Our team consisted of: AudioTrack Cerio Gordon Scott Jpettit MarioD Rob Helms Rustyspoon# and myself
The purpose of the white paper is twofold. Firstly, to examine BiaB’s current state of development as a computer-assisted music creation tool and secondly, to describe an end-user-centric vision of what we believe Band-in-a-Box ultimately should become.
We would be interested in thoughtful feedback in what we produced. What did we get wrong? What did we get right? What could be improved? What did we omit?
If you reply, please copy and paste the relevant text for clarity. This will help us understand the specific section of the paper you are referring to. It will also help us better appreciate the point you are making. We plan to update this paper when sufficient changes to the program or in the industry happen.
To anyone interested in joining our humble "think tank", we need motivated individuals with something relevant to say on the subject. The following skills and attributes would be particularly useful to us:
1. Mastery of BiaB 2. Skillful musicianship 3. Project management experience 4. Technical writing and strong English skills (the ability to articulate a vision) 5. Experience with technical graphics 6. Familiarity with other music software tools such as Plugins 7. Understanding of good software design practices and GUI layout 8. AI experience
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
WHITE PAPER 8.Realistic Live Tracks: The software excels at creating realistic live tracks (stems) that follow your chords and are performed by live musicians. This feature, which predates AI, can save you time and assist in songwriting and practice. It includes RealTracks (RTs), RealDrums (RDs), and Super MIDI tracks (SMT
Should include UserTracks, loops, and more importantly, Artist Performance Files
PG Music: ----- UserTracks.
These are like RealTracks. You record a WAV file along to a standard BiaB song (SGU). Put it in a folder (the folder’s name is the name you want for the UserTracks), and then put the folder in the RealTracks\UserTracks folder. You can add multiple sgu/wav songs to the same folder to get more variations.
UserTracks are user created audio files that can be used the same as RealTracks and are capable of creating audio that is omitted from the current list of real instrument recordings or playing patterns of strumming or fingerpicking or otherwise custom patterns of an instrument in which BIAB's database doesn't contain.
PG Music: ----- Loops.
To make these, you just make WAV or WMA files (m4a for Mac), and put them in the C:\bb\RealTracks\Loops folder. Loops can be:
1. Nature sounds (no tempo stretching or transpose). 2. Drums/percussion sounds (tempo stretched, but no transpose). 3. Pitched sounds (tempo stretched and transposed to current chord).
PG Music: ----- Artist Performance Files.
These are audio files, that you put on a track, that can also have the MIDI transcription of it. People hear the audio, and see the MIDI in notation/guitar tab etc. For example, if you are a great bluegrass fiddle player, you could put your songs in this format. People can listen to your real playing, see the notes on screen, slow them down etc. - all inside Band-in-a-Box where they can do other things like solo/mute other tracks, mix them etc.
Artist Performance Files are used by PG Music in several different ways such as converting edited RealTracks into audio files that BIAB will save. They preserve material by preventing regeneration, are an advanced version of freezing a track, allows all of the audio editing features of BIAB, auto naming, and auto-loading of saved audio into an existing SGU file. APT's have orange color coding for ease of identification the same as RealTracks, SuperMidi and Midi tracks.
Artist Performance Files are used by users to create custom audio recordings that BIAB does not have the RealTrack data to generate. This can be custom licks, song specific strumming or drumming patterns, midi converted to audio tracks, merging multiple tracks into stereo stems, vocal tracks, backing vocal tracks, bounce mixes, bus mixes, APF's allow BIAB to function as a digital multi track recorder with the capability to expand a project of any year or version of BIAB that has audio capability to perform, record and contain more than the physical limit of eight or twenty four tracks. APF's function the same as virtual tracks on digital hardware recorders.
I suggest the list of positive features should include this board which itself speaks to PG Music’s dedication to its customers. How often nowadays does one find a civil well moderated board? For most companies you have little choice for an opportunity to express opinions other than product support, Facebook groups or Reddit. I think PG Music’s tolerance of the way some (but not all negativity) is expressed speaks volumes.
Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
I suggest the list of positive features should include this board which itself speaks to PG Music’s dedication to its customers. Bud
Bud, duly noted and good point.
Although this board is not part of the BiaB software per-se, it is a part of the BiaB culture and is mentioned on page 6 of the paper.
"There is also a vibrant online forum available where all things music is discussed.”
I do hope "vibrant" is the best word
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
WHITE PAPER 8.Realistic Live Tracks: The software excels at creating realistic live tracks (stems) that follow your chords and are performed by live musicians. This feature, which predates AI, can save you time and assist in songwriting and practice. It includes RealTracks (RTs), RealDrums (RDs), and Super MIDI tracks (SMT
Should include UserTracks, loops, and more importantly, Artist Performance Files
Charlie, this is beyond my "pay grade".
Hopefully someone on the team can address this.
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
I suggest the list of positive features should include this board which itself speaks to PG Music’s dedication to its customers. Bud
Bud, duly noted and good point.
Although this board is not part of the BiaB software per-se, it is a part of the BiaB culture and is mentioned on page 6 of the paper.
"There is also a vibrant online forum available where all things music is discussed.”
I do hope "vibrant" is the best word
Perhaps I sounded a bit defensive in my original comment but as a contributor to the BiaB beta test group for years I do have some insight into the dedication of the BiaB team. They are amazing folks. Cheers, Bud
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
The main one is: What users must BiaB target in order for PG Music to continue to be a viable company?
I suspect that the primary BiaB user is an older user who is interested in reproducing tried-and-true musical styles.
While the price of BiaB is reasonable, it's not exactly inexpensive. A user who wants to create backing tracks will quickly discover the version they want is the one with all the RealTracks. That's likely to be someone with disposable income.
On the other hand, if someone is just looking for something to practice with, a more minimal version of BiaB is an excellent fit.
I'm not well acquainted with contemporary music, but it doesn't seem a niche that BiaB is well-suited to fill. My oldest son is the only one interested in creating his own music, and he shows zero interest in using BiaB. Then again, he's not really into computer-based music creation, preferring to record live instruments.
So I can't really say what sort of market opportunity BiaB might be missing out on by not catering to other groups. But certainly, there's a need to make sure that new users continue to come on board, or they will be faced with an ever-shrinking user base.
There's also a need to maintain the current user base. Certainly, there's a lot of cruft in BiaB. The Mac version seems to be continually behind the PC version. Too much change to the base product - even streamlining existing functions - could lose a portion of the current users, with little gain in new users.
As I see it, AI presents the largest opportunities and threats to BiaB. At the moment, most AI programs seem to be targeted at minimizing the amount of effort by the users, while giving the maximum result. I doubt this target audience would be interested in using BiaB.
On the other hand, these AI programs are capable of creating much more targeted results. For example, they could certainly be trained to output an instrumental track in a particular style that follows a given chord sequence. That's a direct threat to BiaB.
While the current quality of AI tracks is fairly low, I believe this is a function of how the stems are ripped from the source material. But I've heard RVC vocals replace vocals on a Beach Boys track, where the resulting vocals were higher quality than the original recording.
Certainly, AI can be trained to up-sample instruments.
Better funded companies are likely to have access to a massive library of music, and thus capable of creating high-quality custom stems for an end user matching virtually any style in their catalog.
I've suggested before that BiaB could train AI on its own tracks. In theory, this could allow more variety and flexibility to come from existing tracks. In theory, it could also be used as the basis of converting MIDI to audio performance. But while being able to shape the performance at the note level would be useful (for example, to render a specific motif), I'd prefer to maintain a looser level of control. For me, part of the fun of BiaB is treating RealTracks a collaborator. So being able to specify tags at the point of regeneration ("less busy", for example) is something that I'd like.
After all, if I wanted MIDI level control, there are already many excellent VSTi libraries that do exactly that.
But again, being able to supply an excellent product to their base is what BiaB is all about. What's the point of offering rap if very few rappers would use BiaB? That's doubly so when other AI programs will soon be able to offer similar services.
just some ideas from a previous life in strategic tech marketing. think ACED IT. i feel bb/rb will continue to be around and a success long term if....the products are...
A = accessible C = cheap and address the latest contemporary trends. E = exciting to use D = a disruptor in the market ... I = innovative T = tremendously easy to use.
to attract a younger crowd i feel its important to do the following.. ..get young creator influencers on board ..get exciting reviews in music tech mags that young creators read.. whether in digital or print form ..lots of vids showing how to create 'modern songs'. the problem is what is IN one minute might not be the next. ..get big name contemporary artists behind the product who get hits with the product.
fnally for people who create orchestral sounscapes maybe issue a version called orchestra in a box. ie covering the instruments one might find in a typical symphony orchestra.
just some ideas. bottom line keep the product EXCITING. because us humans love excitement.
i sincerely hope pg continues to be around for many many years because its an interesting ride for us users....and if pg does it right be a continuous stream of xmas presents. for us users.
hsppiness.
om 🇨🇦🇨🇦 🇬🇧🇬🇧
Last edited by justanoldmuso; 05/29/2403:31 PM.
my songs....mixed for good earbuds...(fyi..my vocs on all songs..) https://soundcloud.com/alfsongs (90 songs created useing bb/rb) (lots of tips of mine in pg tips forum.)
The main one is: What users must BiaB target in order for PG Music to continue to be a viable company?
You make some good points. In the paper we tried to touch on the kinds of users that BiaB must attract to remain viable. The existing advanced and novice BiaB users, Gen Z and Gen Alpha, and the folks captured in the 4 quadrants of the plot. In other words, cast the net far and wide. It didn't ocurr to us to create a dedicated section that speaks to this.
I'm not well acquainted with contemporary music, but it doesn't seem a niche that BiaB is well-suited to fill. My oldest son is the only one interested in creating his own music, and he shows zero interest in using BiaB. Then again, he's not really into computer-based music creation, preferring to record live instruments.
It sounds like your son is somewhere on the y-axis where the true "traditionalists" live. More power to him; I'm roughly 60% with him. If that "demographic" is large it might benefit PGM to figure out how to effectively target that group.
Thanks for the thoughtful feedback.
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
You might find a place for this in your paper. BIAB Style List for May 2024. This is a listing in Excel format of the BIAB "STYLES". A total listing of 9751 may be a tad low, but I am sure, not by much.
You might be best all to go over to the Reaper forum and do this as Reaper will let the end user add functions and features with scripting, this way all the users interested in this can contribute and something will be done TODAY having control of things. What can we do to change Biab ? nothing, I can hack a few things but basically you can't do anything to fix or change it. UJAM did not wait for things to be fixed, they just made something that works.
I've suggested before that BiaB could train AI on its own tracks. In theory, this could allow more variety and flexibility to come from existing tracks. In theory, it could also be used as the basis of converting MIDI to audio performance. But while being able to shape the performance at the note level would be useful (for example, to render a specific motif), I'd prefer to maintain a looser level of control. For me, part of the fun of BiaB is treating RealTracks a collaborator. So being able to specify tags at the point of regeneration ("less busy", for example) is something that I'd like.
.
+1
For example, Logic Pro 11 keyboard player (session musician) is pretty advanced right out of the gate. Far from perfect but delivering capabilities I would love to have for BIAB tracks and styles. Yes, Logic’s chord entry needs improvement, and more styles are needed. But the ability to adjust the performance of an individual performer is significant.
And AI seems to make MIDI just as good as real tracks.
biab2026(Mac) Latest Build Mac OS (Latest) Apple Mac Mini M2 pro 32GB Ram Logic Pro (latest or pretty close) Blue and White Sea Star
You might find a place for this in your paper. BIAB Style List for May 2024. This is a listing in Excel format of the BIAB "STYLES". A total listing of 1750 may be a tad low, but I am sure, not by much.
Dan, can you elaborate on the figure of 1750? What does that relate to?
The spreadsheet lists up to row 9752. All BIAB Styles are approximately 11,140
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
You might find a place for this in your paper. BIAB Style List for May 2024. This is a listing in Excel format of the BIAB "STYLES". A total listing of 1750 may be a tad low, but I am sure, not by much.
Dan, can you elaborate on the figure of 1750? What does that relate to?
The spreadsheet lists up to row 9752. All BIAB Styles are approximately 11,140
Opps, typo combined with a small correction to pivot table. The pivot table now shows 9,751 individual style entries for all the Genres. That is how many I have after collecting for 25 years. I corrected the Excel file and re-uploaded.
just some ideas from a previous life in strategic tech marketing. think ACED IT. i feel bb/rb will continue to be around and a success long term if....the products are...
A = accessible C = cheap and address the latest contemporary trends. E = exciting to use D = a disruptor in the market ... I = innovative T = tremendously easy to use.
om 🇨🇦🇨🇦 🇬🇧🇬🇧
om, thanks for the thoughtful reply. I never heard of ACED IT before. I think this very much applies here.
I'm thinking we should have had a section specifically dedicated to marketing; perhaps titled Marketing in the 21st Century to 21st Century Musicians or similar.
Any interest in writing 1 or 2 pages on the subject for when/if we update the paper?
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
let me say from a marketing perspective everyone complains these days about how inaccessible some companies are. ie layers of telephone menus and various other bugaboos. drives my wife and friends nuts.
to pg great credit pg doesnt have this problem. so im impressed with pg accessbility.
fyi recently i contacted a company whose gear i was interested in.. i often do this before putchase to see the quality of support. i just didnt hear from them for a long time...and even then they didnt answer my questions. so i didnt buy the product. cext la vie.
as i said A = accessible...etc T can also mean treat your customers as you would like to be treated...the old saying...do unto others etc etc.
happiness.
om 🇨🇦🇨🇦 🇬🇧🇬🇧
my songs....mixed for good earbuds...(fyi..my vocs on all songs..) https://soundcloud.com/alfsongs (90 songs created useing bb/rb) (lots of tips of mine in pg tips forum.)
I realize that such positions typically demand a 6-figure salary, but we can't do anything close to $US 100,000.
However, we do have a generous benefits package. As Marketing Director you can work remotely from home, hire as many as you see fit to build your team and not work weekends. Plus we offer a self-directed, 0% company match 401K plan where you can buy whatever stock you want. And to top it off you'll have unlimited, unpaid, sick time and vacation!
https://soundcloud.com/user-646279677 BiaB 2026 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
let me say from a marketing perspective everyone complains these days about how inaccessible some companies are. ie layers of telephone menus and various other bugaboos. drives my wife and friends nuts.
to pg great credit pg doesnt have this problem. so im impressed with pg accessbility.
...................................
I agree. PGM does an outstanding job on accessibility.
FYI- Our land line phone went dead so my wife got on the Internet and contacted the phone company. Their site said "if you have a phone problem give us a call"! WTF! (for you ladies that is Why The Face)
om 🇨🇦🇨🇦 🇬🇧🇬🇧
Waitress "How did you find your steak sir"?
Me "I just looked next to the potatoes and there it was"!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Thanks, Bass Thumper! Here is a GTP summary of the recommendations.
Summary of Recommendations from White paper (not in in particular priority):
Utilize Machine Learning: Incorporate algorithms to simulate musicians following each other’s tracks. (i.e. Bass and Guitar track syncopate or match rhythmic phrases)
Enhance User Interface: Focus on improving the UI and workflow, using modern software design like panels to avoid modal dialogs. (zero modal windows)
Reduce Redundancy: Keep the best features and remove obsolete ones. (adopt philosophy of less is more)
Improve BiaB Plugin Support: Ensure full-featured capability for generating real musician tracks, with a redesigned core backend for efficient track generation.
AI Partnerships: Collaborate with educational institutions and consulting firms to integrate AI capabilities into BiaB. (transcription, stem splitting, progressions)
Diverse Music Genres: Include all music genres by hiring appropriate programmers and recording artists.
Song Structure Understanding: Develop a system for the software to understand song structures like Intro, Verse, Bridge, etc., setting up for future voice activation. (knows when to build, break and when to repeat)
Simplify Menus: Reduce redundant menu items and remove outdated methods. (so that intuitive beginners can figure out without help manual)
Add Features: Introduce floating point tempo (planed), VST3 support (with route ins to outs) (partially planed), audio tools in tracks view (existing editing tools) and remove the 255-bar limitation (for songs in double time).
These recommendations aim to modernize BiaB and enhance its appeal to a wider range of users, from novices to professionals, ensuring its long-term success in the competitive music software market.
Studio One (latest version), Win 11 23H2 , i9 -10940X 3.3 GHz, 32GB Mem, a 4K 40" monitor, PreSonus Studio Live III Console as interface/controller. secondarily test on Reaper, Cakewalk, and S1 on Surface Pro 3 Win 10 (latest versions).
If there is anything else needed for the BBPlugin post Here
Originally Posted by Adar - PG Music
Apart from rendering in the plugin, integrating the MultiPicker, and adding these few lines to the .di files, is there something else in particular that is broken or that you are waiting for? I understand that you want the plugin to process wav instructions so that it can audition tracks immediately (rendering to .wav would still take as long as bbw4). I'm working on this for the future but it is a big project that will take some time. However, would it be fair to say that apart from this one significant improvement, and the few lines to add to .di files (which I'm doing now), that this plugin is working exactly as it should? If not please let me know exactly what other issues you are having with the latest version of the plugin. Thank you for the feedback!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
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MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
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The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
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