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Joined: Apr 2013
Posts: 8,888
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Joined: Apr 2013
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my apologies Charlie, 'the BIAB wizard' was intended to be a compliment. i realize everyone has different workflows and that BIAB is tremendously powerful and that your expertise is of great value in the forums.
my point was that as soon as you open a wav file in RB you are ready to go - everything you need is there in front of you. and i personally find RB quicker and easier to use in many situations. if the OP wanted full BIAB functionality that's a different matter but all they asked about was adding a vocal track to a wav file and opening the file again in RB didn't seem to waste any effort already expended.
let's hope the OP follows your example in learning how powerful BIAB is, but if they never open RB i think they are missing how well the two programs work together.
sorry if you thought i was being disrespectful. Oh no Bob, I was not offended or put off by your remarks. Sorry for the misunderstanding because I was a bit excited to hopefully engage you and others because I reached the same conclusion as you; That the task is simple. Only adding a vocal track to a WAV file. You, Herb and others automatically take this task to RealBand or another DAW and I would encourage them to do it in BIAB. You guys say it's easier to do even basic editing in a DAW but you don't say why. You say BIAB is convoluted and complicated. I don't find it to be and it would be good to know your experiences. Obviously a DAW is more advanced than BIAB audio and there's many cases a DAW is the right tool for a particular project. But I'll offer the reasoning that the advanced features of RB and third party DAWs are overkill for many types of BIAB projects and that remaining within the BIAB program is a better, more efficient, faster and productive workflow than what I believe is unnecessarily rendering and exporting individual tracks from BIAB to RB or another DAW. Some examples where BIAB is the better option are: . BIAB Beginners. I'm unaware of any BIAB technique that's more complicated than the process used by many users of creating tracks in BIAB, saving and opening the project in RB to audition and add additional tracks and then exporting that to yet a third DAW for more processing. Even starting in BIAB and exporting individual tracks for basic editing, comping, cross fading, gain staging, fade ins, fade outs, transitions and adding and building additional tracks is needless. All of these tasks can be done in BIAB and all a beginner has to learn is where these techniques are located and how to activate them. Most are done by making selections or checking a box in a drop down menu. That's far easier than learning basic BIAB plus learning another software. BIAB has two Audio Editors and they are very robust and easy to understand and use tools. . To users that purchase the lower priced packages. Doing tasks in BIAB gives them more bang on the dollar and offsets some of what they lose by not having huge quantities of RealTracks and other content. Even though they have less content, knowing these processes exist and the techniques to use them allows them to create more complex arrangements and make the best use of the BIAB content they have. . Any basic audio editing. Cut/paste, normalize, trim intros and endings, fade ins and fade outs etc... . Users that create backing accompaniment tracks. It's easy to create more advanced and complex arrangements and enhance styles with additional instruments, add soloists and add imported audio all within BIAB and have instant feedback to changes in an arrangement plus instantly undo changes, correct poor chord phrasing which are tasks that are quick and seamless to complete in BIAB many times in less time than it takes to render and export tracks or to save a project and have it open and create tracks in RB. . Songwriting and developing song ideas. It's great as inspiration strikes to test if an particular instrument will work in a song or hear harmonies you create on the fly and get instant feedback and also have instant undo, instant regeneration, fast BIAB style changes and regenerations. Again, BIAB can create and generate songs that are a lot more advanced and complex than just what one gets by selecting a style, inputting chords and hitting play. Even if a song project is moved at some point to a DAW for further processing it makes sense to create a demo in BIAB that may contain a dozen or more tracks and a dozen or more instruments to 'hear' how a production will sound before committing to exporting tracks. It can also save time and is non-intrusive to breaking up the creative thought process. These are advantages created just from the Audio Channel and Audio Editor in BIAB. A user can expand their productivity and inspirational arranging exponentially from here by learning how to employ or create MultiStyles and use the RealTrack Medly Maker. A properly constructed song completed using these tools and techniques in BIAB will be indistinguishable from one using similar tools in a DAW. That said, even songs that are intended for more professional use or commercial release will certainly fare better with the advanced features offered by post processing with a DAW but the basic pre-production and developing songs can be done in BIAB without sacrificing or interrupting the inspirational workflow.
BIAB 2026:RB 2026, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
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