G'Day Lee.
Nice to 'cyber' meet you.
You set out to convey a "simplistic point of view about gun control," highlighting that guns "ruin lives, and more often than not it's the innocent who pay the ultimate price." And you know what, Lee? You absolutely do convey that.
The lyrics are direct, unflinching, and paint a stark picture:
"Cradling my firearm, keeping safe from harm. Holds at bay the darkness of the approaching storm." – This immediately establishes the dangerous illusion of security.

"A moment of tension, just one bad word. It's my voice of reason, waiting to be heard." – The terrifying pivot point, the thin line between restraint and irreversible action.

"It's funny how in an hour from now. Not a single word will be spoken. Wrong or right, I'm up for the fight. Don't care what rules or lives broken." – This second verse is particularly chilling in its depiction of post-act silence and pre-act recklessness.

The repeated chorus of "Think it through, whatever's hurting you... The fog will clear by the morning... Don't look back... infamy is calling" serves as a powerful, sobering mantra. "Infamy is calling" is a particularly potent phrase, starkly contrasting the fleeting anger with lasting consequence.

The message is clear, unambiguous, and delivered with genuine conviction. You treated the subject with "kid gloves" in terms of avoiding overt political rhetoric, which I think actually strengthens its universal appeal. It's not about policy, it's about the deeply human, tragic choice. So, yes, the message comes across loud and clear.

Musicality: The Electric Ballad That Wasn't
You noted that it "got away" from you, becoming "far too much electrification" for the intended ballad, and you're not wrong. There's a tangible conflict between the acoustic heart you envisioned and the electric attire it ended up wearing.

Where it excels:
Your Vocals (mostly!): Despite your self-critique, your voice carries the earnestness required. The doubling and quad-tracking in the pre-chorus and chorus does add significant weight and emotional impact, creating a wall of sound that reinforces the gravity of the message. And yes, "reaching orgasm in the chorus" – a wonderfully honest and relatable descriptor for hitting that sweet spot of vocal layering!
Your Lead Guitar: The intro and outro solos, while "not Joe Satriani" (whose is?), serve their purpose. They're melodic enough to draw the listener in and out, and the improv feels natural. It’s a nice personal touch that breaks free from the BIAB sheen.
The Vibe (despite itself): It settles into a kind of melancholic classic rock groove that isn't unpleasant. There's a certain raw, unpolished charm that aligns with the song's gritty subject matter.

Areas for Improvement (Musically) To be taken witha large grain of salt :
Commit to a Vision: If you wanted a ballad, strip it back. Showcase that Seagull Coastline acoustic more prominently. Let the spaces breathe. If you want electric, then lean into the power of hard rock, with more dynamic shifts, powerful riffs, and perhaps more varied guitar textures. The current arrangement sits in a somewhat neutral zone – it's electric, but not particularly driving or balladic.

Areas for Improvement (Lyrically) Again, to be taken witha large grain of salt :
You mentioned visualizing the "darker side of the human psyche" for the video. Could the lyrics hint more at why someone would choose this path? Not to condone, but to explore the internal struggle.
Perhaps a line that hints at the fear that drives the "cradling my firearm," or the despair that leads to not caring about "rules or lives broken." "A cold dread whispers in my ear," or "The world narrowed now to this desperate fear

Conclusion:
Think It Through" is a genuinely thoughtful and important song. The core message is undeniably potent and, sadly, ever-relevant. Your lyrics are direct and effective, striking at the heart of impulsive violence and its tragic consequences.
There's a wonderful raw earnestness that shines through, particularly in your vocal performance and original guitar work. If you ever do a remix (IMO) you should lean into the acoustic heart you originally envisioned. Imagine this song stripped down, with the Seagull front and centre, perhaps a cello or a subtle piano providing a brooding bed, and your powerful layered vocals taking centre stage. That intimacy would amplify the starkness of your message exponentially. If you want it electric, find a way to make those electric elements feel as organic and dynamic as your own voice.

Oh I almost forgot - It's a great song- congrats 👋
(And no, "Happiness is a Warm Gun" is absolutely NOT a ballad. Good instincts there.)

ʎzzI