|
Log in to post
|
Print Thread |
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
This started on another forum where everybody went off about how egg cartons on the wall "do nothing for the room and are a fire hazard".
My take is this. While I do not contest that acoustic foam is the ultimate sound control wall surface, some of us don't have several hundred dollars to buy such an item that in a home studio environment is really an overkill frill. I have always believed that ANYTHING on a wall that will disturb a smooth surface pattern is better than the hard face of the drywall that is likely there now, so why not cardboard egg cartons? The goal is to make the room anechoic, correct? All the anechoic foam wall material I have ever seen is the wedge shape, and I have to ask the people here who work in real studios this simple question.
Is it the SHAPE of the foam that baffles the sound, the material itself, or a combination of both? Now, for me, everything I record is direct anyway, so it isn't a big deal.
I have seen room baffles made of foam squares of different sizes and heights all glued in a random pattern on a 4x8 surface. I have also seen curved plexiglass room baffles placed at random locations, I suppose to create round reflective surfaces rather than just the 4 square corners of a room.
I studied music, not acoustics, so I have no clue, just what I think is logical. After years of watching people hang blankets, foam mattress pads and every other absorbent surface on walls, I'd like to ask people who actually know for their opinions.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2007
Posts: 618
Journeyman
|
Journeyman
Joined: Dec 2007
Posts: 618 |
Eddie,
When we moved into our house in 1992 I converted a large family room on the first floor into a home studio. I ordered 3" thick acoustic foam. It cost a few hundred dollars then. Now it would cost over a grand. I had to use adhesive to attach it to the walls. I covered everything except 2 windows which were double pane.
My main concern was not just having a quiet environment for myself with no sound from outside traffic, but also that no sound left my house and disturbed my neighbors.
After I finished it if I stood over 4-5 feet away from my house you could not hear anything from my studio. I put music on at a very loud level and you could not hear it out side.
The construction of it was fun. It was like a puzzle. Not unlike putting up a drop ceiling. A large expense was getting a large solid core door. I had to have someone install it. It weighed a ton.
I thought the foam was going to be a bear to cut and piece together but it was a breeze. All you need is an Electric Knife, a ruler, a Sharpie maker and a long straight edge. The electric knife cuts the foam super clean and straight.
Years ago my band used egg carbons and I never heard any difference. But it was a small room.
My home studio was a very large room and when the foam was up, just walking into the room was startling. It was so dead. Everyone had to get used to hearing their voice with no reflections. It was very strange in the beginning. But later the fact that I could go downstairs and play and record at any hour and not disturb anyone in my house was amazing. If I couldn't sleep I could play any hour of the day or night.
The isolation was wonderful. I got my best ideas and recordings, being so isolated right in my own home. The studio was torn out after a flood in 2006. All the sheetrock had to be replaced anyway because of the flood. Also because there was no way to get the adhesive off the walls so floor to ceiling replacing.
I know I didn't answer your question but I thought I'd tell you my one experience with a home studio. I could be home playing and singing at normal volume and my wife didn’t even know. It was something else.
Wayne,
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
The older design PAPER based, typically gray in color egg carton material does indeed improve acoustic reflections when implemented in a proper fashion -- and that is measurable with the proper test equipments such as real time analyzer. I have done those measurements in the past.
If some youngster tried to use the newer blown plastic "styrofoam" type egg crates, I doubt seriously if they would provide the same level of absorption.
Yes, there is indeed a fire hazard involved with the old gray paper egg crates. That said, they were rather ubiquitous in smaller radio station studios at one time. I've even heard of people claiming to have somehow chemically treated the paper material style with some type of fire retardant, don't know what that might be and would question the amount of effectiveness of such, as well as possible chemical exposures over time, which these days should be a serious consideration as well.
Consider using modern fire resistant rug material on the center portions of each of the hard walls.
--Mac
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
My question with the "fire hazard" part of it is more like "Is my house suddenly more likely to catch fire if I staple 100 paper egg cartons on my wall?" Nobody smokes in my house so there is no flame ever. Gar range.... I mean if my house catches fire it catches fire. I don't see the egg cartons being some sort of candidate for spontaneous combustion. I have HUNDREDS of the paper cartons that someone was saving and gave to me. The styrofoam ones I wouldn't use anyway. They seem more reflective than absorbent.
I don't know if I am going to bother or not because I record everything direct anyway, but this debate has been going on forever and I wondered what the opinions would be here. First I need to paint and get the track lighting up. And my see through windows to see from one room to the other (where the drummer would sit for live recording).
Live recording IS in my future but for now I just record RB parts and it is all through a mixer with the room level down low.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jan 2002
Posts: 7,913
Veteran
|
|
Veteran
Joined: Jan 2002
Posts: 7,913 |
Having actually studied acoustics I can assure you it is the shape and the material as it pertains to absorption. However you can do better than the cartons with strategically placed comforters and or clothes closets in your recording space. More important is adressing your specific need. What is the point of our desire to acousrically treat your room?
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Aug 2006
Posts: 8,508
Veteran
|
|
Veteran
Joined: Aug 2006
Posts: 8,508 |
Hang curtains, install carpet, tack up carpet padding and spray all one color. Remember that old bumpy celled carpet pad, hhhmmm!
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Good comments all!!!
What I am concerned about is when I DO have live players in that the room will become too live and there will be a lot of sound bouncing where things I don't want in a mic will find there way, there will be room reverb that I prefer to not have (that's why we have digital reverb units, right? to add it like we want it?). One room will be isolated for the drummer and I want THAT room totally flat.
The room is carpeted but the walls are bare, all drywall.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Mar 2007
Posts: 825
Expert
|
|
Expert
Joined: Mar 2007
Posts: 825 |
Check out Ethan Winer at http://www.ethanwiner.com/acoustics.htmlI had a studio in a square room where you could hardly hear yourself speak for reflections, music was a pain, all bass rumble. I made up three bass traps with Rockwool heavy duty mineral wool insulation in wooden frames and stood them in the corners. It was a difference like night and day!! I didn't bother with the forth corner. The frames were 12cm thick with two 6cm layers of insulation held in by chicken wire. I covered one side with cloth for looks and put little roller wheels under them so that I could move them around easy. The insulation is fireproof too. Check google for bass traps, there are loads of ideas out there. I saw one instance where one person just rolled the insulation into columns and stood them in the room. They just seem to suck up all the excess bass. For the reflection problem, any uneven surface helps, book shelves, furniture whatever.
Chris
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2007
Posts: 618
Journeyman
|
|
Journeyman
Joined: Dec 2007
Posts: 618 |
Besides hanging carpets and comforters, look into moving pads.
They weren't very expensive years ago and they work great. They're also indestructible.
We used them for covering walls, beds and floors. They were quilted. Some were black which looked great on everything and some were light natural color. They were all big enough to cover a king sized bed. Which was big enough for anything we needed.
Wayne,
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Oct 2008
Posts: 8,075
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 8,075 |
around here it is possible to buy foam mattress pads which are flat on one side and egg-carton shaped on the other side... They're very inexpensive, and I've been wondering if thay would be useful as a wall covering in my little studio.
thoughts?
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 22,229
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,229 |
Any stains on em?  They should help. I made wedges containing two different layers of foam in varying stiffness, with pillow stuffing in the heart of the 'V' and sewn into a material to keep it all together. Placed on the wall opposite the monitors they helped a lot with the direct reflections I was getting. There is enough furniture that standing waves were not an issue but the early reflections bothered me. Those helped.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 38,502
Veteran
|
|
Veteran
Joined: May 2000
Posts: 38,502 |
Whether or not there are smokers present is not the only input to the fire problem.
--Mac
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
Whether or not there are smokers present is not the only input to the fire problem.
--Mac
Understood, Mac, but my view is this and I wonder if it is wrong or at worst only partially right.
IF there was to be some sort of catalyst (like I play too hot a guitar solo) is the issue that the paper egg cartons are more flammable than the alternative option of foam or moving pads or curtains or carpeting?
One reply suggested that the sound deadening is a property of both the shape and the material itself. That being said, foam mattress pad seems to fit the bill at the most moderate cost. Stain free, of course....
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 22,229
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,229 |
A dead space is not always best. My favorite drum room has one brick wall to the side of the drum set, and the rest of the room is pretty dead (drop ceiling with insulation above, carpet with thick padding, insulated walls that are short in length with stepped out 'L' shapes that seem to trap), but not 'dead' by any means.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Oct 2008
Posts: 8,075
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 8,075 |
Quote:
IF there was to be some sort of catalyst (like I play too hot a guitar solo) is the issue that the paper egg cartons are more flammable than the alternative option of foam or moving pads or curtains or carpeting?
Eddie,
if your guitar playing is so HOT that it sets the egg cartons on fire, I want to buy all your CDs!!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Quote:
Eddie,
if your guitar playing is so HOT that it sets the egg cartons on fire, I want to buy all your CDs!!
I think I'm safe.....
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2003
Posts: 2,296
Veteran
|
|
Veteran
Joined: Jul 2003
Posts: 2,296 |
Quote:
Having actually studied acoustics I can assure you it is the shape and the material as it pertains to absorption. However you can do better than the cartons with strategically placed comforters and or clothes closets in your recording space. More important is addressing your specific need. What is the point of our desire to acoustically treat your room?
Scott:
Your knowledge of acoustics obviously gets you to the correct answer (are egg cartons effective?).
I have an elementary acoustics background, so I approach this from an energy point of view. Considering that sound is a form of energy helps to understand the phenomenon. When a sound wave (alternating positive and negative air pressure) hits a surface, some energy is absorbed when the surface deflects under the pressure - softer surfaces absorb more energy than hard reflective surfaces such as glass.
Any soft surface that will readily deflect when the sound wave strikes it will absorb energy, and this will reduce the amount of sound energy reflected.
Another "energy trap" (which Scott understands better than I) are spaces in the surface of the material that a sound wave strikes. When some of the sound wave goes into the small spaces, it doesn't get reflected out immediately, but gets absorbed as it bounces off the soft surfaces. The deep recesses of anechoic chambers employ this strategy; not only is the foam soft, it's porous, and the deep recesses trap the sound energy enabling more of it to be absorbed.
In the Winspear Centre in Edmonton AB, the hard masonry walls are hung with heavy curtains that can be raised or lowered to adjust the reflectivity of the walls. With the touch of a few buttons, the motorized curtains can be accurately "tuned" to achieve the appropriate reflectivity for the music being performed. This is simply a sophisticated application of Scott's suggestion.
So it's not going to break the bank, but may take some time to get the desired result.
Glenn
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
Here is my main problem guys, and thus the idea of trying the egg cartons. I will try to draw in ASCII are what my room looks like.
_____________
/ \
/ \
/ \
| |
| |
| |
| |
| |
The rooms I use were an attic made into bedrooms by the previous owner of the home. The angles represent drywall at the angle of the roof, then the flat ceiling is about 7 1/2 ft. Sadly the house was built in 1965 in the style of the bungalow homes of that era and the stairway leading up in in the dead center of the house, thus the 2 rooms. And I have nowhere to relocate the stairway so I can make it one big room. So I am stuck with this barn shaped room with hard surfaces. There are more issues but maybe photos are needed. They built knee walls for closets and such on one side, which works well for a place to put the guitar stand and the fridge and microwave as well as a closet to keep cables and tools and such. The other side is a total mess where everything I don't use gets tossed. Gig bags, the stuff I use for live play, etc..... That only gets cleaned up when I have a drummer in.
I don't know if I even NEED to worry about room acoustics. If it was a professional studio I would say yes, but I am just a home guy who plays for my own enjoyment and to maybe write a hit someday, but even at that it wouldn't be recorded here.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 22,229
Veteran
|
|
Veteran
Joined: May 2000
Posts: 22,229 |
Some treatment may actually help with the listening enjoyment, whether you record a hit there or not. Just my opinion. I enjoy listening in the treated room better .. of course that is also where the best monitors are too, so that probably factors in.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
|
Anonymous
Unregistered
|
|
Anonymous
Unregistered
|
I LOVE LOVE LOVE my powered Wharfedales!!! LOVE THEM!
Such bottom end response and crisp highs....100w each and I bought them on sale in 2009 for $129 each, down from $169. AND, originally I wanted the 8.1 model because I didn't care if I had the bigger woofer or not. The store I was ordering from only had 1 of them available. The order kid suggested I buy 2 of the 8.2 model, and I said that even that slightly higher price put them out of my budget, and I really didn't want mismatched monitors, so he sold me a pair of the 8.2 at the 8.1 sale price to make the sale.
They are great.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
|
|
|
|
|
|
|
|
|
|
|
|
Forums58
Topics84,665
Posts782,692
Members39,718
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean