|
Log in to post
|
Print Thread |
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2012
Posts: 76
Enthusiast
|
OP
Enthusiast
Joined: May 2012
Posts: 76 |
I use BIAB 2012 for Windows.
I Audio Record playing a banjo tune with a Style and everything works except the banjo sounds very tinny. I am using a Sony dynamics microphone (cheap one). Is it the microphone causing this?
If I use the mic in Audacity to record, it sounds good, though.
(By the way, if I export from Audacity as a wav file into biab, the song is out of synch with the biab style playing in background - but this might be a topic for another thread).
Last edited by profbob; 05/04/13 07:52 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jan 2013
Posts: 1,333
Expert
|
Expert
Joined: Jan 2013
Posts: 1,333 |
I'll chime in...
If I understand you correctly and it's actually you playing the banjo.
IMO....a 'cheap' Sony dynamic mic would achieve less than adequate results. If that's all you are going to be working with then mic placement is even more critical. You'll have to be very close to the mic and then be aware of 'proximity effect' issues. (low frequency predominance). So, your playing technique will also be part of the equation.
EQ'ing may help a bit. Meaning, reduce the offending high frequencies and if you got lucky there are some mid frequencies on the original track to smooth out the take. Others may have their take on it but I'd say get a MOR condenser mic to add to your recording arsenal. They've become quite affordable over the years.
Something else to keep in mind that what may sound 'tinny' to your ears when soloing this track may sound very close or even acceptable in a final mix with other instruments playing.
If you are insistent on keeping the track and using that mic significant experimentation will be necessary.
Hope that helps...carry on.
Last edited by chulaivet1966; 05/04/13 09:52 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2008
Posts: 5,086
Veteran
|
Veteran
Joined: May 2008
Posts: 5,086 |
Good advice above.
I'm just wondering - are you recording to the audio track in BIAB?
If so you will enjoy better results by opening your BIAB file in Realband and then recording your banjo track(s) there.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Oct 2008
Posts: 20,486
Veteran
|
Veteran
Joined: Oct 2008
Posts: 20,486 |
Hi Bob, I've just read through your post and a couple of thoughts sprang to mind. They were ... ONEChulaivet1966 and Sundance offer some excellent advice that would resolve the issue and is worth considering. TWOMy take on the issue is that if the banjo records ok in Audacity and not ok in BIAB, then it's not really a mic problem because the audio would be tinny wherever it's recorded since both BIAB and Audacity use the same soundcard process to record. This got me wondering about mono and stereo. A microphone is mono and if Audacity is recording in mono, it will be heard on both speakers when played back. If, however, BIAB is recording in stereo (BIAB's default) then only one speaker will be heard with the banjo on playback. This could sound "tinny". To check my theory, try setting BIAB to record in mono and have a listen. To do this, refer to the image below and the instructions that follow it. - Click on Audio (#1) then select Record Audio (#2).
- Now select Audio Options (#3) from the window that pops up.
- From the next window that pops up, set the Audio track type for THIS song to MONO (#4)
Now record and have a listen to the playback. Regards, Noel
Last edited by Noel96; 05/05/13 01:51 AM.
MY SONGS...Audiophile BIAB 2026
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Oct 2008
Posts: 20,486
Veteran
|
Veteran
Joined: Oct 2008
Posts: 20,486 |
Bob, In relation to the audio recorded in Audacity that becomes out of synch when imported into BIAB, it's possible to correct by time-shifting the audio track as follows. - Import the audio.
- Select Audio (#1) and then select Edit Audio.
- Now select Timeshift Audio (ms). (Note: 1,000 ms = 1 second.)
- Trial and error is required to get it right. Simply try different values. Negative values will cause the audio to come in earlier and positive values will cause it to come in later. I'd start with 500 ms (half a second) and see how that sounds.
Hope this helps, Noel
MY SONGS...Audiophile BIAB 2026
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2002
Posts: 491
Journeyman
|
Journeyman
Joined: Dec 2002
Posts: 491 |
Hi Bob, Welcome! Lots of good advice so far! Another thing to be considered, is the banjo itself......5 string? ....Plectrum? As already mentioned, I use a moderately priced condenser mic....SAMSON CO1. I sometimes use 2 of them, depending on how I want the banjo to sound. Experiment with placings. Regards, Joe G.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2011
Posts: 16,041
Veteran
|
Veteran
Joined: Dec 2011
Posts: 16,041 |
Howdy, I've recorded a LOT of banjo over the last 35 years and have always found it challenging. Typically I was trying to give the banjo picker the sound that he or she desired. And often they referred to it as a "fat" sound. A 1930's Gibson will give this sound pretty readily but with a lot of banjos it requires more work.
For the last 15 years or so I've used a Rode NT1, AT-4033 or and MXL when recording banjos although it's been a few years since I last worked with one. From my experience a decent quality large diaphragm condenser mic (like those mentioned) is the best. I place the mic about 8-12 inches away favoring the bottom third of the "head." I would mix with a very small amount of reverb and perhaps slight EQ boost around 1K. Also I would avoid having the banjo face a window or other "bright" surface. Of course, now days, for me it's all banjo RealTracks!
Bud
Last edited by Janice & Bud; 05/05/13 12:10 PM.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jan 2013
Posts: 1,333
Expert
|
Expert
Joined: Jan 2013
Posts: 1,333 |
Howdy, I've recorded a LOT of banjo over the last 35 years and have always found it challenging. In the band I was in during mid 70's we had a good banjo player for a couple of old select tunes but I've never recorded banjo. Just out of curiosity what have you found to be the offending/challenging frequencies? In my recording banjo ignorance I'd guess anywhere from 3K-8K or so but I'll let you correct me on that. It also seems to me one would have to capture those mid frequencies (mic placement critical) well or carving away the offending highs would be of little help to arrive at a smooth, full sounding banjo track. Carry on....
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: May 2012
Posts: 76
Enthusiast
|
OP
Enthusiast
Joined: May 2012
Posts: 76 |
Thanks for all the advice. I use a 5 string and play clawhammer style. I am able to export from Audacity to BIAB and with some equalizer adjusting things are sounding better (got help watching youtube video).
Sundance: I don't know how to mess with Real Band (?). I see references to Real this and that but just ignore.
Noel96: will try your suggestion about the synch problem.
Last edited by profbob; 05/05/13 03:27 PM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Jun 2003
Posts: 1,116
Expert
|
Expert
Joined: Jun 2003
Posts: 1,116 |
I've been recording banjo for years and it is one of the more difficult instruments to capture a great sound from. But here is my advice:
1. Use a large diaphragm condenser microphone. 2. Never close mic the banjo. The sound right up on the head is going to sound tinny. Get back 3 or 4 feet from the microphone. 3. I like to get the microphone up a little above the height of the top edge of the head pointing down. Don't aim for the middle of the head. 4. If you are still getting a tinny sound try moving back even farther from the mic. I've had to sometimes back up to 6 or 7 feet depending on the room to get the banjo to sound right.
Keith 2026 Audiophile Windows 11 RYZEN THREADRIPPER 3960X 4.5GHZ 128 GB RAM 2 Nvidia RTX 3090s, Vegas,Acid,SoundForge,Izotope Production,Melodyne Studio,SONAR,3 Raven Mtis
|
|
|
|
|
|
|
|
|
|
|
|
|
Recording, Mixing, Performance and Production
|
Joined: Dec 2011
Posts: 16,041
Veteran
|
Veteran
Joined: Dec 2011
Posts: 16,041 |
Howdy, I've recorded a LOT of banjo over the last 35 years and have always found it challenging. In the band I was in during mid 70's we had a good banjo player for a couple of old select tunes but I've never recorded banjo. Just out of curiosity what have you found to be the offending/challenging frequencies? In my recording banjo ignorance I'd guess anywhere from 3K-8K or so but I'll let you correct me on that. It also seems to me one would have to capture those mid frequencies (mic placement critical) well or carving away the offending highs would be of little help to arrive at a smooth, full sounding banjo track. Carry on.... It depends so much on the banjo that it's hard to answer. Some pickers want the bright sound and others want the tubby sound. I just learned what they wanted and try to EQ to their wishes. There was no substitute for a great instrument and a picker with good tone and chops. Just can't make the old silk purse out of a sow's ear.
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box® 2025 for Mac® users: Build 904 now available!
If you're already using Band-in-a-Box® 2025 for Mac®, make sure to grab the latest update! Build 904 is now available for download and includes the newest additions and enhancements from our team.
Band-in-a-Box® 2026 for Windows® users: Build 1237 is now available!
Already a Band-in-a-Box 2026 for Windows user? Stay up to date and download the build 1237 to get all the latest additions and enhancements.
PowerTracks Pro 2026 for Windows is Here!
PowerTracks 2026 is here—bringing powerful new enhancements designed to make your production workflow faster, smoother, and more intuitive than ever.
The enhanced Mixer now shows Track Type and Instrument icons for instant track recognition, while a new grid option simplifies editing views. Non-floating windows adopt a modern title bar style, replacing the legacy blue bar.
The Master Volume is now applied at the end of the audio chain for consistent levels and full-signal master effects.
Tablature now includes a “Save bends when saving XML” option for improved compatibility with PG Music tools. Plus, you can instantly match all track heights with a simple Ctrl-release after resizing, and Add2 chords from MGU/SGU files are now fully supported... and more!
Get started today—first-time packages start at just $49.
Already using PowerTracks Pro Audio? Upgrade for as little as $29 and enjoy the latest improvements!
Order now!
Band-in-a-Box 2026 for Windows Special Offers End Tomorrow (January 15th, 2026) at 11:59 PM PST!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Windows® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PST on Thursday, January 15, 2026!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Windows®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the new AI-Notes feature, which can transcribe polyphonic audio into MIDI. You can view the results in notation or play them back as MIDI, and choose whether to process an entire track or focus on specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Windows®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Upgrade your Band-in-a-Box for Windows to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 for Windows® Special Offers Extended Until January 15, 2026!
Good news! You still have time to upgrade to the latest version of Band-in-a-Box® for Windows® and save. Our Band-in-a-Box® 2026 for Windows® special now runs through January 15, 2025!
We've packed Band-in-a-Box® 2026 with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can process an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Windows®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PST on January 15th, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Upgrade to Band-in-a-Box® 2026 for Windows® today! Check out the Band-in-a-Box® packages page for all the purchase options available.
Happy New Year!
Thank you for being part of the Band-in-a-Box® community.
Wishing you and yours a very happy 2026—Happy New Year from all of us at PG Music!
Season's Greetings!
Wishing everyone a happy, healthy holiday season—thanks for being part of our community!
The office will be closed for Christmas Day, but we will be back on Boxing Day (Dec 26th) at 6:00am PST.
Team PG
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics86,047
Posts799,299
Members40,015
| |
Most Online44,367 Mar 4th, 2026
|
|
|
|
|
|
|
|
|