Originally Posted by Charlie Fogle
I agree but I also guessed that playing the chord progression, the session musician may have played the a7 on more occasions than a the A, generation or partial regeneration would select the a7 more often. Just guessing though.
I absolutely agree, Charlie. It's most likely that the session musician recorded many different inversions and variations in the respective chords. I've heard many endings that end on a 7th, when in fact the required chord was a straight major. Poetic license?


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