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Joined: Feb 2009
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I've just spent ages trying to find some suitable Realtracks to recreate Henry Priestman's "Don't you love me no more", but without success. I can't find anything that has the driving strumming, right drums style or syncopated instrumentals. Can anybody help who has a good working knowledge of available styles point me in the right direction? Here's a link to the track on YouTube: https://www.youtube.com/watch?v=Ni5nbDBw94kThanks for any help anyone can give.
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I don't think Real Tracks are meant to be as exact as that. They cover a great range of styles, but are not intended to imitate particular musicians. Some of the tracks have names on them, like "Chet," but in cases like these "Chet" is the name of a style of playing.
Real Tracks are extremely useful tools for the creative musicians. Instead of trying to re-create something that has already been created, I think RealTracks are best when they are used to create something that has never been heard before.
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Thanks for your pointer Flatfoot,
Yes, I've created many compositions of my own, and many new arrangements of other tracks, using BIAB, but with this one in particular, I'm trying to create a similar sound. It doesn't have to be an exact copy - and I know this wouldn't be possible with BIAB anyway - but I do want to achieve something similar to use as a backing track for my singing.
It may be that - in the limited number of real tracks and styles available - there is nothing quite like the instrumentation used in the Henry Priestman song. But surely there must be something similar? It takes a long time to learn all the designations for types of music used in the style selector, and I've already spent several hours looking for something suitable, so I was hoping someone with more familiarity might be able to assist me.
Any help welcome.
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>>>...It takes a long time to learn all the designations for types of music used in the style selector...>>>
Yes it does. The naming and categorizing of styles is not very clear. I am not sure how to improve it. Music and sound are devilish difficult to label and describe.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2025 Italian Version is Here!
Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano
Band-in-a-Box 2025 French Version is Here!
Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
Band-in-a-Box 2025 German Version is Here!
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PowerTracks Pro Audio 2025 is here! This new version introduces many features, including VST3 support, the ability to load or import a .FLAC file, a reset option for track height in the Tracks window, a taller Timeline on the Notation window toolbar, new freeze buttons in the Tracks window, three toolbar modes (two rows, single row, and none), the improved Select Patch dialog with text-based search and numeric patch display, a new button in the DirectX/VST window to copy an effects group, and more!
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Video: Summary of the New Band-in-a-Box® App for iOS®
Join Tobin as he takes you on a tour of the new Band-in-a-Box® app for iOS®! Designed for musicians, singer-songwriters, and educators, this powerful tool lets you create, play, and transfer songs effortlessly on your iPhone® or iPad®—anytime, anywhere.
Band-in-a-Box® for iOS® :Summary video.
Check out the forum post for more information.
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