Originally Posted by Cerio
This is not a fair statement. I don't have Studio One 7 to test . . .
It's entirely fair to express my opinion based on my test results. Rather than state that you don't have Studio One 7, why don't you purchase it for yourself? That way you could post and report your results including how it compares to SMP.

Would you say then that Studio One performance is pitful? You shouldn't, at this stage of development, this is simply how these algorithms work, they have been trained on certain types of material and they are designed to work well in most cases, but they cannot be expected to work perfectly well in any possible scenario.
S1 has not reached perfection but if it produced unacceptable results and didn't meet my needs I would so state. The quality of the algorithms are proportional to the quantity and quality of the data used to train them.
Make no mistake and don't cross-confuse my dissapointment with one aspect of SMP with my view of the program in general. I actually like most of SMP. The GUI is clean, it does a good job in identifying chords, it has a small footprint and I like how it detects and displays tempo as it progresses thru the song.

Their programmers however, in my opinion need improve its performance on audio like You've Got Your Troubles converted from a YouTube; probably by training on lower resolution, compressed audio. It could be said that relative to online tools that YouTube may be second only to email in usage. That makes YouTube pretty important; so important that this very forum has a Best of YouTube sub-forum. I'm interested in a full-bodied seperator, not one limited to high resolution, uncompressed files, and I've found one.


https://soundcloud.com/user-646279677
BiaB 2025 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.