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Bob,
Absolutely outstanding sound production and mixing. Really brings out the best in the song. Thanks for sharing and describing your workflow. SD

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Can't listen via the link provided.


My Tunes

Psalm 57:7 My heart, O God, is steadfast, my heart is steadfast; I will sing and make music.
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Just tried the link and it's working for me. Try copying the URL below and pasting into your browser or Mediaplayer's "Open URL" menu item. ~Bob

http://www.boomervillecafe.com/cowboybrad/tcsamples/Pink.mp3

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Thanks SD. Glad you like. ~B

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Nice use of BIAB. Great recording. One question: why do the mountains turn pink?


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Haha...good question. Brad wrote the song about the snowbirds that live in Arizona during the winter. (Brad performs at the Arizona Opry in Apache Junction) The title comes from a popular bumper sticker seen on a lot of snowbird vehicles. It refers to the change in color of the mountains in the Southwest near sunset...apparently they turn pink...and the snowbirds know it's time to start the party. Tequila Margarita for me, please!

Bob

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Pro quality all the way!

That “The western’s gone in country music” line is so true!

Two thumbs up.


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Hey Hawgly.
Couldnt get the audio working on this one.
Sorry.

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Hawgly,

Can only ditto above comments, great song!


FrankB

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Just tried the link and it's working. And since others can play it might just be a browser thing; try copying and pasting the URL directly into your browser or "Open URL" menu item in MediaPlayer or whatever player you're using.

Bob

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Awesome, possum! Excellent work throughout.

Yes, the mountains actually do turn pink at sundown. Quite gorgeous, in fact. I believe it's a result of dust particles in the atmosphere in relationship to the sun's angle.

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hey bob great work very professional thanks eric


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Hi guys. Thanks for listening.

Bob

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Very nice with a great mix and harmony vocals. BTW, are you rendering the tracks as mono or stereo?


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Hey Moot...

BIAB tracks are centered and transferred to the DAW (Reaper, Sonar Producer) as stereo tracks. Vocals are recorded mono, as well as Brad's acoustic guitar, and Chris' steel. Here is our general panning setup:

Bass-Left 8-10,
Drums Right 8-10,
Acoustic fingerpicking guitar Right 50,
Other rhythm (if any) Left 50,
Steel guitar Right 75,
Fiddle Left 75,
Lead vocal- 0 (zero pan),
Harmony vocals Left 90, and Right 90.

Adjust to taste. Master mix is rendered from the DAW in stereo at 192kps for MP3, and 44khz 16bit for WAV.

Obviously there are a million ways to mix a song. I like to set my panorama as though I were viewing/hearing the band onstage. Wide panning of backup vocals creates a nice fat vocal sound. Lead instruments (steel, fiddle) are kept well away from the lead vocal which always has it's own sonic space. No reverb for the bass, but some compression to keep the bass tight and focused. After topping and tailing, the final mix is slightly compressed and about 3db of highs added back in at 7khz and above.

Thanks for listening,
Bob

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Quote:


....Obviously there are a million ways to mix a song. I like to set my panorama as though I were viewing/hearing the band onstage.
Bob




Same here. I guess it's becoming a bit old school but I like to imagine myself at about the the 10th row and dead center relative to the band. I've been saving my realtracks as mono rather than stereo (some aren't stereo) with the notion that they would pan better as a mono track...dunno - may have to try panning some stereo tracks.


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Hey Bob,

Great job as usual.

Nice to see you posting some stuff again.

Greg

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Yea...10th row, center. That's about what I have in mind when I'm mixing. Comes out nice and fat. If I'm doing a song without harmonies, I put the leads like fiddle and steel farther out on the edges.

As for mono vs stereo, I've tried it both ways and I can't tell the difference. I suppose it would be easy enough to convert the BIAB tracks to mono. I always bring 'em over as stereo just in case I might miss something. But really, I swear I can't tell the difference. I understand about your point of panning a mono track. Makes sense. But I just can't tell. We have some nice mains in the mixing/mastering studio, but I always make my final decisions with a pair of Sony MDR 7506 headphones ($99 ) . I can really hear the panorama that way and I've gotten used to hearing things thru these particular phones, so I know how the master will come out. I've literally mastered hundreds of songs for clients with these cheapies. The proof is in the master.

Thanks for listening,
Bob

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@Greg...hey, dude. Howz things way out there in the west? Probably not as smoky as here. I've smelled smoke so much now I think I'm smelling it even when there's none. Things have calmed down a lot. About time.
Thanks for the post and your nice comments. Keep in touch.

Bob

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