In the past you needed a contract with a record company and promotion, and over time you could earn enough street credit to sell solely on your b(r)and name.

Today you pay a distributor for getting your music public available, but to get heard you still need marketing/promotion to stand out from theist amount of music just waiting to be heard. If you're an already established b(r)and - your way to do well commercially is more likely to happen.

Essentially you are more prone to get a lot of streams/getting A rotation if you're well established. To stay on top you need to publish songs with a certain quality or have a back catalogue that keep your star shining forever.

Does this mean that all good songs are purely written by top 100 artists or their song writer teams?
-It all comes down to taste

I've heard a lot of songs from members of this forum with very high quality, but very few (if any) became hits. I think promotion has been and always will be the keyword.

*Disclaimer - the above post is not me mourning about lack of commercial success*


MacMini M1 - BIAB2021 - Logic Pro X - iZotope Music Production Suite - Scaler 2 - far too many Waves plugins and Line 6 Guitars and boards + a fantastic Yamaha THR10ll mini Amp - Avid MBOX Studio

Peters' Garage is available on all major streaming services