I have written music for TV and movies. Including full instrumental songs as well as musical cues. The publishers I deal with don't care if you have a US registered copyright because the instant you create the music it is yours and you own the copyright. All they care is that you are the creator and are not stealing someone else's music. I see no benefit in paying the US Govt to register the copyright because the likelihood of someone stealing this music is very, very small.

Now if I am writing songs for recordings that will gain wide distribution, that is another story and I would register them in that case. PGM is pretty clear that anything you create in BIAB is yours to do with as you please, with their stated exceptions, the demos etc.

I think the confusion lies in what does the US Copyright office mean by samples and beats. I think, and this is purely my opinion, they mean sampled copyrighted music and or beats which is popular is different genres of music. If you sample a song and use it in your song, you probably need to be paying for it and giving it credit as required. Most sample software, loops etc. are specific to what you can do with their music. I have many loops that are free to use as I wish and others that require payment if I am to use them in a commercial recording.

I believe PGM has stated in the past that you do not need to credit the real tracks musicians and indeed you may not want to as was mentioned elsewhere, it might infringe on their rights. They are musicians for hire and have been paid for what they did is PGM's stance as I have read elsewhere in previous discussions about this.

Once again, this is just what I remember and my opinion and not legal advice.

You need to ask the USCO what they mean by the question and then speak with PGM directly to address any questions you may have as this is just a user forum and while PGM answers here frequently, it may not be sufficient.

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