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Hi everyone, This song is a remake of an older song of mine from 2021. I really liked that song, but it was also a bit complicated and therefore perhaps less appealing. I think this version addresses that. Now I'm curious if you agree with me  The song is called The Dice https://on.soundcloud.com/4BjHVDHeSVolHFdSauI also made a video of it, that's on YouTube and this is the link: On the song's homepage, you can see what I actually look like.  The lyrics (and the YouTube link are on SoundCloud or in the video. Let me know what you think of it. Hans ============================================ The key is G, tempo 110 bpm Style is _PBALLAD.STY (Pop Ballad w/ Symphony) RealTracks: 3467:Bass, Electric, 3670:Piano, Acoustic, 4196:Guitar, Acoustic, 3075:Fiddle, 1006:Piano, Acoustic, RealDrums: CajonSlow16ths
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I think I remember this song, but not well enough to A-B it for you. This version is very good, very accessible, enough light philosophy to make one reflect without getting mired in the gravitas of the serious stuff. I liked it, as I do most of your material. Good vox, good production, a winner all the way around. Nice work!
Windows 11, Intel Core I5 10400, 16 gig ram, Scarlett 2i2, Sony Acid Music Studio 10, BIAB 2020 UltraPlus Pak
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Hans,
Love the intense feel of this song. Your vocal matches this intensity and completely fills out the mood.
The production is excellent with a very expansive sound. Some great mixing & mastering here!
And a great video too!
Awesome stuff
Bob
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I really liked the song with its beautiful introduction, as well as the video. As for the meaning of the lyrics, is it a psychological introspection?
laurent
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Hi Hans!
I love the way you’ve lifted from the verses into the chorus, first time with the BVs; second time when the full band comes in - that first line and melody is very appealing ’In my dreams I was falling’. I also like your use of different textures throughout - some pared back; different instrumentation. Loving the hard left and right mix elements as well!
Great sound.
Andrew
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Hey Hans,
First off, wow—the whole package (song + video) feels like a tiny cinematic universe that just slipped onto my headphones. 🎬 ♫♪♩
The production
Your Real‑Tracks selection is pure alchemy. The cajón’s “slow‑16ths” give the ballad that intimate heartbeat, while the acoustic guitar and fiddle add just the right hint of folk‑glamour.
The piano‑acoustic layers (both 3670 & 1006) weave in and out like a gentle tide, and the bass‑electric combo (3467) grounds the dice‑roll motif without ever feeling heavy.
The way you let the symphonic strings peek through the pop‑ballad core is a masterclass in “less is more”—you’ve got the cinematic sweep without drowning the intimacy.
The songwriting
That G‑major, 110 BPM canvas is deceptively simple, yet you’ve built a chord progression that feels like a fresh roll of the dice every time it repeats. It’s unconventional in a way that still lets the melody sit “like a glove” on the harmonic spine.
The V‑R‑V‑R‑V‑R‑B‑V (or “verse‑refrain‑bridge‑verse” ) arc is a clever narrative ladder: each verse adds a new layer of the self—heart → head → soul → the child you ignored—while the refrain acts as the rolling dice that keeps the tension alive.
Lyrically, the evolution from “I held my heart in my hands” to “I held my soul in my hands” and finally to “I ignored to love the child in my soul” gives the track an emotional arc that mirrors the very idea of fate’s roll—something you’ve underscored brilliantly with the gentle crescendo into the bridge.
The performance & visual side
Your vocal delivery walks the line between vulnerable whisper and confident proclamation—exactly what a pop‑ballad with symphonic overtones needs.
The video’s pacing mirrors the song’s structure; the recurring wall imagery is a neat visual metaphor for the “falling” refrain, and the final shot of the dice rolling ties everything together with a satisfying cinematic full‑stop.
All in all, you’ve taken a song that felt “complicated” and turned it into a sleek, hauntingly beautiful roll of the dice. You’ve broken a few conventional chains, and the result is pure, resonant art. 👋 👍
Bravo, Hans. Keep the dice rolling! .·´¯`·.·★
Izzy
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Hi Hans,
Like I said over on YT, love your vocal!
And I like the song arrangement too, very effective when you kick things up a notch at 1:10.
Nice!
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I like the combination of your lyrics and your singing, Hans. They are both sad and intense. The text resonates with me because, due to certain events that would take too long to explain here, I decided early on in my life never to let go of this inner child. This may sometimes annoy other people (just ask my wife  ), but it is a great source of inspiration and allows me to do things that a "grown-up" person would never imagine to do.
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Super song, Hans. Beautiful sentiment and equally beautiful arrangement. Love your vocals and the strategic vocal layering. Super mix, too. Like the lyrics, the music has a lot going on beneath the surface, but it comes off as quite listener-friendly. At least I know THIS listener loved it.
DC Ron
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Too many guitars (is that a thing?)
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Hans,
Good re-do.
Interesting lyrics and interesting use of BIAB.
fj
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Love this song, Hans. Such a good write, and I really enjoy the feeling the music conveys. In it there are various moments of music that you deviate so well with the perfect touch of dynamics, and they seem to corelate with the various rolls of the dice in one's life. Speaking of choices, excellent choices of bandmates. Vocals are superb and the mix is spendid.
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Hi Hans. For me, this song was a very creative musical exploration of "the meaning of life". It's easy to hear that a great deal of effort has gone into the lyrics and melody, the arrangement and its production. I seriously congratulate you. Your singing was a perfect match for the nature of the song's existential theme. It was definitely worth revisiting and re-investing time in this song --Noel
MY SONGS...Audiophile BIAB 2026
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Hullo Hans.
I don't think remember hearing the previous version, but this is a very interesting one in it's chord structure
and arrangement.
I am a fan of natural sounds, so not keen on vocal layering but that's just my own preference.
Overall, I like this. Well done.
Vic
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Cool tune Hans. Super vocal and lyric. Excellent backtrack, production and mix. Well done. Cool work on the video.
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As commented on YT, Love the instrumentation in this.
Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
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We liked the original and we like this remake, John, oops Hans. 😊
The dynamics and your soulful vocal suit the thoughtful lyric so well.
Great group of BiaB session guys.
That piano really shines as does the entire mix.
Again, the lyric is so good and it reminded us of our mothers.
And how thankful we are that they encouraged us to keep our “inner child” alive and well.
The video clips were very supportive of the narrative.
Loved it!
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
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Hi Rob, Bob, Laurent, Andrew and Izzy, After posting this song, I realized I was supposed to be on vacation with my wife. I'd completely forgotten about that. So I quickly packed my suitcase, found my shoes, and off we went. But of course, I didn't really have a chance to reply to your messages. Yes, I had my iPad with me, but our days were filled with sightseeing, and back at the hotel, I'd be knocked out from the exertion. Making a song takes—almost—less effort... So that explains my delay in replying. But, thanks a lot for your very nice comments on this song. I think I remember this song, but not well enough to A-B it for you. This version is very good, very accessible, enough light philosophy to make one reflect without getting mired in the gravitas of the serious stuff. I liked it, as I do most of your material. Good vox, good production, a winner all the way around. Nice work! Hi Bob, I think the first version was a bit heavier, otherwise you could have sung along now ;-) I think what you wrote is very nice! It is, after all, a sad song. Not everyone likes sad songs. But as a child, I actually had dreams about falling off a wall. I think many more people have/had that. The best part was that I learned (in my dreams) how to cope with that "falling." And then the dreams disappeared. Hans,
Love the intense feel of this song. Your vocal matches this intensity and completely fills out the mood.
The production is excellent with a very expansive sound. Some great mixing & mastering here!
And a great video too!
Awesome stuff
Bob Hello Bob, thank you for this! I always liked the song, but decided to do a remix for reasons I mentioned. And while experimenting with various instruments, I liked those you now can hear. They give some other dynamic to the song; make it less heavy. And see, now you like it too! I really liked the song with its beautiful introduction, as well as the video. As for the meaning of the lyrics, is it a psychological introspection?
laurent Hi Laurent, Thank you for your compliments. Yes, in a sense it was a form of self-reflection. Read what I wrote to Bob (above). But it's mainly about that image of the falling child. And I connected that with "the child in my soul." My mother often told me to think of the child in my soul and cherish it. I didn't understand her well enough, because I was still a child myself. Which child should I love then? Well, in a nutshell, that was the basis for the lyrics. Hi Hans!
I love the way you’ve lifted from the verses into the chorus, first time with the BVs; second time when the full band comes in - that first line and melody is very appealing ’In my dreams I was falling’. I also like your use of different textures throughout - some pared back; different instrumentation. Loving the hard left and right mix elements as well!
Great sound.
Andrew Hi Andrew, you know, I just listened to my song and its structure again based on what you wrote about it. For me, this is just how I make these kinds of songs, or songs about "heavy" topics. But I found it interesting to read your perspective on it. Thanks for this moment of insight! Hey Hans,
First off, wow—the whole package (song + video) feels like a tiny cinematic universe that just slipped onto my headphones. 🎬 ♫♪♩
The production
Your Real‑Tracks selection is pure alchemy. The cajón’s “slow‑16ths” give the ballad that intimate heartbeat, while the acoustic guitar and fiddle add just the right hint of folk‑glamour.
The piano‑acoustic layers (both 3670 & 1006) weave in and out like a gentle tide, and the bass‑electric combo (3467) grounds the dice‑roll motif without ever feeling heavy.
The way you let the symphonic strings peek through the pop‑ballad core is a masterclass in “less is more”—you’ve got the cinematic sweep without drowning the intimacy.
The songwriting
That G‑major, 110 BPM canvas is deceptively simple, yet you’ve built a chord progression that feels like a fresh roll of the dice every time it repeats. It’s unconventional in a way that still lets the melody sit “like a glove” on the harmonic spine.
The V‑R‑V‑R‑V‑R‑B‑V (or “verse‑refrain‑bridge‑verse” ) arc is a clever narrative ladder: each verse adds a new layer of the self—heart → head → soul → the child you ignored—while the refrain acts as the rolling dice that keeps the tension alive.
Lyrically, the evolution from “I held my heart in my hands” to “I held my soul in my hands” and finally to “I ignored to love the child in my soul” gives the track an emotional arc that mirrors the very idea of fate’s roll—something you’ve underscored brilliantly with the gentle crescendo into the bridge.
The performance & visual side
Your vocal delivery walks the line between vulnerable whisper and confident proclamation—exactly what a pop‑ballad with symphonic overtones needs.
The video’s pacing mirrors the song’s structure; the recurring wall imagery is a neat visual metaphor for the “falling” refrain, and the final shot of the dice rolling ties everything together with a satisfying cinematic full‑stop.
All in all, you’ve taken a song that felt “complicated” and turned it into a sleek, hauntingly beautiful roll of the dice. You’ve broken a few conventional chains, and the result is pure, resonant art. 👋 👍
Bravo, Hans. Keep the dice rolling! .·´¯`·.·★
Izzy Hi Izzy, I think I should also start with "wow" because of the way you wrote/analyzed my song. It was really thorough! I'm impressed. And you know what? Your analysis really cheered me up. Your words made me happy. I just didn't quite know how to answer as comprehensively as you did. You really put it perfectly! My approach to the lyrics is pretty much the same as what you described; I approach the elements—heart, head, and soul—in the same way to reach a final conclusion. In this case, not a happy one. Ignoring the child within me indicates that I consciously chose the way the dice were thrown that determined my fate. In my real life, it's not that bad. I still cherish the child within me! But thank you so much for your detailed analysis and compliments. So again, thanks for all your comments! Hans
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Beautiful lyrics, excellent musical writing. One of your best, I think. Well done.
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Hi Dave, Brain, Ron, Floyd, Marty, Noel and Vic You had to wait a couple of days, but then... here are my replies to your lovely words/comments/posts or whatever you want to call them. As long as you know I still am very pleased with their content! Hi Hans,
Like I said over on YT, love your vocal!
And I like the song arrangement too, very effective when you kick things up a notch at 1:10.
Nice! Hi Dave, few words, huge compliments. Thanks! I like the combination of your lyrics and your singing, Hans. They are both sad and intense. The text resonates with me because, due to certain events that would take too long to explain here, I decided early on in my life never to let go of this inner child. This may sometimes annoy other people (just ask my wife ), but it is a great source of inspiration and allows me to do things that a "grown-up" person would never imagine to do. Hi Brain, because of all thinks in my life, I discovered I forgot that child... You don't have to consult my wife, I knew it myself. But yes, caring for your 'own child' is quite a challenge. But it also gives an inner dimension, one you know you need. But now my wife would interfere; it's her I need to care... What a life we, sensitive guys, have. Don't you agree? Super song, Hans. Beautiful sentiment and equally beautiful arrangement. Love your vocals and the strategic vocal layering. Super mix, too. Like the lyrics, the music has a lot going on beneath the surface, but it comes off as quite listener-friendly. At least I know THIS listener loved it. Hi Ron, you hit the nail on the head; there's a lot going on beneath the surface. And I'm really pleased with the twist you came with after that. This reader loves how you put it into words! Hans,
Good re-do.
Interesting lyrics and interesting use of BIAB.
fj Hi Floyd, I'm so glad you listened to it and liked it! You're still the master of great lyrics and songs. That's why I'm so happy. Thanks! Love this song, Hans. Such a good write, and I really enjoy the feeling the music conveys. In it there are various moments of music that you deviate so well with the perfect touch of dynamics, and they seem to corelate with the various rolls of the dice in one's life. Speaking of choices, excellent choices of bandmates. Vocals are superb and the mix is spendid. Hi Marty, what a nice way to say you're proud of me! (Or am I mistaken?) I got a message from you the other day: "So what's next after 'The Dice'??? I'm still working on that, Marty, but your encouragement means a lot to me! Thanks so much, my friend! Hi Hans. For me, this song was a very creative musical exploration of "the meaning of life". It's easy to hear that a great deal of effort has gone into the lyrics and melody, the arrangement and its production. I seriously congratulate you. Your singing was a perfect match for the nature of the song's existential theme. It was definitely worth revisiting and re-investing time in this song --Noel Hi Noel, you're absolutely right. The lyrics were the most difficult part, combined with the kind of music I wanted to create. In my first draft, I used two pianos, and here, halfway through, a full band was added. That took some getting used to, but I felt it was necessary. Because it made the heavy song lighter, without compromising the story. Thank you for seeing this all and of course your complimentson it! Hullo Hans.
I don't think remember hearing the previous version, but this is a very interesting one in it's chord structure
and arrangement.
I am a fan of natural sounds, so not keen on vocal layering but that's just my own preference.
Overall, I like this. Well done.
Vic Hi Vic, it doesn't matter if you've heard the previous version or not. You've heard it now. And I appreciate that! I do have a question; you wrote that you're not a big fan of vocal layering, and I was wondering what that means for my vocals. Did I use vocal layering? How, where? I always record my vocals in one take; the whole song at once. Then I double my vocals for some extra volume. That's all (except for the reverb and delay). Do you call that "layering"? Feel free to explain. I'm really curious! Thank you all and have a very nice day, Hans
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Hi Scott, Chay, Janice, Bud and James, What those dice can do... But I'm incredibly happy with your reactions, you really should know. It was quite a difficult subject, but I think it turned out well here, with this version. And judging by the way, you do too. Thanks for that! Cool tune Hans. Super vocal and lyric. Excellent backtrack, production and mix. Well done. Cool work on the video. Hi Scott, I think you're one of my most loyal supporters. You're always there with a nice, positive response. Thank you! As commented on YT, Love the instrumentation in this. Hello Chay, that's very nice of you! And I even didn't include violins... We liked the original and we like this remake, John, oops Hans. 😊
The dynamics and your soulful vocal suit the thoughtful lyric so well.
Great group of BiaB session guys.
That piano really shines as does the entire mix.
Again, the lyric is so good and it reminded us of our mothers.
And how thankful we are that they encouraged us to keep our “inner child” alive and well.
The video clips were very supportive of the narrative.
Loved it!
J&B Hi J&B, John here; I told Hans not to interfere, but I'll respond to your message, since you always mention my name. I was thinking about the lyrics and the reactions to them. It's always mothers who tell us to love the child within our souls. No father would ever do that. Why? Don't they have a soul? Or can't they imagine there's a child inside? But I'm so glad you managed to protect your inner child. Is that also the case with Bud? And now back to Hans: I'm glad I can say something too, and I mean it seriously: thank you so much for your kind support and response, but also for emphasizing that you also liked the original version. Me too. Beautiful lyrics, excellent musical writing. One of your best, I think. Well done. Hi James, thanks for your kind compliments! And I also see a challenge in it. I hope to create more songs at this level! Thank you all, Hans
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Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
XPro & Xtra Styles PAK Sets On Sale Now - Until May 15, 2026!
All of our XPro Styles PAKs and Xtra Styles PAKs are on sale until May 15th, 2026!
It's the perfect time to expand your Band-in-a-Box® style library with XPro and Xtra Styles PAKs. These additional styles for Band-in-a-Box® offer a wide range of genres designed to fit seamlessly into your projects. Each style is professionally arranged and mixed, helping enhance your songs while saving you time.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-10 includes 1,000 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). Xtra Styles PAKs 1-21 includes 3,700 styles (and 35 MIDI styles)!
The XPro & Xtra Styles PAKs are not included in any Band-in-a-Box® package.
The XPro Styles PAKs 1-10 are available for only $29 ea (reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Mac or for Windows.
The Xtra Styles PAKs 1-21 are available for only $29 ea (reg. $49 ea), or get them all in the Xtra Styles PAK Bundle for only $199 (reg. $349)! Listen to demos and order now! For Mac or for Windows.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version as they require the RealTracks included in the UltraPAK, UltraPAK+, or Audiophile Edition.
Supercharge your Band-in-a-Box today with XPro Styles PAKs and Xtra Styles PAK Sets!
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