Originally Posted by Andrew Dee
Hey Donny!
Some really tasty chord moves there! And that guitar solo was fab as well. This one would make the diners at the restaurant where you gig put down their knives and forks and listen!
Nice work.
Andrew

Andrew, you have been so nice to me, I am going to give you , and you alone the chords. Here ya go my friend,

|: a) I | I(add6/9) | V(add6/9) | % | I | i | V(add2) | % |
| vi(add9) | II13 | V | V(add2) | vi(add11) | II9sus | V | V(add6/9) :3X |
| a) V(add6/9) | % | % | % |

As I mentioned, I use this technique.
A parallel mode shift (or parallel modal interchange) refers to borrowing chords from a parallel mode—meaning a mode that shares the same tonic (root note) but differs in quality (major/minor or modal flavor). It’s a powerful tool for emotional contrast, color, and surprise in songwriting and composition.

Thanks, Andrew, for listening.

Donny G