I'll share with you some thoughts on how I use BIAB and real tracks and offer an alternative to creating a real tracks style.

When real drums and real tracks first came out, I wasn't real sure they were a good idea and continued to mainly use BIAB to generate MIDI tracks to use in creating my music. As the number of real tracks increased and I took the time to experiment with them, I realized how analogous real tracks were to the acid loops that I had been using for some time. In many ways the real tracks are more versatile.

I'm seldom using real tracks exactly as they are generated but exporting them to my DAW software and slicing up the generated tracks and using them very much like I've used loops in the past (although they are not acidize.....I'm getting the pitch and tempo at the time they are generated in BIAB and making sure that the project set to the same tempo and key).

Since we currently don't have the information necessary to create real tracks, I would advise creating acidized loops that have meta data embedded that save the original pitch, tempo, and data of an audio loop and allow the loop to take on the pitch and tempo of the piece that you place the loop into. You need to have software that is capable of creating these loops with the embedded meta data but there are several out there like Acid Pro , Sound Forge , SONAR , and Cubase. You can't use these loops in BIAB but I certainly use them often in conjunction with music that I have cut out of BIAB generated songs. Once you have your loops created, the will conform to the tempo and the pitch of the song that you place them in. There is a rather narrow limit of pitch changing that you can do where the pitch change sound good so its advisable to create a number of loops recorded at different pitchs to accomadate a wider range of keys.

Something to think about.

Keith
2025 Audiophile Windows 11 RYZEN THREADRIPPER 3960X 4.5GHZ 128 GB RAM 2 Nvidia RTX 3090s, Vegas,Acid,SoundForge,Izotope Production,Melodyne Studio,SONAR,3 Raven Mtis