I would seriously doubt whether you could re-create something like "In the Court of the Crimson King" using BAIB. The original has dozens of separate Mellotron parts which create the effect of a giant orchestral "pad". Orchestral parts have never been BAIB's strongpoint - its focus has been on single part string sections which you find on dozens of pop, jazz and country records and not on full orchestras! The accompaniment lines are generally very syncopated (with parts often starting other than on beat one/bar one) and, again, BAIB tends to be much more 4 to the floor in creating parts. Robert Fripp's guitar parts contain a lot of harmonics and sound like they are played in a variety of tunings - the simple BAIB real tracks could never replicate this. Finally, Michael Giles drum sound is very "1960s" and very old fashioned in today's terms (the sound lacks attack and definition - I think it sounds like he is playing mini tympanis with felt beaters rather than toms) - none of the real styles I can think of come close to this sound. His style of playing has a lot of very gradiose fills which suit the song, but would overpower 99% of other songs I know and there are long sequences where he is mixing snare rolls with fills - not unique, but very unusual and not at all very "BAIB". One other thought is that the song has huge changes in dynamic levels and instumentation - again, BAIB is not maybe the best tool for this sort of approach.

I would look forward to "RT 102" - prog rock though!

Best wishes
Brian