Yeah, I'm somewhat familiar with his course offerings, and his intro ones don't require much or any pre-knowledge. But that's the problem. A course that's too basic will waste my time, one that's too advanced likewise. If I was a teenager, then sure, start at the very beginning and in a few years I'm playing and composing at a pro level.

Goldilocks and her porridge comes to mind. She doesn't need too hot, neither too cold but just right. And AI will one day deliver that by asking a battery of questions and what your goals are and then deliver the precise info and training when you need it; all based on what the objectives are. As we speak high school teachers are beginning to do just this. With limited time available, my approach (which has pros and cons) has been to assemble a toolbox of various materials that keep the growth going. This video on melodic devices is my latest "tool" and I'm glad I discovered it. Hopefully it will be useful to others too.

Btw, on a live stream a year or so ago he was talking about how he wrecked his back and lost 2 or 3 inches of height because of heavily gigging on the cruise-ship-circuit as a bass player.

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BiaB 2025 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.