Is it fair to imagine Taylor Swift as a fast-food chain like McDonald's. It's everywhere, easily accessible, and gets the musical job done if you’re a 13-year-old school girl or similar? The quality might not be top-notch, but it's consistent, reliable and speaks to this demographic.

On the other hand, can we consider The Beatles as dining at a five-star restaurant? It's an experience to savor, with meticulous attention to detail, high-quality ingredients, and a presentation that leaves a lasting impression for decades.

While Taylor serves the masses with music that is largely unremarkable but with concerts that feature glitz, glitter and theater, The Beatles offer a refined and luxurious experience that caters to musicians and fans that seek excellence, sophistication and musical innovation.

Personally, I’ll take a steak and lobster dinner with all the accoutrements over a double whopper. Does that make me a musical snob? Probably laugh

I’m not saying Taylor is devoid of talent. I’m saying that whenever The Beatles are mentioned, we’re talking about a rarified, stratospheric level of musical brilliance.

For those that feel this characterization is less than accurate, here is your challenge.

Provide a Taylor Swift song where you believe her vocals rivals that of Annie Haslam, Stevie Nicks or Whitney Houston.

Provide a song where the quality of her lyrics rival those of Bob Dylan, Paul McCartney, Carole King or Joni Mitchell.

Provide a Taylor Swift song whose chord progression is as emotionally resonant as songs by Pink Floyd, The Beach Boys, Adele and The Beatles.

Provide a Taylor Swift song that has guitar or piano work that rival Eric Clapton, David Gilmour, Billy Joel, Elton John or Stevie Wonder.

Provide a list of commercially successful Taylor Swift tribute bands.

Explain why The Beatles have been awarded multiple Ivor Novello awards and Taylor has received none.

https://soundcloud.com/user-646279677
BiaB 2025 Windows
For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.