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+++ AI can now master your music—and it does shockingly well +++ is a good look at how artificial intelligence can help a musician learn the art of mastering while providing a path for beginners to share "radio ready" music.
Jim Fogle - 2025 BiaB (Build 1128) RB (Build 5) - Ultra+ PAK DAWs: Cakewalk Sonar - Standalone: Zoom MRS-8 Laptop: i3 Win 10, 8GB ram 500GB HDD Desktop: i7 Win 11, 12GB ram 256GB SSD, 4 TB HDD Music at: https://fogle622.wix.com/fogle622-audio-home
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Joined: Apr 2017
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Please wake me up when some of those AI mastered tracks are actually played on the radio, ok?
BIAB 2024 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP Digital Performer11, LogicPro, Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
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Recording, Mixing, Performance and Production
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Joined: Jan 2010
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Any day now.
People master
Corporations are people too. corporate mastering through AI
Surrender to the shareholders.
Control the airwaves.
Resistance is futile.
biab2024(Mac) Latest Build Mac OS (Latest) Apple Mac Mini M2 pro 32GB Ram Logic Pro 11 Irwin Vice Grip Fencing Pliers
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Recording, Mixing, Performance and Production
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Algorithms that analyze a song and make or suggest EQ, compression and limiter settings have been available for a while. Calling it AI is IMO a stretch. In the photography world apps have been available for years to enhance photos, e.g., sharpening, remove unwanted bits, change the sky, etc. Only recently have those processes been referred to as AI. Were the first cash registers AI? Was the first punch card computer AI? The first PCs? Pardon the rant … reckon I just wish folks would step back and focus more on the bigger AI picture - meaning its cultural, political and financial implications.
Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
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Recording, Mixing, Performance and Production
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Joined: May 2012
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Algorithms that analyze a song and make or suggest EQ, compression and limiter settings have been available for a while. Calling it AI is IMO a stretch. In the photography world apps have been available for years to enhance photos, e.g., sharpening, remove unwanted bits, change the sky, etc. Only recently have those processes been referred to as AI. Were the first cash registers AI? Was the first punch card computer AI? The first PCs? Pardon the rant … reckon I just wish folks would step back and focus more on the bigger AI picture - meaning its cultural, political and financial implications.
Bud I read the article immediately thought was that this technology has been around for quite a while. Why are people suddenly calling this AI and getting their knickers in a knot?
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Recording, Mixing, Performance and Production
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Joined: Jul 2000
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... Why are people suddenly calling this AI and getting their knickers in a knot? It's a marketing opportunity. New and Improved: Finley's Car Wax, now formulated with AI to really make it shine!
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Recording, Mixing, Performance and Production
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Joined: May 2012
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... Why are people suddenly calling this AI and getting their knickers in a knot? It's a marketing opportunity. New and Improved: Finley's Car Wax, now formulated with AI to really make it shine! I think you have it spot on😀
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Recording, Mixing, Performance and Production
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Joined: Apr 2009
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For most people who want a polished track that sounds good and doesn't necessarily have to be perfect radio ready, any of the mentioned methods are fine.
With a bit of effort, one can get really nice results from these plugs. I've tried a few of the online ones and wasn't suitably impressed with the results compared to simply using default settings in my plug-in.
I use ozone 10 and have been impressed with the results. Quite often the only changes I make to the final result is to turn off the maximizer module since it seems to really push the output. It has an uncanny way of nailing the genre spot on 99% of the time. Give it a good mix and it'll give you a nice finished product.
I'm still trying to figure out how to get that professional studio mastered sound like I hear from the Nashville hits on the radio but I also realize that they're not popping ozone on the master buss and calling it done. They have mastering engineers in studios with state of the art gear and years of experience. A far cry from my humble in the box studio in the woods and my self taught experience garnered from talking with others about recording, mixing, and mastering/polishing in forums.
Just my 2 cents.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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However there is a catch, Herb.
You can't make a purse out of a sow's ear.
As one example, that song that you recently produced with Josh is far more interesting and pleasant to listen to than anything that I've heard on the radio for a long long time.
I highly suspect that if you turned over that song to the so-called experts in Nashville and I heard their final rendition I would be slightly queasy. To my ears those people tend to ruin everything not make it better. They take all the life out of it and make it sound cornball and generic.
I try to listen to the radio, including country radio stations, from time to time, but I simply can't bear it and I don't care how many mastering engineers that they had on the payroll.
It sounds effing horrible so who cares.
I would rather hear someone with just a box in their lap who knows how to write a real song and sing and play it and put a smidgen of ozone on it any day of the week.
I honestly don't give a flying flip about 99.9% of the stuff I hear on the radio or discussions of how you need a real studio and a real mastering engineer to sound like that.
To me most of it sounds like crap so who cares.
I listen to far more music here on the forum where people are doing it themselves and using their homemade mixing techniques because at least it's interesting.
I repeat:
At least it's interesting.
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A couple things. AI has been around for awhile now. iZotope has been using in Ozone since v.8 (or was it v.7?) and RX since v.7.
Most of my mastering is for radio and YouTube. Knowing that the internal algorithms will turn a polished master to crap, my job is to ‘pre-ruin’ it in the most musical way possible so that the brick wall limiters and other tools cannot destroy a sound file further. A certain national network of 10 Watt stations is the most brutal and those publishers sending me work are my biggest customers. They want the song to remain intact at the edge of the listening radius and squashing the hell out of it (pardon the pun) is the only way that happens.
BIAB 2024 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP Digital Performer11, LogicPro, Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
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That's good advice. Radio station algorithms destroyed dynamic range in music, and then Streaming added to the game of second guessing the platform. The listener is the loser.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
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- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
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New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
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Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
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We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
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Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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