I remember back in the early 90s going into the big Sam Ash music store in New York and asking how I could make my recordings sound more like commercial releases. They said, use Waves Plugins, which at that time was only an EQ and Limiter. I was dissuaded by whatever the copy protection scheme was (something I recall wrote to an unusable section of the hard drive). For the past twenty years, I've used Ozone by Izotope. I suspect some others will switch over now. I would feel equally as annoyed as you all do if Izotope did something similar.


BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors