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Recording, Mixing, Performance and Production
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Joined: Jan 2005
Posts: 154
Apprentice
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Apprentice
Joined: Jan 2005
Posts: 154 |
I have an Ultrapack and it's true that the tracks created directly by Realtracks, I usually use two to three per song. I work in RealBand and create tracks in wav depending more on harmony than on style, while also creating tracks in midi (I have RealCharts checked). I just create the drums as a midi and split them into separate tracks. And that's the end my work in Realband. I import everything into Studio One and process the drums using Studio One tools. I process the other midi tracks on the Kontakt or Opus module, or some third-party virtual instruments can be run directly without modules. I intervene manually in the midi tracks and make improvements with my ideas according to my own feeling. This kind of bypasses the Audiophile version, which I can no longer afford as a pensioner. However, I consider my recordings on SoundCloud as amateur songs and I do not get paid for them, but it brings me satisfaction. Nevertheless, I do the mixing and mastering at a professional friend's studio.
BIAB 2025,RB 2025,PTA 2024,Windows 11,Studio One PRO 5.5.2,Melodyne Studio 5.4.2.006,Sibelius 8.4.1,Acoustica 7.4.14,Notion 6,Progression 3,Harmony Assistant 9.9.5c,RX9,Ripx DeepAudio 7.5.1,Kontakt 7.10.7,DeCoda 1.3.2,Synthesizer V Studio Pro 1.12.2
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Recording, Mixing, Performance and Production
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Joined: Apr 2017
Posts: 1,828
Expert
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Expert
Joined: Apr 2017
Posts: 1,828 |
Interesting that BIAB standard wma files (bit rate) are below where people listen these days, but the audiophile 16bit 44.1k is above where most people listen these days. … The times they are a changing. Trying to figure out how old that chart must be. It certainly is not accurate. Neither iTunes nor Amazon have distributed 256k in years. I keep thinking that, at age 70, I shouldn't hear the difference between Audiophile and Ultra (which I can download at any time). Of course I can.
BIAB 2024 Audiophile Mac 24Core/60CoreGPU M2 MacStudioUltra/8TB/192GB Sequoia, M1 MBAir, 2012 MBP Digital Performer11, LogicPro, Finale27/Dorico/Encore/SmartScorePro64/Notion6 /Overture5
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Recording, Mixing, Performance and Production
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Joined: Jun 2011
Posts: 4,122
Veteran
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Veteran
Joined: Jun 2011
Posts: 4,122 |
Interesting that BIAB standard wma files (bit rate) are below where people listen these days, but the audiophile 16bit 44.1k is above where most people listen these days. … The times they are a changing. Trying to figure out how old that chart must be. It certainly is not accurate. Neither iTunes nor Amazon have distributed 256k in years. I keep thinking that, at age 70, I shouldn't hear the difference between Audiophile and Ultra (which I can download at any time). Of course I can. It was made this year. The point of the chart was people on average are listening to a lower quality today than say 20 years ago and BIAB offers a slightly lower and higher quality than what the average user is listening to. Amazon Prime Music streams at a bit rate of up to 256 kbps (lossy compression). High Definition (HD): is 850 kbps. lossless compression. CD = 1411kbs (no compression) Ultra-High Definition (Ultra HD): This offers even higher quality, up to 24-bit/192 kHz, with an average bitrate of 3730 kbps. (lossless compression)
Studio One (latest version), Win 11 23H2 , i9 -10940X 3.3 GHz, 32GB Mem, a 4K 40" monitor, PreSonus Studio Live III Console as interface/controller. secondarily test on Reaper, Cakewalk, and S1 on Surface Pro 3 Win 10 (latest versions).
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Recording, Mixing, Performance and Production
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Joined: Jul 2000
Posts: 27,058
Veteran
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Veteran
Joined: Jul 2000
Posts: 27,058 |
Jeff, could you elaborate on why you chose a 128k bit-rate for standard BIAB?
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Recording, Mixing, Performance and Production
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Joined: Jun 2011
Posts: 4,122
Veteran
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Veteran
Joined: Jun 2011
Posts: 4,122 |
Matt, if you check the properties of one of the BIAB RT wma files you will see it shows a bit rate of 128K. As you pointed out, this may be a better quality than an MP3 compression at that bit rate. Both compressions are lossy. Sorry, to end this conversation, as I'm very busy for the next couple of weeks, I was just pointing out that most people listen to a quality that's slightly less than what CDs produced in the 90s. That's all. I personally can hear the difference between an isolated wma instrument and a wave instrument in BIAB, but my ears are shot, and I wear hearing aids, as I played in a rock and roll band for many years. When the tracks are mixed with other tracks especially if the tracks are generated with midi super tracks where the instruments are at a higher sample rate, I doubt most people would hear a difference in the final mix. Your milage may vary. 
Studio One (latest version), Win 11 23H2 , i9 -10940X 3.3 GHz, 32GB Mem, a 4K 40" monitor, PreSonus Studio Live III Console as interface/controller. secondarily test on Reaper, Cakewalk, and S1 on Surface Pro 3 Win 10 (latest versions).
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Recording, Mixing, Performance and Production
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Joined: Jan 2015
Posts: 2,495
Veteran
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Veteran
Joined: Jan 2015
Posts: 2,495 |
Jeff, could you elaborate on why you chose a 128k bit-rate for standard BIAB? Interesting. I'd presumed that was 128kbps was the rate BiaB used, but looking around I see quite a few older RealTracks are only 48kbps.
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
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Recording, Mixing, Performance and Production
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Joined: May 2020
Posts: 2,697
Product Manager
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Product Manager
Joined: May 2020
Posts: 2,697 |
Jeff, could you elaborate on why you chose a 128k bit-rate for standard BIAB? Interesting. I'd presumed that was 128kbps was the rate BiaB used, but looking around I see quite a few older RealTracks are only 48kbps. Anything much lower than 128kbps is likely a mono RT.
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Recording, Mixing, Performance and Production
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Joined: Jul 2000
Posts: 27,058
Veteran
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Veteran
Joined: Jul 2000
Posts: 27,058 |
Yes, I was about to say that. And I didn’t find a lot of those many years ago when I spot checked.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
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Recording, Mixing, Performance and Production
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Joined: May 2020
Posts: 2,697
Product Manager
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Product Manager
Joined: May 2020
Posts: 2,697 |
Yes, I was about to say that. And I didn’t find a lot of those many years ago when I spot checked. There are plenty. Basses are almost if not always mono. Probably most wind instruments, electric guitars, and many of the drum stems. Basically anywhere there's no advantage to recording in stereo - might as well make for a smaller download.
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Recording, Mixing, Performance and Production
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Joined: Jan 2015
Posts: 2,495
Veteran
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Veteran
Joined: Jan 2015
Posts: 2,495 |
Anything much lower than 128kbps is likely a mono RT. Ah, right. That makes sense, though the ones I've looked at are, yes mono. 48kbps so less than half the bit rate. I expect that makes sense somehow 
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
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Recording, Mixing, Performance and Production
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Joined: May 2020
Posts: 2,697
Product Manager
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Product Manager
Joined: May 2020
Posts: 2,697 |
Ah, right. That makes sense, though the ones I've looked at are, yes mono. 48kbps so less than half the bit rate. I expect that makes sense somehow  Those are probably older ones. These days mono RT's are 64-80kbps, I think using a variable bitrate.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
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These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
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Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
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Bonus PAKs for Band-in-a-Box 2025 for Mac!
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- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
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- 128 GM MIDI Patch Audio Demos.
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- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
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New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
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In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
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Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
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Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
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