If you use a flute, a piano, any other instrument(s) or even Band-in-a-Box to capture and present deep feelings that represent an "expression" of your soul, then I am eagerly waiting to hear. Yes, a tool is just a tool. It is the "soul" part that is most important.
I really have no idea what this means. I can't take it literally and I don't relate to the metaphor. All I know is that you think pre-1954 musicians FOR THE MOST PART had Beautiful Souls and present day musicians FOR THE MOST PART have souls like garbage dumps.
Here's a challenge.
Go back in time, if you can, to 1953. Literally, in a time machine.
Spend a year listening to everything that was coming out back then.
Condition: Your memories from 2021 are wiped when you go back, so you won't have a cheat sheet of what to listen to, where to find the good stuff. You won't remember any of it. You're just a 1953 guy listening to 1953 music, including all the crap that has by 2021 been relegated to the dustbin of musical history.
Then come back to 2021 and tell me 1953 was really so much better a year for music than 2020. Bet you won't!
Harsh? Is it any harsher than releases ending up in budget bin at Tower Records? The difference is the bin is much larger now because technology made 'music creation' more accessible to those who can't make it otherwise.
This started as a discussion and should by no means be an indictment. The bar should always be high.
Harsh? Is it any harsher than releases ending up in budget bin at Tower Records? The difference is the bin is much larger now because technology made 'music creation' more accessible to those who can't make it otherwise.
Can't say I know how to solve that equation.
The thing is, if technology expands the set of people making music, say, 100 times, you would certainly wind up with a lot more crap but you should also presumably wind up with a lot more good stuff. Maybe it's an ugly ratio, maybe you have 100x more crap and only 3x more goodness, but that's still more than you had before. Hypothetically speaking.
In any case, I was reacting to your comments about BIAB, which did seem pretty dismissive of it as a possible tool for serious music production.
If you use a flute, a piano, any other instrument(s) or even Band-in-a-Box to capture and present deep feelings that represent an "expression" of your soul, then I am eagerly waiting to hear. Yes, a tool is just a tool. It is the "soul" part that is most important.
I really have no idea what this means. I can't take it literally and I don't relate to the metaphor. All I know is that you think pre-1954 musicians FOR THE MOST PART had Beautiful Souls and present day musicians FOR THE MOST PART have souls like garbage dumps.
Here's a challenge.
Go back in time, if you can, to 1953. Literally, in a time machine.
Spend a year listening to everything that was coming out back then.
Condition: Your memories from 2021 are wiped when you go back, so you won't have a cheat sheet of what to listen to, where to find the good stuff. You won't remember any of it. You're just a 1953 guy listening to 1953 music, including all the crap that has by 2021 been relegated to the dustbin of musical history.
Then come back to 2021 and tell me 1953 was really so much better a year for music than 2020. Bet you won't!
Mark,
Again, this is not what I said. You are toying with my quote which you totally [*****] [this word is getting purged and it is not a curse word, oh well] the first time. You need to read a little more carefully.
I never said that ALL musicians from a certain day had beautiful souls, etc. etc.
I also never tied 1953 to that. It was a tongue-in-cheek comment in another point.
And I never said all musicians today have the soul of a garbage dump.
What I AM saying is that there was a time when I heard a lot of music that I felt on the level of my soul. It moved me.
And I am saying that MOST new stuff I hear coming out today sounds soul-less and robotic. TO ME. It just does.
I am not the only person who feels this way. But for the purpose of the discussion, that is not important. It is what I feel. Most new music today to me sounds canned, artificial, robotic and soul-less.
If you cannot understand that I am saying that, I can't help you. If you feel differently, then get out your credit card and buy it dude.
Over and out.
David Snyder Songwriter/Renaissance Man Studio + Fingers
You miss my point. Of course people will do what they want. Again, I was chiming in on the original post and its legitimate concern that those who made music prior to 15 years ago did so because they had some musical skill in which to do so. There was very little to hide behind and the crap was quickly identified as such and promptly placed in the budget rack at your local record store.
A good song is a good song regardless of how it was created.
Originally Posted By: GodTripped
BIAB and tools like it lend polish to the ill equipped save their mouse clicks and processing power, and to the point of the original post, the market is flush with dismissible works. The question to ask is, if you strip BIAB out of the equation will the song and the musicianship hold under its own weight? I boldly say no.
I think you have to be careful here. There are a number of excellent guitarists and vocalist here who's musicianship does hold up under its own weight.
I have said it before but I will say it again buying a music creation program does not make you a musician anymore then buying a paint program will make you an artist. If you are a musician or an artist then those programs will enhance your work.
YMMV
Doc-take it easy John this is just a sharp scalpel. It will not cut deep so don't worry. Me-I'm not John Doc-I know, I am!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
[quote=GodTripped] In any case, I was reacting to your comments about BIAB, which did seem pretty dismissive of it as a possible tool for serious music production.
It is important to be clear because nothing I said on this exchange suggested I was dismissive of BIAB - I am the one who identified it as a "tool" much like your garden variety DAW is. Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you. Unless, of course, it is.
All of my comments have been presented on the backdrop that BAIB is indeed useful for framing out musical ideas. So much has been talked about on the subject of projecting the soul of one's music yet it stands to reason that the more an 'artist' relies on BIAB the less it reflects the signature of who you are.
The good news is the software is useful to all of us.
Thanks for the word of caution. I look in the mirror often and judge myself harshly on the musical front. My comment about stripping "BIAB out of the equation" doesn't target those who are excellent songwriters and musicians - only those who think they are because BIAB enabled them to think so.
Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you.
I grant you, a guitarist who bought BIAB in the hopes of using it to make records while recovering from a broken wrist would probably be very frustrated.
Where your perception is spot on is there is no way it serves in the category of 'serious music production'. For the record, I thought it might be, but as a guitarist there is no way you can rely on BIAB to play in the same manner you would do for obvious reasons (timing, strumming technique, dynamics, even proficiency). However, you can approximate, which again is fine for fleshing out a concept but it will never be you.
I grant you, a guitarist who bought BIAB in the hopes of using it to make records while recovering from a broken wrist would probably be very frustrated.
***
This is for Mark and "God": I am so glad that God decided to join the forum by the way. I was wondering what was taking so long. Also God, it is great to meet you, and I was wondering what kind of trip you prefer. Is it shrooms? Are you a shrooms guy or a Ayahuasca guy? Or lady, sorry!
Anyway, by "serious" music production do we mean using some loops in Ableton and writing songs about our wet....hmmmmm....wet noses??? With Justin Bieber?? Would that be serious???
On the other aspects of Band-in-a-Box, has anyone here ever played a studio session??? I mean, actually??
Is it not apparent that aside from whatever guitar you are going to play yourself, and vocals you are going sing, piano you are going to play, violin, pan flute, whatever, that NO ONE (or few) is going to be able to tell that the bass, synth, or mandolin came from BIAB???
A backing track is a backing track.
It is what you DO with it.
Remember????? Writing songs and stuff.
Hello...hello...anyone out there???
Anybody tuning up????
Oh, and Mark, I remember you from that AOL chat room. That was some crazy a.... s.....you used to say, but I will never bring it up.
Promise.
David Snyder Songwriter/Renaissance Man Studio + Fingers
Lyrics Welcome to cyberspace, I'm lost in the fog Everything's digital I'm still analog When something goes wrong I don't have a clue Some 10-year-old smart [*****] has to show me what to do Sign on with high speed you don't have to wait Sit there for days and vegetate I access my email, read all my spam, I'm an analog man.
The whole world's living in a digital dream It's not really there It's all on the screen Makes me forget who I am I'm an analog man
Yeah I'm an analog man in a digital world I'm gonna get me an analog girl Who loves me for what I am I'm an analog man
What's wrong with vinyl, I think it sounds great LPs, 45s, 78s but that's just the way I am I'm an analog man
Turn on the tube, watch until dawn One hundred channels, nothing is on Endless commercials, endless commercials, endless commercials
The whole world's glued to the cable TV It looks so real on the big LCD Murder and violence are rated PG, too bad for the children They are what they see
The whole world's living in a digital dream It's not really there It's all on the screen Makes me forget who I am I'm an analog man
Yeah I'm an analog man in a digital world I'm gonna get me an analog girl Who loves me for what I am I'm an analog man
Yeah I'm an analog man in a digital world
Then you go dig into who really wrote this.
Billy
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
has anyone here ever played a studio session??? I mean, actually??
Guilty. Too many to count over the decades.
Why?
Quote:
…Is it not apparent that aside from whatever guitar you are going to play yourself, and vocals you are going sing, piano you are going to play, violin, pan flute, whatever, that NO ONE (or few) is going to be able to tell that the bass, synth, or mandolin came from BIAB???
Basses always give away that one is using BIAB. There are tricks to humanizing them but I have yet to find the miracle that makes then natural.
BIAB 2024 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP Digital Performer11, LogicPro, Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
I can think of one horn guy, Matt somebody, I think he has played a studio session once or twice...lol There is a couple of Bob guys, B3 and Sax, they have been known to lurk around a few studios...lol
I am surprised we have not had a hundred "me too" on the studio list.
Does Sugar Hill count? Or Blacktop studio in Slidell Louisiana?
If I went there in a Studebaker does that disqualify me?
No vinyl but two-inch tape...lol $168 dollars a roll if I remember right.
Billy
Last edited by Planobilly; 12/23/2106:21 PM.
“Amazing! I’ll be working with Jaco Pastorius, Charlie Parker, Art Tatum, and Buddy Rich, and you’re telling me it’s not that great of a gig? “Well…” Saint Peter, hesitated, “God’s got this girlfriend who thinks she can sing…”
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
Band-in-a-Box 2025 für Windows Deutsch ist verfügbar!
Die deutsche Version Band-in-a-Box® 2025 für Windows ist ab sofort verfügbar!
Alle die bereits die englische Version von Band-in-a-Box und RealBand 2024 installiert haben, finden hier die Installationsdateien für das Sprachenupdate:
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
Already using Band-in-a-Box 2025 for Windows®? Download Build 1128 now from our Support Page to enjoy the latest enhancements and improvements from our team.
Already using RealBand® 2025 for Windows®? Download Build 5 now from our Support Page to ensure you have the latest enhancements and improvements from our team.
PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
First-time packages start at only $49. Already a PowerTracks Pro Audio user? Upgrade for as little as $29!
Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
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