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Recording, Mixing, Performance and Production
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Joined: Apr 2013
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Better Sound for less money?!?! A humorous but truthful look of the discussions about methods and gear for making music.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Recording, Mixing, Performance and Production
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Cute. I liked the '60s industrial film look ('50 would have been B&W).
BIAB 2024 Audiophile, 24Core/60CoreGPU Core M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP/color]
[color=#FF0040]Digital Performer11, LogicPro
Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
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Recording, Mixing, Performance and Production
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Joined: Mar 2018
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My mother-in-law is a pro musician. She loves that ZOOM mic. She has a couple of better ones, but she always comes back to H2. Challenge was to get it in mint condition after they were discontinued and her stopped working. She didn't like the newer model H2n, she said sound was not the same... My take, you have to search for the one (or two) that works the best for your own sound. For years, I used SM57 and SM58. I tried several others but just didn't like the recorded sound. Breakthrough came about 12 years ago when I discovered BLUE Yeti Pro. A very versatile, multi capsule microphone which works as an Asio soundcard and also can be connected to standard XLR equipment. It just sounded right to me. In past decade I picked up a couple of other, more "mature" mics, but BLUE has a very special place in my heart. P.S. Funny thing that BLUE originated in the country I grew up, Latvia which came as a surprise  (Blue stands for Baltic Latvian Universal Electronics)
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Recording, Mixing, Performance and Production
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Joined: Oct 2017
Posts: 745
Journeyman
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Journeyman
Joined: Oct 2017
Posts: 745 |
My H2 will record but no longer likes batteries - wall electric is just fine. Still, it is a great little mic.
...Deb
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Recording, Mixing, Performance and Production
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Joined: Apr 2009
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funny stuff.... If I recall, a lot of those were sold. Back a few years, at a songwriter convention in a west coast city, there were vendors set up in the halls and rooms. One of those vendors was a company called Gauge Mics.... they had the big name, high dollar mics set up side by side with the way less expensive mics from Gauge. With headphones on and an A/B switch for each setup, you could compare the two side by side. For most of those.... it was nearly impossible to hear a difference and what difference there was, was for the most part, negligible, and mostly a matter of taste and color assuming you could hear it, when it came to sound quality. In other words, the much less expensive Gauge mics held up nicely to the name brands that were, on average, 10x as costly. https://www.gauge-usa.com/ Unfortunately for me, at the time, I had just spent $400 on a Rode NT-2A so I wasn't looking for a good condenser mic.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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Joined: Apr 2017
Posts: 1,633
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My mic locker goes back to some Shure 545s and Altec mics I bought in 1969—still have them. Some mics sound better on certain voices and others suck on those same voices but sound great with other singers and that's a fact.
Having spent way, way too much money over the years, I found that the Neumann TLM 193 is the ideal vocal mic for myself and one other singer whom I record a lot—his tenor voice sounds nothing like mine which is a deep bass. That journey took me over 50 years.
I've never heard the one mic that sounds good on everything but have bought quite a few that made the claim over the decades.
BIAB 2024 Audiophile, 24Core/60CoreGPU Core M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP/color]
[color=#FF0040]Digital Performer11, LogicPro
Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
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Recording, Mixing, Performance and Production
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I got rickrolled at 1:41! 
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Holiday Weekend Hours
Our Customer Service hours this weekend are as follows:
Friday, April 18: 8:00 - 4:00
Saturday, April 19: closed
Sunday, April 20: closed
Monday, April 21: Regular hours
Thank you!
Band-in-a-Box 2025 French Version is Here!
Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
Band-in-a-Box 2025 German Version is Here!
Update Your Band-in-a-Box® 2025 to Build 1128 for Windows Today!
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PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
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Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
Band-in-a-Box® for iOS® :Summary video.
Check out the forum post for more information.
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