Originally Posted by Matt Finley
I use tick offset when the response of a patch doesn’t keep up with another. I might put a negative number on a vibraphone, for example. But most often it helps when importing a melody from another source, seeing tons of unnecessary sixteenth notes, then adjusting the timing.
I've never used the tick offset, though I may well now do so.

My aim here was just a quick-and-dirty way to make the rigid play from an XML export sound a bit more natural. I was just rather taken aback that the 'straight' feel was actually slightly swung. Setting the values manually sorts it out reasonably.

The best answer, of course, is to play the melody in myself.

I think this is resolved, I just disagree a bit with PGM/BiaB's interpretation of 'straight' in this context.


Jazz relative beginner, starting at a much older age than was helpful.
AVL:MXE Linux; Windows 11
BIAB2025 Audiophile, a bunch of other software.
Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts
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