, shots and holds - and if contemporary songwriters get to know about what BIAB offers, why would anyone buy a fixed backing track again?!

I think that if you were to sell a collection of modern pop styles to cater for this market, you would reach more people if the set focused exclusively on that genre rather than just a handful of modern pop styles bundled in with handfuls of songs from all the other BIAB genres which would have little or no appeal to pop writers.